{"title":"Canon Obiettivi Usati","description":null,"products":[{"product_id":"7artisans-12mm-f-2-8-aps-c-x-canon-m","title":"7artisans 12mm f\/2.8  APS-C X Canon M","description":"Il 7artisans 12mm f\/2.8 è un obiettivo grandangolare per formato APS-C, prodotto dal 2017. La messa a fuoco avviene tramite \u003cb\u003eManual Focus\u003c\/b\u003e, non è presente stabilizzazione d'immagine.\n\n7artisans 12mm f\/2.8 APS-C X e Canon M\n\u003cp data-start=\"219\" data-end=\"557\"\u003eIl \u003cstrong data-start=\"222\" data-end=\"246\"\u003e7Artisans 12mm f\/2.8\u003c\/strong\u003e è un obiettivo \u003cstrong data-start=\"262\" data-end=\"300\"\u003eultra-grandangolare a focale fissa\u003c\/strong\u003e progettato per fotocamere mirrorless con sensore APS-C, incluso l’attacco \u003cstrong data-start=\"375\" data-end=\"389\"\u003eCanon EF-M\u003c\/strong\u003e. È una lente economica ma con una costruzione solida, pensata per chi desidera un campo visivo molto ampio senza spendere troppo.\u003c\/p\u003e\n\n\n\u003chr data-start=\"559\" data-end=\"562\"\u003e\n\n\u003ch2 data-start=\"564\" data-end=\"596\"\u003e📷 Caratteristiche principali\u003c\/h2\u003e\n\u003ch3 data-start=\"598\" data-end=\"625\"\u003e🔹 Ottica e prestazioni\u003c\/h3\u003e\n\u003cul data-start=\"627\" data-end=\"1313\"\u003e\n \t\u003cli data-start=\"627\" data-end=\"797\"\u003e\n\u003cp data-start=\"629\" data-end=\"797\"\u003e\u003cstrong data-start=\"629\" data-end=\"650\"\u003eLunghezza focale:\u003c\/strong\u003e 12 mm → \u003cstrong data-start=\"659\" data-end=\"694\"\u003e≈19,2 mm equivalente full-frame\u003c\/strong\u003e su sensore APS-C, ideale per paesaggi, architettura e interni.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"798\" data-end=\"918\"\u003e\n\u003cp data-start=\"800\" data-end=\"918\"\u003e\u003cstrong data-start=\"800\" data-end=\"821\"\u003eApertura massima:\u003c\/strong\u003e \u003cstrong data-start=\"822\" data-end=\"831\"\u003ef\/2.8\u003c\/strong\u003e, luminosa per condizioni di luce medio-scarsa.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"919\" data-end=\"991\"\u003e\n\u003cp data-start=\"921\" data-end=\"991\"\u003e\u003cstrong data-start=\"921\" data-end=\"941\"\u003eApertura minima:\u003c\/strong\u003e \u003cstrong data-start=\"942\" data-end=\"950\"\u003ef\/16\u003c\/strong\u003e.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"992\" data-end=\"1116\"\u003e\n\u003cp data-start=\"994\" data-end=\"1116\"\u003e\u003cstrong data-start=\"994\" data-end=\"1014\"\u003eAngolo di campo:\u003c\/strong\u003e circa \u003cstrong data-start=\"1021\" data-end=\"1029\"\u003e102°\u003c\/strong\u003e, molto ampio per scene panoramiche e creative.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1117\" data-end=\"1313\"\u003e\n\u003cp data-start=\"1119\" data-end=\"1313\"\u003e\u003cstrong data-start=\"1119\" data-end=\"1137\"\u003eMessa a fuoco:\u003c\/strong\u003e completamente \u003cstrong data-start=\"1152\" data-end=\"1168\"\u003emanuale (MF)\u003c\/strong\u003e, senza autofocus — richiede attenzione e pratica, soprattutto per il video o la fotografia in movimento.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"1315\" data-end=\"1318\"\u003e\n\n\u003ch2 data-start=\"1320\" data-end=\"1346\"\u003e🧠 Costruzione e design\u003c\/h2\u003e\n\u003cul data-start=\"1348\" data-end=\"1968\"\u003e\n \t\u003cli data-start=\"1348\" data-end=\"1479\"\u003e\n\u003cp data-start=\"1350\" data-end=\"1479\"\u003e\u003cstrong data-start=\"1350\" data-end=\"1360\"\u003eCorpo:\u003c\/strong\u003e realizzato principalmente in \u003cstrong data-start=\"1390\" data-end=\"1401\"\u003emetallo\u003c\/strong\u003e, con una sensazione solida e robusta.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1480\" data-end=\"1603\"\u003e\n\u003cp data-start=\"1482\" data-end=\"1603\"\u003e\u003cstrong data-start=\"1482\" data-end=\"1503\"\u003eAnello diaframma:\u003c\/strong\u003e spesso \u003cstrong data-start=\"1511\" data-end=\"1523\"\u003ede-click\u003c\/strong\u003e, utile per transizioni fluide in video.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1604\" data-end=\"1693\"\u003e\n\u003cp data-start=\"1606\" data-end=\"1693\"\u003e\u003cstrong data-start=\"1606\" data-end=\"1619\"\u003eParaluce:\u003c\/strong\u003e integrato per ridurre i riflessi.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1694\" data-end=\"1833\"\u003e\n\u003cp data-start=\"1696\" data-end=\"1833\"\u003e\u003cstrong data-start=\"1696\" data-end=\"1720\"\u003eCoating multistrato:\u003c\/strong\u003e migliora contrasto e fedeltà dei colori controllando flare e ghosting.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1834\" data-end=\"1968\"\u003e\n\u003cp data-start=\"1836\" data-end=\"1968\"\u003e\u003cstrong data-start=\"1836\" data-end=\"1847\"\u003eFiltro:\u003c\/strong\u003e questo modello originale \u003cstrong data-start=\"1873\" data-end=\"1906\"\u003enon ha filettatura per filtri\u003c\/strong\u003e (frontale sporgente).\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"1970\" data-end=\"1973\"\u003e\n\n\u003ch2 data-start=\"1975\" data-end=\"2000\"\u003e📊 Specifiche tecniche\u003c\/h2\u003e\n\u003cdiv class=\"TyagGW_tableContainer\"\u003e\n\u003cdiv class=\"group TyagGW_tableWrapper flex flex-col-reverse w-fit\" tabindex=\"-1\"\u003e\n\u003ctable class=\"w-fit min-w-(--thread-content-width)\" data-start=\"2002\" data-end=\"2463\"\u003e\n\u003cthead data-start=\"2002\" data-end=\"2024\"\u003e\n\u003ctr data-start=\"2002\" data-end=\"2024\"\u003e\n\u003cth class=\"align-top\" data-start=\"2002\" data-end=\"2014\" data-col-size=\"sm\"\u003eSpecifica\u003c\/th\u003e\n\u003cth class=\"align-top\" data-start=\"2014\" data-end=\"2024\" data-col-size=\"sm\"\u003eValore\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"2048\" data-end=\"2463\"\u003e\n\u003ctr data-start=\"2048\" data-end=\"2074\"\u003e\n\u003ctd data-start=\"2048\" data-end=\"2060\" data-col-size=\"sm\"\u003eMontatura\u003c\/td\u003e\n\u003ctd data-start=\"2060\" data-end=\"2074\" data-col-size=\"sm\"\u003eCanon EF-M\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2075\" data-end=\"2111\"\u003e\n\u003ctd data-start=\"2075\" data-end=\"2091\" data-col-size=\"sm\"\u003eCompatibilità\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"2091\" data-end=\"2111\"\u003eMirrorless APS-C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2112\" data-end=\"2152\"\u003e\n\u003ctd data-start=\"2112\" data-end=\"2121\" data-col-size=\"sm\"\u003eFocale\u003c\/td\u003e\n\u003ctd data-start=\"2121\" data-end=\"2152\" data-col-size=\"sm\"\u003e12 mm (≈19.2 mm full-frame)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2153\" data-end=\"2180\"\u003e\n\u003ctd data-start=\"2153\" data-end=\"2164\" data-col-size=\"sm\"\u003eApertura\u003c\/td\u003e\n\u003ctd data-start=\"2164\" data-end=\"2180\" data-col-size=\"sm\"\u003ef\/2.8 – f\/16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2181\" data-end=\"2221\"\u003e\n\u003ctd data-start=\"2181\" data-end=\"2205\" data-col-size=\"sm\"\u003eTipo di messa a fuoco\u003c\/td\u003e\n\u003ctd data-start=\"2205\" data-end=\"2221\" data-col-size=\"sm\"\u003eManual Focus\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2222\" data-end=\"2267\"\u003e\n\u003ctd data-start=\"2222\" data-end=\"2257\" data-col-size=\"sm\"\u003eDistanza minima di messa a fuoco\u003c\/td\u003e\n\u003ctd data-start=\"2257\" data-end=\"2267\" data-col-size=\"sm\"\u003e~20 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2268\" data-end=\"2313\"\u003e\n\u003ctd data-start=\"2268\" data-end=\"2286\" data-col-size=\"sm\"\u003eElementi\/Gruppi\u003c\/td\u003e\n\u003ctd data-start=\"2286\" data-end=\"2313\" data-col-size=\"sm\"\u003e10 elementi in 8 gruppi\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2314\" data-end=\"2339\"\u003e\n\u003ctd data-start=\"2314\" data-end=\"2334\" data-col-size=\"sm\"\u003eLamelle diaframma\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"2334\" data-end=\"2339\"\u003e7\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2340\" data-end=\"2366\"\u003e\n\u003ctd data-start=\"2340\" data-end=\"2358\" data-col-size=\"sm\"\u003eStabilizzazione\u003c\/td\u003e\n\u003ctd data-start=\"2358\" data-end=\"2366\" data-col-size=\"sm\"\u003e❌ No\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2367\" data-end=\"2388\"\u003e\n\u003ctd data-start=\"2367\" data-end=\"2374\" data-col-size=\"sm\"\u003ePeso\u003c\/td\u003e\n\u003ctd data-start=\"2374\" data-end=\"2388\" data-col-size=\"sm\"\u003e~290–300 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2389\" data-end=\"2463\"\u003e\n\u003ctd data-start=\"2389\" data-end=\"2398\" data-col-size=\"sm\"\u003eFiltri\u003c\/td\u003e\n\u003ctd data-start=\"2398\" data-end=\"2422\" data-col-size=\"sm\"\u003e❌ No (no filettatura)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003chr data-start=\"2465\" data-end=\"2468\"\u003e\n\n\u003ch2 data-start=\"2470\" data-end=\"2497\"\u003e📸 Caratteristiche d’uso\u003c\/h2\u003e\n\u003ch3 data-start=\"2499\" data-end=\"2525\"\u003e👁️ Campo visivo ampio\u003c\/h3\u003e\n\u003cp data-start=\"2526\" data-end=\"2606\"\u003eGrazie all’angolo di campo molto ampio, questo 12 mm è particolarmente adatto a:\u003c\/p\u003e\n\n\u003cul data-start=\"2608\" data-end=\"2729\"\u003e\n \t\u003cli data-start=\"2608\" data-end=\"2636\"\u003e\n\u003cp data-start=\"2610\" data-end=\"2636\"\u003e\u003cstrong data-start=\"2610\" data-end=\"2636\"\u003ePaesaggi naturalistici\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2637\" data-end=\"2665\"\u003e\n\u003cp data-start=\"2639\" data-end=\"2665\"\u003e\u003cstrong data-start=\"2639\" data-end=\"2665\"\u003eArchitettura e interni\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2666\" data-end=\"2689\"\u003e\n\u003cp data-start=\"2668\" data-end=\"2689\"\u003e\u003cstrong data-start=\"2668\" data-end=\"2689\"\u003eFotografia urbana\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2690\" data-end=\"2729\"\u003e\n\u003cp data-start=\"2692\" data-end=\"2729\"\u003e\u003cstrong data-start=\"2692\" data-end=\"2729\"\u003eAstro-fotografia (se ben gestito)\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2731\" data-end=\"2916\"\u003eL’assenza di autofocus lo rende più adatto a situazioni statiche o a usi in cui si può impostare la messa a fuoco manualmente prima dello scatto.\u003c\/p\u003e\n\n\u003ch3 data-start=\"2918\" data-end=\"2937\"\u003e🧠 Pro e contro\u003c\/h3\u003e\n\u003cp data-start=\"2939\" data-end=\"2960\"\u003e\u003cstrong data-start=\"2939\" data-end=\"2960\"\u003e👍 Punti di forza\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul data-start=\"2961\" data-end=\"3349\"\u003e\n \t\u003cli data-start=\"2961\" data-end=\"3052\"\u003e\n\u003cp data-start=\"2963\" data-end=\"3052\"\u003ePrezzo \u003cstrong data-start=\"2970\" data-end=\"2991\"\u003emolto competitivo\u003c\/strong\u003e nel mercato APS-C.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3053\" data-end=\"3142\"\u003e\n\u003cp data-start=\"3055\" data-end=\"3142\"\u003e\u003cstrong data-start=\"3055\" data-end=\"3069\"\u003eUltra-wide\u003c\/strong\u003e con buona nitidezza al centro.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3143\" data-end=\"3221\"\u003e\n\u003cp data-start=\"3145\" data-end=\"3221\"\u003e\u003cstrong data-start=\"3145\" data-end=\"3167\"\u003eCostruzione solida\u003c\/strong\u003e e compatta.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3222\" data-end=\"3349\"\u003e\n\u003cp data-start=\"3224\" data-end=\"3349\"\u003e\u003cstrong data-start=\"3224\" data-end=\"3256\"\u003eDesign semplice e funzionale\u003c\/strong\u003e per video grazie all’anello diaframma de-cliccato.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"3351\" data-end=\"3364\"\u003e\u003cstrong data-start=\"3351\" data-end=\"3364\"\u003e👎 Limiti\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul data-start=\"3365\" data-end=\"3774\"\u003e\n \t\u003cli data-start=\"3365\" data-end=\"3445\"\u003e\n\u003cp data-start=\"3367\" data-end=\"3445\"\u003e\u003cstrong data-start=\"3367\" data-end=\"3383\"\u003eManual focus\u003c\/strong\u003e — nessun autofocus.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3446\" data-end=\"3518\"\u003e\n\u003cp data-start=\"3448\" data-end=\"3518\"\u003e\u003cstrong data-start=\"3448\" data-end=\"3475\"\u003eNessuna stabilizzazione\u003c\/strong\u003e.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3519\" data-end=\"3672\"\u003e\n\u003cp data-start=\"3521\" data-end=\"3672\"\u003ePrestazioni \u003cstrong data-start=\"3533\" data-end=\"3553\"\u003enei bordi\/corner\u003c\/strong\u003e e aberrazioni possono essere visibili, soprattutto alle aperture più aperte.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3673\" data-end=\"3774\"\u003e\n\u003cp data-start=\"3675\" data-end=\"3774\"\u003e\u003cstrong data-start=\"3675\" data-end=\"3705\"\u003eNessuna filettatura filtri\u003c\/strong\u003e senza adattatori aggiuntivi.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"3776\" data-end=\"3779\"\u003e\n\n\u003ch2 data-start=\"3781\" data-end=\"3798\"\u003e🎯 Conclusioni\u003c\/h2\u003e\n\u003cp data-start=\"3800\" data-end=\"3985\"\u003eIl \u003cstrong data-start=\"3803\" data-end=\"3846\"\u003e\u003cspan class=\"inline align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003e\u003cspan class=\"hover:entity-accent entity-underline cursor-pointer\"\u003e7 Artisans 12mm f\/2.8 (per Canon M‑mount)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e è un obiettivo ultra-grandangolare \u003cstrong data-start=\"3882\" data-end=\"3911\"\u003emanuale e budget-friendly\u003c\/strong\u003e per chi vuole ampliare la propria creatività su fotocamere Canon serie M:\u003c\/p\u003e\n\u003cp data-start=\"3987\" data-end=\"4271\"\u003e✅ \u003cstrong data-start=\"3989\" data-end=\"4023\"\u003eOttimo rapporto qualità\/prezzo\u003c\/strong\u003e — ideale per paesaggi, architettura e video creativi.\u003cbr data-start=\"4077\" data-end=\"4080\"\u003e✅ \u003cstrong data-start=\"4082\" data-end=\"4104\"\u003eCostruzione solida\u003c\/strong\u003e e sensazione robusta.\u003cbr data-start=\"4126\" data-end=\"4129\"\u003e❗ \u003cstrong data-start=\"4131\" data-end=\"4193\"\u003eNon adatto a chi ha bisogno di autofocus o stabilizzazione\u003c\/strong\u003e.\u003cbr data-start=\"4194\" data-end=\"4197\"\u003e❗ Alcune \u003cstrong data-start=\"4206\" data-end=\"4239\"\u003elimitazioni ottiche nei bordi\u003c\/strong\u003e rispetto a ottiche più costose.\u003c\/p\u003e\n\u003cp data-start=\"4273\" data-end=\"4478\"\u003eIn sintesi: se cerchi \u003cstrong data-start=\"4295\" data-end=\"4336\"\u003eampio campo visivo e piccolo ingombro\u003c\/strong\u003e senza spendere troppo, è una scelta interessante — purché tu sia comodo con la messa a fuoco manuale.\u003c\/p\u003e","brand":"7artisans","offers":[{"title":"Default Title","offer_id":59738656440654,"sku":"12121","price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/7681\/8510\/files\/DSC_2502.jpg?v=1779701024"},{"product_id":"samyang-85mm-t-1-5-x-canon-ef","title":"Samyang 85mm T\/1.5 X Canon EF","description":"Il Samyang 85mm T\/1.5 ED AS UMC è un obiettivo per formato FF e APS-C, prodotto dal 2013 al 2017 (fuori produzione). La messa a fuoco avviene tramite \u003cb\u003eManual Focus\u003c\/b\u003e, non è presente stabilizzazione d'immagine.\n\nSamyang 85mm T\/1.5 X Canon\n\n\u003cspan style=\"color: #ff0000;\"\u003eL'obiettivo ha i suoi imballi !\u003c\/span\u003e\n\n\u003cspan style=\"color: #ff0000;\"\u003e6 mesi di garanzia !\u003c\/span\u003e\n\u003cp data-start=\"450\" data-end=\"756\"\u003eIl \u003cstrong data-start=\"453\" data-end=\"485\"\u003eSamyang 85mm T\/1.5 ED AS UMC\u003c\/strong\u003e è un obiettivo cine progettato specificamente per il videomaking. A differenza della versione fotografica F\/1.4, questa versione utilizza la scala \u003cstrong data-start=\"633\" data-end=\"643\"\u003eT-stop\u003c\/strong\u003e, calibrata per garantire una trasmissione della luce reale e costante, fondamentale nelle riprese professionali.\u003c\/p\u003e\n\u003cp data-start=\"758\" data-end=\"818\"\u003eÈ compatibile con fotocamere con attacco \u003cstrong data-start=\"799\" data-end=\"811\"\u003eCanon EF\u003c\/strong\u003e, come:\u003c\/p\u003e\n\n\u003cul data-start=\"820\" data-end=\"887\"\u003e\n \t\u003cli data-start=\"820\" data-end=\"844\"\u003e\n\u003cp data-start=\"822\" data-end=\"844\"\u003eCanon EOS 5D Mark IV\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"845\" data-end=\"869\"\u003e\n\u003cp data-start=\"847\" data-end=\"869\"\u003eCanon EOS 6D Mark II\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"870\" data-end=\"887\"\u003e\n\u003cp data-start=\"872\" data-end=\"887\"\u003eCanon EOS 90D\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"889\" data-end=\"951\"\u003ePerfetto anche per l’utilizzo su cinema camera con attacco EF.\u003c\/p\u003e\n\n\n\u003chr data-start=\"953\" data-end=\"956\"\u003e\n\n\u003ch2 data-start=\"958\" data-end=\"988\"\u003e🔍 Caratteristiche Tecniche\u003c\/h2\u003e\n\u003cul data-start=\"990\" data-end=\"1345\"\u003e\n \t\u003cli data-start=\"990\" data-end=\"1020\"\u003e\n\u003cp data-start=\"992\" data-end=\"1020\"\u003e\u003cstrong data-start=\"992\" data-end=\"1013\"\u003eLunghezza focale:\u003c\/strong\u003e 85mm\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1021\" data-end=\"1052\"\u003e\n\u003cp data-start=\"1023\" data-end=\"1052\"\u003e\u003cstrong data-start=\"1023\" data-end=\"1044\"\u003eApertura massima:\u003c\/strong\u003e T\/1.5\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1053\" data-end=\"1098\"\u003e\n\u003cp data-start=\"1055\" data-end=\"1098\"\u003e\u003cstrong data-start=\"1055\" data-end=\"1073\"\u003eSchema ottico:\u003c\/strong\u003e 9 elementi in 7 gruppi\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1099\" data-end=\"1180\"\u003e\n\u003cp data-start=\"1101\" data-end=\"1180\"\u003e\u003cstrong data-start=\"1101\" data-end=\"1120\"\u003eLenti speciali:\u003c\/strong\u003e 1 elemento ED (Extra-low Dispersion), 1 elemento asferico\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1181\" data-end=\"1209\"\u003e\n\u003cp data-start=\"1183\" data-end=\"1209\"\u003e\u003cstrong data-start=\"1183\" data-end=\"1197\"\u003eDiaframma:\u003c\/strong\u003e 8 lamelle\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1210\" data-end=\"1240\"\u003e\n\u003cp data-start=\"1212\" data-end=\"1240\"\u003e\u003cstrong data-start=\"1212\" data-end=\"1230\"\u003eMessa a fuoco:\u003c\/strong\u003e Manuale\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1241\" data-end=\"1290\"\u003e\n\u003cp data-start=\"1243\" data-end=\"1290\"\u003e\u003cstrong data-start=\"1243\" data-end=\"1280\"\u003eDistanza minima di messa a fuoco:\u003c\/strong\u003e 1 metro\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1291\" data-end=\"1320\"\u003e\n\u003cp data-start=\"1293\" data-end=\"1320\"\u003e\u003cstrong data-start=\"1293\" data-end=\"1313\"\u003eDiametro filtro:\u003c\/strong\u003e 72mm\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1321\" data-end=\"1345\"\u003e\n\u003cp data-start=\"1323\" data-end=\"1345\"\u003e\u003cstrong data-start=\"1323\" data-end=\"1332\"\u003ePeso:\u003c\/strong\u003e circa 560g\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1347\" data-end=\"1456\"\u003eIl trattamento \u003cstrong data-start=\"1362\" data-end=\"1391\"\u003eUMC (Ultra Multi Coating)\u003c\/strong\u003e riduce flare e ghosting, migliorando contrasto e resa cromatica.\u003c\/p\u003e\n\n\n\u003chr data-start=\"1458\" data-end=\"1461\"\u003e\n\n\u003ch2 data-start=\"1463\" data-end=\"1504\"\u003e🎬 Perché scegliere la versione T\/1.5?\u003c\/h2\u003e\n\u003cp data-start=\"1506\" data-end=\"1730\"\u003eLa differenza tra F\/1.4 e T\/1.5 è fondamentale nel video. Il valore \u003cstrong data-start=\"1574\" data-end=\"1584\"\u003eT-stop\u003c\/strong\u003e misura la reale quantità di luce che attraversa l’obiettivo, rendendo l’esposizione più precisa e coerente quando si lavora con più ottiche cine.\u003c\/p\u003e\n\u003cp data-start=\"1732\" data-end=\"1759\"\u003eQuesto lo rende ideale per:\u003c\/p\u003e\n\n\u003cul data-start=\"1761\" data-end=\"1867\"\u003e\n \t\u003cli data-start=\"1761\" data-end=\"1778\"\u003e\n\u003cp data-start=\"1763\" data-end=\"1778\"\u003eCortometraggi\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1779\" data-end=\"1801\"\u003e\n\u003cp data-start=\"1781\" data-end=\"1801\"\u003eVideoclip musicali\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1802\" data-end=\"1823\"\u003e\n\u003cp data-start=\"1804\" data-end=\"1823\"\u003eSpot pubblicitari\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1824\" data-end=\"1850\"\u003e\n\u003cp data-start=\"1826\" data-end=\"1850\"\u003eInterviste cinematiche\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1851\" data-end=\"1867\"\u003e\n\u003cp data-start=\"1853\" data-end=\"1867\"\u003eWedding film\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"1869\" data-end=\"1872\"\u003e\n\n\u003ch2 data-start=\"1874\" data-end=\"1901\"\u003e🌟 Qualità dell’Immagine\u003c\/h2\u003e\n\u003ch3 data-start=\"1903\" data-end=\"1916\"\u003eNitidezza\u003c\/h3\u003e\n\u003cp data-start=\"1917\" data-end=\"2036\"\u003eGià molto buona a T\/1.5 al centro, migliora ulteriormente chiudendo a T\/2 – T\/2.8. Ideale per ritratti cinematografici.\u003c\/p\u003e\n\n\u003ch3 data-start=\"2038\" data-end=\"2047\"\u003eBokeh\u003c\/h3\u003e\n\u003cp data-start=\"2048\" data-end=\"2193\"\u003eL’85mm è una focale perfetta per isolare il soggetto. A T\/1.5 produce uno sfocato morbido, cremoso e piacevole, con ottima separazione dei piani.\u003c\/p\u003e\n\n\u003ch3 data-start=\"2195\" data-end=\"2210\"\u003eResa Colori\u003c\/h3\u003e\n\u003cp data-start=\"2211\" data-end=\"2333\"\u003eColori naturali e contrasto equilibrato. Il trattamento UMC aiuta a mantenere saturazione e ridurre riflessi indesiderati.\u003c\/p\u003e\n\n\n\u003chr data-start=\"2335\" data-end=\"2338\"\u003e\n\n\u003ch2 data-start=\"2340\" data-end=\"2366\"\u003e🎯 A Chi è Consigliato?\u003c\/h2\u003e\n\u003cp data-start=\"2368\" data-end=\"2418\"\u003eIl \u003cstrong data-start=\"2371\" data-end=\"2402\"\u003eSamyang 85mm T\/1.5 Canon EF\u003c\/strong\u003e è perfetto per:\u003c\/p\u003e\n\n\u003cul data-start=\"2420\" data-end=\"2577\"\u003e\n \t\u003cli data-start=\"2420\" data-end=\"2447\"\u003e\n\u003cp data-start=\"2422\" data-end=\"2447\"\u003eVideomaker indipendenti\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2448\" data-end=\"2472\"\u003e\n\u003cp data-start=\"2450\" data-end=\"2472\"\u003eFilmmaker low budget\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2473\" data-end=\"2492\"\u003e\n\u003cp data-start=\"2475\" data-end=\"2492\"\u003eContent creator\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2493\" data-end=\"2577\"\u003e\n\u003cp data-start=\"2495\" data-end=\"2577\"\u003eChi desidera look cinematografico senza investire in ottiche cine di fascia alta\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2579\" data-end=\"2644\"\u003eÈ meno adatto a chi necessita di autofocus o fotografia sportiva.\u003c\/p\u003e\n\n\n\u003chr data-start=\"2646\" data-end=\"2649\"\u003e\n\n\u003ch2 data-start=\"2651\" data-end=\"2665\"\u003e👍 Vantaggi\u003c\/h2\u003e\n\u003cp data-start=\"2667\" data-end=\"2805\"\u003e✔ Prezzo competitivo\u003cbr data-start=\"2687\" data-end=\"2690\"\u003e✔ Ottima luminosità\u003cbr data-start=\"2709\" data-end=\"2712\"\u003e✔ Bokeh cinematografico\u003cbr data-start=\"2735\" data-end=\"2738\"\u003e✔ Costruzione solida\u003cbr data-start=\"2758\" data-end=\"2761\"\u003e✔ Ghiera di messa a fuoco fluida e precisa\u003c\/p\u003e\n\n\n\u003chr data-start=\"2807\" data-end=\"2810\"\u003e\n\n\u003ch2 data-start=\"2812\" data-end=\"2827\"\u003e👎 Svantaggi\u003c\/h2\u003e\n\u003cp data-start=\"2829\" data-end=\"2955\"\u003e✖ Solo messa a fuoco manuale\u003cbr data-start=\"2857\" data-end=\"2860\"\u003e✖ Leggera morbidezza a tutta apertura\u003cbr data-start=\"2897\" data-end=\"2900\"\u003e✖ Nessuna comunicazione elettronica con la fotocamera\u003c\/p\u003e\n\n\n\u003chr data-start=\"2957\" data-end=\"2960\"\u003e\n\n\u003ch2 data-start=\"2962\" data-end=\"2993\"\u003e🆚 Confronto con Alternative\u003c\/h2\u003e\n\u003cp data-start=\"2995\" data-end=\"3031\"\u003eRispetto al Canon EF 85mm f\/1.8 USM:\u003c\/p\u003e\n\n\u003cul data-start=\"3033\" data-end=\"3154\"\u003e\n \t\u003cli data-start=\"3033\" data-end=\"3061\"\u003e\n\u003cp data-start=\"3035\" data-end=\"3061\"\u003eIl Canon offre autofocus\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3062\" data-end=\"3112\"\u003e\n\u003cp data-start=\"3064\" data-end=\"3112\"\u003eIl Samyang offre apertura più luminosa (T\/1.5)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3113\" data-end=\"3154\"\u003e\n\u003cp data-start=\"3115\" data-end=\"3154\"\u003eIl Samyang è ottimizzato per il video\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"3156\" data-end=\"3196\"\u003eRispetto al Sigma 85mm f\/1.4 DG HSM Art:\u003c\/p\u003e\n\n\u003cul data-start=\"3198\" data-end=\"3320\"\u003e\n \t\u003cli data-start=\"3198\" data-end=\"3241\"\u003e\n\u003cp data-start=\"3200\" data-end=\"3241\"\u003eSigma ha autofocus e maggiore nitidezza\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3242\" data-end=\"3269\"\u003e\n\u003cp data-start=\"3244\" data-end=\"3269\"\u003eSamyang è più economico\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3270\" data-end=\"3320\"\u003e\n\u003cp data-start=\"3272\" data-end=\"3320\"\u003eSamyang è pensato per workflow cinematografico\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"3322\" data-end=\"3325\"\u003e\n\n\u003ch2 data-start=\"3327\" data-end=\"3365\"\u003e💰 Prezzo e Rapporto Qualità\/Prezzo\u003c\/h2\u003e\n\u003cp data-start=\"3367\" data-end=\"3599\"\u003eIl prezzo varia generalmente tra i 300€ e i 400€, rendendolo una delle ottiche cine più accessibili per attacco Canon EF. Il rapporto qualità\/prezzo è eccellente per chi vuole entrare nel mondo del filmmaking con look professionale.\u003c\/p\u003e\n\n\n\u003chr data-start=\"3601\" data-end=\"3604\"\u003e\n\n\u003ch1 data-start=\"3606\" data-end=\"3622\"\u003e📌 Conclusione\u003c\/h1\u003e\n\u003cp data-start=\"3624\" data-end=\"3887\"\u003eIl \u003cstrong data-start=\"3627\" data-end=\"3668\"\u003eSamyang 85mm T\/1.5 ED AS UMC Canon EF\u003c\/strong\u003e è un obiettivo ideale per chi cerca resa cinematografica, luminosità elevata e controllo manuale totale. Non è pensato per fotografia sportiva o per chi necessita autofocus, ma nel video offre un look molto apprezzato.\u003c\/p\u003e\n\u003cp data-start=\"3889\" data-end=\"4067\"\u003eSe sei un videomaker che utilizza reflex Canon EF e desideri un 85mm luminoso dal carattere cinematografico senza spendere cifre elevate, questa è una scelta estremamente valida.\u003c\/p\u003e","brand":"Samyang","offers":[{"title":"Default Title","offer_id":59739332018510,"sku":"78781","price":240.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/7681\/8510\/files\/samyang_85_t1-5.jpg?v=1779702732"},{"product_id":"panagor-auto-tele-135-mm-f-2-8-x-canon-fd","title":"Panagor Auto Tele 135 mm f\/2.8 x Canon FD","description":"Panagor Auto Tele 135 mm f\/2.8 x Canon FD\n\n\u003cspan style=\"color: #ff0000;\"\u003eL'obiettivo non ha imballi !\u003c\/span\u003e\n\n\u003cspan style=\"color: #ff0000;\"\u003e6 mei di garanzia !\u003c\/span\u003e\n\nIl \u003cstrong\u003ePanagor Auto Tele 135 mm f\/2.8\u003c\/strong\u003e è un obiettivo manuale molto apprezzato dagli appassionati di fotografia analogica e digitale, particolarmente noto per il suo rapporto qualità\/prezzo e la resa ottica. È compatibile con il sistema \u003cstrong\u003eCanon FD\u003c\/strong\u003e, che era lo standard per le reflex Canon prima dell’introduzione del sistema EOS nel 1987.\n\nEcco una panoramica completa dell'obiettivo:\n\n\u003chr\u003e\n\n\u003ch3\u003e\u003cstrong\u003eCaratteristiche principali\u003c\/strong\u003e\u003c\/h3\u003e\n\u003col\u003e\n \t\u003cli\u003e\n\u003cstrong\u003eFocale e apertura\u003c\/strong\u003e:\n\u003cul\u003e\n \t\u003cli\u003eLunghezza focale fissa di 135 mm, ideale per ritratti, fotografia sportiva e scatti a distanza.\u003c\/li\u003e\n \t\u003cli\u003eApertura massima di \u003cstrong\u003ef\/2.8\u003c\/strong\u003e, che consente di lavorare in condizioni di luce ridotta e offre un buon sfocato (bokeh).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n \t\u003cli\u003e\n\u003cstrong\u003eCostruzione ottica\u003c\/strong\u003e:\n\u003cul\u003e\n \t\u003cli\u003eTipicamente presenta una costruzione ottica semplice ma efficace, spesso con 4-5 elementi in 4 gruppi.\u003c\/li\u003e\n \t\u003cli\u003eLenti con trattamento antiriflesso per ridurre aberrazioni cromatiche e riflessi indesiderati.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n \t\u003cli\u003e\n\u003cstrong\u003eBaionetta Canon FD\u003c\/strong\u003e:\n\u003cul\u003e\n \t\u003cli\u003eCompatibile con fotocamere Canon FD, come la Canon AE-1, A-1, F-1 e simili.\u003c\/li\u003e\n \t\u003cli\u003eCon adattatori, può essere utilizzato su fotocamere mirrorless moderne (Sony E, Fujifilm X, Canon RF, ecc.).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n \t\u003cli\u003e\n\u003cstrong\u003eMessa a fuoco manuale\u003c\/strong\u003e:\n\u003cul\u003e\n \t\u003cli\u003eL'anello di messa a fuoco è fluido e preciso, adatto a fotografi che apprezzano il controllo manuale.\u003c\/li\u003e\n \t\u003cli\u003eDistanza minima di messa a fuoco di circa 1,5 m, tipica per gli obiettivi di questa categoria.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n \t\u003cli\u003e\n\u003cstrong\u003eCostruzione fisica\u003c\/strong\u003e:\n\u003cul\u003e\n \t\u003cli\u003eCorpo in metallo robusto, tipico degli obiettivi vintage, con un design compatto e relativamente leggero per la sua classe.\u003c\/li\u003e\n \t\u003cli\u003eDiametro del filtro frontale: solitamente 55 mm.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003chr\u003e\n\n\u003ch3\u003e\u003cstrong\u003ePrestazioni\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n \t\u003cli\u003e\n\u003cstrong\u003eNitidezza\u003c\/strong\u003e: È buono al centro a f\/2.8 e migliora chiudendo l’apertura a f\/4 o f\/5.6. Ai bordi può risultare meno definito, ma accettabile.\u003c\/li\u003e\n \t\u003cli\u003e\n\u003cstrong\u003eBokeh\u003c\/strong\u003e: L’apertura a 6 lamelle offre un bokeh piacevole e morbido.\u003c\/li\u003e\n \t\u003cli\u003e\n\u003cstrong\u003eAberrazioni cromatiche\u003c\/strong\u003e: Può soffrire di aberrazioni longitudinali e laterali, tipiche degli obiettivi vintage.\u003c\/li\u003e\n \t\u003cli\u003e\n\u003cstrong\u003eContrasto\u003c\/strong\u003e: Buono in condizioni di luce controllata; lenti con rivestimento singolo possono essere più sensibili a flare e ghosting.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr\u003e\n\n\u003ch3\u003e\u003cstrong\u003eCompatibilità con fotocamere moderne\u003c\/strong\u003e\u003c\/h3\u003e\nPer utilizzare il Panagor Auto Tele 135 mm su fotocamere moderne, è necessario un adattatore. Ecco alcune opzioni:\n\u003cul\u003e\n \t\u003cli\u003e\n\u003cstrong\u003eMirrorless\u003c\/strong\u003e: Adattatori Canon FD a Sony E, Fujifilm X, Canon RF, Nikon Z e altri.\u003c\/li\u003e\n \t\u003cli\u003e\n\u003cstrong\u003eFotocamere reflex digitali\u003c\/strong\u003e: L'adattamento è più complesso e spesso richiede un adattatore con lente per mantenere l'infinito.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr\u003e\n\n\u003ch3\u003e\u003cstrong\u003eValutazione complessiva\u003c\/strong\u003e\u003c\/h3\u003e\nIl Panagor Auto Tele 135 mm f\/2.8 è un'ottima scelta per chi cerca un obiettivo vintage per sperimentare con messa a fuoco manuale e resa ottica classica. Sebbene non raggiunga le prestazioni degli obiettivi moderni in termini di nitidezza o gestione delle aberrazioni, offre un carattere unico e un’estetica vintage che molti fotografi apprezzano.\n\nPanagor Auto Tele 135 mm f\/2.8 x Canon FD","brand":"Canon","offers":[{"title":"Default Title","offer_id":59739339587918,"sku":"80529","price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/7681\/8510\/files\/DSC_2191.jpg?v=1779702781"},{"product_id":"kipon-canon-ef-mft-af","title":"Kipon Canon EF-MFT AF","description":"Kipon Canon EF-MFT AF\u0026lt;\/p\u0026gt;\n\nKipon Canon EF-MFT AF\n\u003cp data-start=\"358\" data-end=\"809\"\u003eL’adattatore \u003cstrong data-start=\"371\" data-end=\"396\"\u003eKipon Canon EF‑MFT AF\u003c\/strong\u003e consente di montare obiettivi Canon EF e EF‑S su fotocamere con baionetta \u003cstrong data-start=\"471\" data-end=\"490\"\u003eMicro 4\/3 (MFT)\u003c\/strong\u003e mantenendo la funzionalità di \u003cstrong data-start=\"521\" data-end=\"539\"\u003eautofocus (AF)\u003c\/strong\u003e e la comunicazione elettronica tra corpo macchina e obiettivo. È la soluzione ideale per fotografi e videomaker che vogliono sfruttare la vasta gamma di ottiche Canon su mirrorless come \u003cstrong data-start=\"726\" data-end=\"739\"\u003ePanasonic\u003c\/strong\u003e e \u003cstrong data-start=\"742\" data-end=\"763\"\u003eOlympus\/OM System\u003c\/strong\u003e, con autofocus continuo e prestazioni solide.\u003c\/p\u003e\n\n\n\u003chr data-start=\"811\" data-end=\"814\"\u003e\n\n\u003ch2 data-start=\"816\" data-end=\"863\"\u003e\u003cstrong data-start=\"819\" data-end=\"863\"\u003eCos’è l’adattatore Kipon Canon EF‑MFT AF\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"864\" data-end=\"934\"\u003eL’adattatore Kipon EF‑MFT AF è un accessorio progettato per collegare:\u003c\/p\u003e\n\n\u003cul data-start=\"935\" data-end=\"1038\"\u003e\n \t\u003cli data-start=\"935\" data-end=\"973\"\u003e\n\u003cp data-start=\"937\" data-end=\"973\"\u003eObiettivi Canon EF\/EF‑S (DSLR)\u003cbr data-start=\"967\" data-end=\"970\"\u003ea\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"974\" data-end=\"1038\"\u003e\n\u003cp data-start=\"976\" data-end=\"1038\"\u003eFotocamere Micro 4\/3 (MFT) con montatura \u003cstrong data-start=\"1017\" data-end=\"1038\"\u003eMicro Four Thirds\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1040\" data-end=\"1309\"\u003eQuesta versione \u003cstrong data-start=\"1056\" data-end=\"1074\"\u003eAF (autofocus)\u003c\/strong\u003e integra elettronica avanzata che permette comunicazione tra obiettivo e corpo macchina, mantenendo:\n✅ Messa a fuoco automatica\u003cbr data-start=\"1201\" data-end=\"1204\"\u003e✅ Controllo del diaframma\u003cbr data-start=\"1229\" data-end=\"1232\"\u003e✅ Trasmissione dei dati EXIF\u003cbr data-start=\"1260\" data-end=\"1263\"\u003e✅ Stabilizzazione (se presente nell’obiettivo)\u003c\/p\u003e\n\n\n\u003chr data-start=\"1311\" data-end=\"1314\"\u003e\n\n\u003ch2 data-start=\"1316\" data-end=\"1336\"\u003e\u003cstrong data-start=\"1319\" data-end=\"1336\"\u003eCompatibilità\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"1337\" data-end=\"1414\"\u003eL’adattatore supporta una vasta gamma di obiettivi Canon EF ed EF‑S, inclusi:\u003c\/p\u003e\n\n\u003cul data-start=\"1415\" data-end=\"1514\"\u003e\n \t\u003cli data-start=\"1415\" data-end=\"1445\"\u003e\n\u003cp data-start=\"1417\" data-end=\"1445\"\u003eZoom standard (es. 24‑70 mm)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1446\" data-end=\"1477\"\u003e\n\u003cp data-start=\"1448\" data-end=\"1477\"\u003eTeleobiettivi (es. 70‑200 mm)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1478\" data-end=\"1514\"\u003e\n\u003cp data-start=\"1480\" data-end=\"1514\"\u003ePrime fissi come 50 mm, 85 mm ecc.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1516\" data-end=\"1559\"\u003eSi collega a fotocamere \u003cstrong data-start=\"1540\" data-end=\"1553\"\u003eMicro 4\/3\u003c\/strong\u003e come:\u003c\/p\u003e\n\n\u003cul data-start=\"1560\" data-end=\"1660\"\u003e\n \t\u003cli data-start=\"1560\" data-end=\"1586\"\u003e\n\u003cp data-start=\"1562\" data-end=\"1586\"\u003ePanasonic Lumix G series\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1587\" data-end=\"1614\"\u003e\n\u003cp data-start=\"1589\" data-end=\"1614\"\u003eOlympus OM‑D \u0026amp; PEN series\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1615\" data-end=\"1660\"\u003e\n\u003cp data-start=\"1617\" data-end=\"1660\"\u003eBlackmagic Pocket Cinema Camera 4K\/6K (MFT)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1662\" data-end=\"1834\"\u003e👉 \u003cem data-start=\"1665\" data-end=\"1672\"\u003eNota:\u003c\/em\u003e Alcune funzioni avanzate (come Eye‑AF o tracking veloce su certi corpi macchina) possono dipendere dalla combinazione di corpo macchina + obiettivo + adattatore.\u003c\/p\u003e\n\n\n\u003chr data-start=\"1836\" data-end=\"1839\"\u003e\n\n\u003ch2 data-start=\"1841\" data-end=\"1874\"\u003e\u003cstrong data-start=\"1844\" data-end=\"1874\"\u003eCaratteristiche principali\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3 data-start=\"1875\" data-end=\"1904\"\u003e📌 \u003cem data-start=\"1882\" data-end=\"1904\"\u003eAutofocus affidabile\u003c\/em\u003e\n\u003c\/h3\u003e\n\u003cp data-start=\"1905\" data-end=\"1993\"\u003eGrazie all’elettronica incorporata, l’adattatore mantiene l’AF sia in foto che in video.\u003c\/p\u003e\n\n\u003ch3 data-start=\"1995\" data-end=\"2046\"\u003e📌 \u003cem data-start=\"2002\" data-end=\"2046\"\u003eTrasmissione completa dei dati elettronici\u003c\/em\u003e\n\u003c\/h3\u003e\n\u003cp data-start=\"2047\" data-end=\"2133\"\u003eI dati EXIF (apertura, lunghezza focale, modalità AF) vengono mantenuti correttamente.\u003c\/p\u003e\n\n\u003ch3 data-start=\"2135\" data-end=\"2162\"\u003e📌 \u003cem data-start=\"2142\" data-end=\"2162\"\u003eCostruzione solida\u003c\/em\u003e\n\u003c\/h3\u003e\n\u003cp data-start=\"2163\" data-end=\"2260\"\u003eIl corpo dell’adattatore è realizzato in metallo, garantendo stabilità e precisione di montaggio.\u003c\/p\u003e\n\n\u003ch3 data-start=\"2262\" data-end=\"2304\"\u003e📌 \u003cem data-start=\"2269\" data-end=\"2304\"\u003eCompatibilità con stabilizzazione\u003c\/em\u003e\n\u003c\/h3\u003e\n\u003cp data-start=\"2305\" data-end=\"2409\"\u003eSe l’obiettivo dispone di stabilizzazione ottica (IS), questa può funzionare anche tramite l’adattatore.\u003c\/p\u003e\n\n\n\u003chr data-start=\"2411\" data-end=\"2414\"\u003e\n\n\u003ch2 data-start=\"2416\" data-end=\"2451\"\u003e\u003cstrong data-start=\"2419\" data-end=\"2451\"\u003eVantaggi nell’uso quotidiano\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2452\" data-end=\"2882\"\u003e✨ \u003cstrong data-start=\"2454\" data-end=\"2479\"\u003eRisparmio sulla spesa\u003c\/strong\u003e – utilizzi gli obiettivi Canon già in tuo possesso invece di acquistare ottiche native MFT costose.\u003cbr data-start=\"2579\" data-end=\"2582\"\u003e✨ \u003cstrong data-start=\"2584\" data-end=\"2609\"\u003eFlessibilità creativa\u003c\/strong\u003e – puoi accoppiare teleobiettivi professionali a corpi leggeri MFT.\u003cbr data-start=\"2676\" data-end=\"2679\"\u003e✨ \u003cstrong data-start=\"2681\" data-end=\"2701\"\u003eVideo più fluido\u003c\/strong\u003e – l’autofocus continuo è utile durante riprese, interviste e vlog.\u003cbr data-start=\"2768\" data-end=\"2771\"\u003e✨ \u003cstrong data-start=\"2773\" data-end=\"2794\"\u003eScatto affidabile\u003c\/strong\u003e – l’adattatore gestisce correttamente sia AF‑S che AF‑C (a seconda del corpo macchina).\u003c\/p\u003e\n\n\n\u003chr data-start=\"2884\" data-end=\"2887\"\u003e\n\n\u003ch2 data-start=\"2889\" data-end=\"2917\"\u003e\u003cstrong data-start=\"2892\" data-end=\"2917\"\u003ePrestazioni autofocus\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2918\" data-end=\"2949\"\u003eLe prestazioni AF dipendono da:\u003c\/p\u003e\n\n\u003cul data-start=\"2950\" data-end=\"3065\"\u003e\n \t\u003cli data-start=\"2950\" data-end=\"2999\"\u003e\n\u003cp data-start=\"2952\" data-end=\"2999\"\u003eTipo di obiettivo Canon (USM\/STM\/DISCONTINUATI)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3000\" data-end=\"3020\"\u003e\n\u003cp data-start=\"3002\" data-end=\"3020\"\u003eCorpo macchina MFT\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3021\" data-end=\"3065\"\u003e\n\u003cp data-start=\"3023\" data-end=\"3065\"\u003eFirmware dell’adattatore (se aggiornabile)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"3067\" data-end=\"3234\"\u003eIn generale:\n✅ Obiettivi Canon STM – AF più fluido in video\u003cbr data-start=\"3126\" data-end=\"3129\"\u003e✅ Obiettivi USM – AF più rapido in foto\u003cbr data-start=\"3168\" data-end=\"3171\"\u003e⚠️ Alcuni modelli molto vecchi potrebbero perdere precisione AF\u003c\/p\u003e\n\n\n\u003chr data-start=\"3236\" data-end=\"3239\"\u003e\n\n\u003ch2 data-start=\"3241\" data-end=\"3276\"\u003e\u003cstrong data-start=\"3244\" data-end=\"3276\"\u003eCome installare l’adattatore\u003c\/strong\u003e\u003c\/h2\u003e\n\u003col data-start=\"3277\" data-end=\"3448\"\u003e\n \t\u003cli data-start=\"3277\" data-end=\"3360\"\u003e\n\u003cp data-start=\"3280\" data-end=\"3360\"\u003eAllinea il marchio rosso (Canon) sull’obiettivo con il marchio dell’adattatore\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3361\" data-end=\"3388\"\u003e\n\u003cp data-start=\"3364\" data-end=\"3388\"\u003eRuota fino allo scatto\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3389\" data-end=\"3448\"\u003e\n\u003cp data-start=\"3392\" data-end=\"3448\"\u003eInserisci l’adattatore nella fotocamera MFT fino al clic\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-start=\"3450\" data-end=\"3506\"\u003e👍 Non sono necessari strumenti né modifiche aggiuntive.\u003c\/p\u003e\n\n\n\u003chr data-start=\"3508\" data-end=\"3511\"\u003e\n\n\u003ch2 data-start=\"3513\" data-end=\"3549\"\u003e\u003cstrong data-start=\"3516\" data-end=\"3549\"\u003eConsigli d’uso e manutenzione\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"3550\" data-end=\"3755\"\u003e🔹 Mantieni i contatti puliti per evitare errori di comunicazione\u003cbr data-start=\"3615\" data-end=\"3618\"\u003e🔹 Aggiorna il firmware (se supportato) per migliori compatibilità\u003cbr data-start=\"3684\" data-end=\"3687\"\u003e🔹 Utilizza obiettivi con motore AF moderno per performance migliori\u003c\/p\u003e\n\n\n\u003chr data-start=\"3757\" data-end=\"3760\"\u003e\n\n\u003ch2 data-start=\"3762\" data-end=\"3802\"\u003e\u003cstrong data-start=\"3765\" data-end=\"3802\"\u003eComparazione con altri adattatori\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv class=\"TyagGW_tableContainer\"\u003e\n\u003cdiv class=\"group TyagGW_tableWrapper flex flex-col-reverse w-fit\" tabindex=\"-1\"\u003e\n\u003ctable class=\"w-fit min-w-(--thread-content-width)\" data-start=\"3803\" data-end=\"4297\"\u003e\n\u003cthead data-start=\"3803\" data-end=\"3883\"\u003e\n\u003ctr data-start=\"3803\" data-end=\"3883\"\u003e\n\u003cth class=\"\" data-start=\"3803\" data-end=\"3820\" data-col-size=\"sm\"\u003eCaratteristica\u003c\/th\u003e\n\u003cth class=\"\" data-start=\"3820\" data-end=\"3838\" data-col-size=\"sm\"\u003eKipon EF‑MFT AF\u003c\/th\u003e\n\u003cth class=\"\" data-start=\"3838\" data-end=\"3860\" data-col-size=\"sm\"\u003eAdattatore senza AF\u003c\/th\u003e\n\u003cth class=\"\" data-start=\"3860\" data-end=\"3883\" data-col-size=\"sm\"\u003eAltri adattatori AF\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"3968\" data-end=\"4297\"\u003e\n\u003ctr data-start=\"3968\" data-end=\"4050\"\u003e\n\u003ctd data-start=\"3968\" data-end=\"3985\" data-col-size=\"sm\"\u003eAutofocus\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3985\" data-end=\"4004\"\u003e✔️\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"4004\" data-end=\"4026\"\u003e❌\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"4026\" data-end=\"4050\"\u003e✔️\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4051\" data-end=\"4131\"\u003e\n\u003ctd data-start=\"4051\" data-end=\"4076\" data-col-size=\"sm\"\u003eTrasmissione dati EXIF\u003c\/td\u003e\n\u003ctd data-start=\"4076\" data-end=\"4085\" data-col-size=\"sm\"\u003e✔️\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"4085\" data-end=\"4107\"\u003e❌\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"4107\" data-end=\"4131\"\u003e✔️\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4132\" data-end=\"4215\"\u003e\n\u003ctd data-start=\"4132\" data-end=\"4154\" data-col-size=\"sm\"\u003eQualità costruzione\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"4154\" data-end=\"4168\"\u003eAlta\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"4168\" data-end=\"4191\"\u003eMedia\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"4191\" data-end=\"4215\"\u003eVariabile\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4216\" data-end=\"4297\"\u003e\n\u003ctd data-start=\"4216\" data-end=\"4244\" data-col-size=\"sm\"\u003eStabilizzazione obiettivo\u003c\/td\u003e\n\u003ctd data-start=\"4244\" data-end=\"4251\" data-col-size=\"sm\"\u003e✔️\u003c\/td\u003e\n\u003ctd data-start=\"4251\" data-end=\"4273\" data-col-size=\"sm\"\u003e❌\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"4273\" data-end=\"4297\"\u003e✔️\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kipon","offers":[{"title":"Default Title","offer_id":59739704164686,"sku":"106468","price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/7681\/8510\/files\/DSC_6354.jpg?v=1779704309"},{"product_id":"sigma-12-24mm-f-4-5-5-6-ii-dg-hsm-x-canon-ef","title":"Sigma 12-24mm f\/4.5-5.6 II DG HSM x Canon EF","description":"Il Sigma 12-24mm f\/4.5-5.6 II DG HSM è un obiettivo grandangolare per formato FF e APS-C, prodotto dal 2011 al 2018 (fuori produzione). La messa a fuoco avviene tramite \u003cb\u003eMotore AF a ultrasuoni (Ring-USM)\u003c\/b\u003e, non è presente stabilizzazione d'immagine.\n\nSigma 12-24mm f\/4.5-5.6 II DG HSM x Canon\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" tabindex=\"-1\" data-turn-id=\"request-WEB:afc2b90b-55ce-4423-8a24-d4f4e8f36967-8\" data-testid=\"conversation-turn-2\" data-scroll-anchor=\"true\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"06501d1f-7bec-44a9-b237-c2e2730ebed8\" data-message-model-slug=\"gpt-5-2\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp data-start=\"106\" data-end=\"435\"\u003eIl \u003cstrong data-start=\"109\" data-end=\"159\"\u003eSigma 12-24mm f\/4.5-5.6 II DG HSM per Canon EF\u003c\/strong\u003e è uno degli obiettivi ultra grandangolari più versatili progettati per fotocamere reflex full frame. Grazie alla sua incredibile escursione focale fino a 12mm, offre un angolo di campo estremamente ampio, rendendolo ideale per fotografia di paesaggio, architettura e interni.\u003c\/p\u003e\n\u003cp data-start=\"437\" data-end=\"657\"\u003eIn questo articolo analizziamo nel dettaglio \u003cstrong data-start=\"482\" data-end=\"589\"\u003ecaratteristiche tecniche, qualità costruttiva, prestazioni ottiche, autofocus, compatibilità e opinioni\u003c\/strong\u003e, per aiutarti a capire se è l’obiettivo giusto per le tue esigenze.\u003c\/p\u003e\n\n\n\u003chr data-start=\"659\" data-end=\"662\"\u003e\n\n\u003ch2 data-start=\"664\" data-end=\"729\"\u003eCaratteristiche Tecniche del Sigma 12-24mm f\/4.5-5.6 II DG HSM\u003c\/h2\u003e\n\u003cul data-start=\"731\" data-end=\"1158\"\u003e\n \t\u003cli data-start=\"731\" data-end=\"756\"\u003e\n\u003cp data-start=\"733\" data-end=\"756\"\u003e\u003cstrong data-start=\"733\" data-end=\"745\"\u003eAttacco:\u003c\/strong\u003e Canon EF\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"757\" data-end=\"804\"\u003e\n\u003cp data-start=\"759\" data-end=\"804\"\u003e\u003cstrong data-start=\"759\" data-end=\"783\"\u003eFormato compatibile:\u003c\/strong\u003e Full Frame e APS-C\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"805\" data-end=\"838\"\u003e\n\u003cp data-start=\"807\" data-end=\"838\"\u003e\u003cstrong data-start=\"807\" data-end=\"828\"\u003eLunghezza focale:\u003c\/strong\u003e 12-24mm\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"839\" data-end=\"874\"\u003e\n\u003cp data-start=\"841\" data-end=\"874\"\u003e\u003cstrong data-start=\"841\" data-end=\"862\"\u003eApertura massima:\u003c\/strong\u003e f\/4.5-5.6\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"875\" data-end=\"904\"\u003e\n\u003cp data-start=\"877\" data-end=\"904\"\u003e\u003cstrong data-start=\"877\" data-end=\"897\"\u003eApertura minima:\u003c\/strong\u003e f\/22\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"905\" data-end=\"952\"\u003e\n\u003cp data-start=\"907\" data-end=\"952\"\u003e\u003cstrong data-start=\"907\" data-end=\"925\"\u003eSchema ottico:\u003c\/strong\u003e 16 elementi in 11 gruppi\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"953\" data-end=\"981\"\u003e\n\u003cp data-start=\"955\" data-end=\"981\"\u003e\u003cstrong data-start=\"955\" data-end=\"977\"\u003eLamelle diaframma:\u003c\/strong\u003e 6\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"982\" data-end=\"1017\"\u003e\n\u003cp data-start=\"984\" data-end=\"1017\"\u003e\u003cstrong data-start=\"984\" data-end=\"1009\"\u003eMessa a fuoco minima:\u003c\/strong\u003e 28 cm\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1018\" data-end=\"1060\"\u003e\n\u003cp data-start=\"1020\" data-end=\"1060\"\u003e\u003cstrong data-start=\"1020\" data-end=\"1034\"\u003eMotore AF:\u003c\/strong\u003e HSM (Hyper Sonic Motor)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1061\" data-end=\"1132\"\u003e\n\u003cp data-start=\"1063\" data-end=\"1132\"\u003e\u003cstrong data-start=\"1063\" data-end=\"1083\"\u003eDiametro filtri:\u003c\/strong\u003e Non compatibile con filtri a vite tradizionali\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1133\" data-end=\"1158\"\u003e\n\u003cp data-start=\"1135\" data-end=\"1158\"\u003e\u003cstrong data-start=\"1135\" data-end=\"1144\"\u003ePeso:\u003c\/strong\u003e circa 670 g\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"1160\" data-end=\"1163\"\u003e\n\n\u003ch2 data-start=\"1165\" data-end=\"1196\"\u003eDesign e Qualità Costruttiva\u003c\/h2\u003e\n\u003cp data-start=\"1198\" data-end=\"1411\"\u003eIl Sigma 12-24mm II presenta una costruzione solida e robusta, tipica degli obiettivi Sigma di fascia medio-alta. Il barilotto è realizzato in materiali compositi di qualità, con una finitura resistente all’usura.\u003c\/p\u003e\n\u003cp data-start=\"1413\" data-end=\"1657\"\u003eLa lente frontale è ampia e bombata, caratteristica necessaria per raggiungere i 12mm senza distorsioni eccessive. Questo design, tuttavia, impedisce l’uso di filtri frontali tradizionali, richiedendo eventualmente sistemi portafiltri dedicati.\u003c\/p\u003e\n\n\n\u003chr data-start=\"1659\" data-end=\"1662\"\u003e\n\n\u003ch2 data-start=\"1664\" data-end=\"1688\"\u003eQualità dell’Immagine\u003c\/h2\u003e\n\u003ch3 data-start=\"1690\" data-end=\"1703\"\u003eNitidezza\u003c\/h3\u003e\n\u003cp data-start=\"1705\" data-end=\"1892\"\u003eLa resa è molto buona già a tutta apertura, soprattutto al centro dell’immagine. Chiudendo a f\/8 si ottiene la massima nitidezza su tutto il fotogramma, con bordi più definiti e uniformi.\u003c\/p\u003e\n\n\u003ch3 data-start=\"1894\" data-end=\"1909\"\u003eDistorsione\u003c\/h3\u003e\n\u003cp data-start=\"1911\" data-end=\"2136\"\u003eNonostante l’ampiezza focale, la distorsione è ben controllata, specialmente considerando i 12mm su full frame. È presente una leggera distorsione a barilotto alla focale più corta, facilmente correggibile in post-produzione.\u003c\/p\u003e\n\n\u003ch3 data-start=\"2138\" data-end=\"2164\"\u003eAberrazioni Cromatiche\u003c\/h3\u003e\n\u003cp data-start=\"2166\" data-end=\"2337\"\u003eLe aberrazioni sono contenute grazie agli elementi SLD (Special Low Dispersion). In situazioni di forte contrasto possono comparire leggere frange, ma risultano gestibili.\u003c\/p\u003e\n\n\u003ch3 data-start=\"2339\" data-end=\"2355\"\u003eVignettatura\u003c\/h3\u003e\n\u003cp data-start=\"2357\" data-end=\"2432\"\u003eVisibile a 12mm e a tutta apertura, tende a ridursi chiudendo il diaframma.\u003c\/p\u003e\n\n\n\u003chr data-start=\"2434\" data-end=\"2437\"\u003e\n\n\u003ch2 data-start=\"2439\" data-end=\"2482\"\u003eAutofocus HSM: Precisione e Silenziosità\u003c\/h2\u003e\n\u003cp data-start=\"2484\" data-end=\"2654\"\u003eIl motore \u003cstrong data-start=\"2494\" data-end=\"2521\"\u003eHyper Sonic Motor (HSM)\u003c\/strong\u003e garantisce una messa a fuoco rapida, silenziosa e precisa. È adatto sia per fotografia che per video su reflex Canon EF compatibili.\u003c\/p\u003e\n\u003cp data-start=\"2656\" data-end=\"2734\"\u003eLa messa a fuoco manuale è fluida e ben calibrata, con ghiera ampia e precisa.\u003c\/p\u003e\n\n\n\u003chr data-start=\"2736\" data-end=\"2739\"\u003e\n\n\u003ch2 data-start=\"2741\" data-end=\"2757\"\u003eCompatibilità\u003c\/h2\u003e\n\u003cp data-start=\"2759\" data-end=\"2814\"\u003eIl Sigma 12-24mm f\/4.5-5.6 II DG HSM è compatibile con:\u003c\/p\u003e\n\n\u003cul data-start=\"2816\" data-end=\"2913\"\u003e\n \t\u003cli data-start=\"2816\" data-end=\"2870\"\u003e\n\u003cp data-start=\"2818\" data-end=\"2870\"\u003eReflex Canon Full Frame (es. Canon EOS 5D Mark IV)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2871\" data-end=\"2913\"\u003e\n\u003cp data-start=\"2873\" data-end=\"2913\"\u003eReflex Canon APS-C (es. Canon EOS 90D)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2915\" data-end=\"2973\"\u003eSu APS-C l’angolo di campo equivalente sarà circa 19-38mm.\u003c\/p\u003e\n\n\n\u003chr data-start=\"2975\" data-end=\"2978\"\u003e\n\n\u003ch2 data-start=\"2980\" data-end=\"3003\"\u003eA Chi è Consigliato?\u003c\/h2\u003e\n\u003cp data-start=\"3005\" data-end=\"3037\"\u003eQuesto obiettivo è perfetto per:\u003c\/p\u003e\n\n\u003cul data-start=\"3039\" data-end=\"3232\"\u003e\n \t\u003cli data-start=\"3039\" data-end=\"3065\"\u003e\n\u003cp data-start=\"3041\" data-end=\"3065\"\u003eFotografi di paesaggio\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3066\" data-end=\"3095\"\u003e\n\u003cp data-start=\"3068\" data-end=\"3095\"\u003eFotografi di architettura\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3096\" data-end=\"3122\"\u003e\n\u003cp data-start=\"3098\" data-end=\"3122\"\u003eFotografia immobiliare\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3123\" data-end=\"3150\"\u003e\n\u003cp data-start=\"3125\" data-end=\"3150\"\u003eInterni e spazi stretti\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3151\" data-end=\"3232\"\u003e\n\u003cp data-start=\"3153\" data-end=\"3232\"\u003eAstrofotografia (con alcune limitazioni dovute all’apertura non molto luminosa)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"3234\" data-end=\"3237\"\u003e\n\n\u003ch2 data-start=\"3239\" data-end=\"3254\"\u003ePro e Contro\u003c\/h2\u003e\n\u003ch3 data-start=\"3256\" data-end=\"3270\"\u003e✅ Vantaggi\u003c\/h3\u003e\n\u003cul data-start=\"3271\" data-end=\"3417\"\u003e\n \t\u003cli data-start=\"3271\" data-end=\"3330\"\u003e\n\u003cp data-start=\"3273\" data-end=\"3330\"\u003eAngolo di campo estremamente ampio (12mm su full frame)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3331\" data-end=\"3359\"\u003e\n\u003cp data-start=\"3333\" data-end=\"3359\"\u003eBuona nitidezza generale\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3360\" data-end=\"3393\"\u003e\n\u003cp data-start=\"3362\" data-end=\"3393\"\u003eAutofocus rapido e silenzioso\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3394\" data-end=\"3417\"\u003e\n\u003cp data-start=\"3396\" data-end=\"3417\"\u003eCostruzione robusta\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"3419\" data-end=\"3434\"\u003e❌ Svantaggi\u003c\/h3\u003e\n\u003cul data-start=\"3435\" data-end=\"3551\"\u003e\n \t\u003cli data-start=\"3435\" data-end=\"3466\"\u003e\n\u003cp data-start=\"3437\" data-end=\"3466\"\u003eApertura non molto luminosa\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3467\" data-end=\"3509\"\u003e\n\u003cp data-start=\"3469\" data-end=\"3509\"\u003eImpossibilità di montare filtri a vite\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3510\" data-end=\"3551\"\u003e\n\u003cp data-start=\"3512\" data-end=\"3551\"\u003eLeggera vignettatura a tutta apertura\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"3553\" data-end=\"3556\"\u003e\n\n\u003ch2 data-start=\"3558\" data-end=\"3572\"\u003eConclusioni\u003c\/h2\u003e\n\u003cp data-start=\"3574\" data-end=\"3781\"\u003eIl \u003cstrong data-start=\"3577\" data-end=\"3627\"\u003eSigma 12-24mm f\/4.5-5.6 II DG HSM per Canon EF\u003c\/strong\u003e rappresenta una soluzione eccellente per chi cerca un ultra grandangolare full frame a un prezzo più accessibile rispetto alle alternative professionali.\u003c\/p\u003e\n\u003cp data-start=\"3783\" data-end=\"3968\"\u003ePur non essendo luminosissimo, offre \u003cstrong data-start=\"3820\" data-end=\"3894\"\u003eottima qualità d’immagine, grande versatilità e una costruzione solida\u003c\/strong\u003e, risultando un’ottima scelta per paesaggisti e fotografi di architettura.\u003c\/p\u003e\n\u003cp data-start=\"3970\" data-end=\"4123\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eSe cerchi un obiettivo capace di catturare prospettive estreme e scene ampie con una buona resa ottica, il Sigma 12-24mm II è sicuramente da considerare.\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"z-0 flex min-h-[46px] justify-start\"\u003eSigma 12-24mm f\/4.5-5.6 II DG HSM x Canon\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":59739716354382,"sku":"116137","price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/7681\/8510\/files\/DSC_4118.jpg?v=1779704423"},{"product_id":"canon-sd-50mm-f-2-8-x-demi-c","title":"Canon SD 50mm f 2.8 X Demi C","description":"\u003cp data-start=\"221\" data-end=\"291\"\u003eCanon SD 50mm f 2.8 X Demi C\u003c\/p\u003e\n\n\u003ch1 class=\"\" data-start=\"221\" data-end=\"291\"\u003eCanon SD 50mm f 2.8: Recensione Completa, Caratteristiche e Opinioni\u003c\/h1\u003e\n\u003cp class=\"\" data-start=\"293\" data-end=\"690\"\u003eSe sei alla ricerca di un obiettivo compatto, luminoso e versatile per la tua fotocamera Canon, il \u003cstrong data-start=\"392\" data-end=\"415\"\u003eCanon SD 50mm f 2.8\u003c\/strong\u003e potrebbe essere la soluzione perfetta. In questo articolo esploreremo in dettaglio le caratteristiche tecniche, i vantaggi, le prestazioni sul campo e il rapporto qualità-prezzo di questo obiettivo, con un occhio attento alle esigenze dei fotografi amatori e professionisti.\u003c\/p\u003e\n\n\u003ch2 class=\"\" data-start=\"692\" data-end=\"743\"\u003eCaratteristiche tecniche del Canon SD 50mm f 2.8\u003c\/h2\u003e\n\u003cp class=\"\" data-start=\"745\" data-end=\"896\"\u003eL’obiettivo \u003cstrong data-start=\"757\" data-end=\"780\"\u003eCanon SD 50mm f\/2.8\u003c\/strong\u003e si distingue per la sua qualità ottica e la sua costruzione compatta. Di seguito le principali specifiche tecniche:\u003c\/p\u003e\n\n\u003cul data-start=\"898\" data-end=\"1198\"\u003e\n \t\u003cli class=\"\" data-start=\"898\" data-end=\"926\"\u003e\n\u003cp class=\"\" data-start=\"900\" data-end=\"926\"\u003e\u003cstrong data-start=\"900\" data-end=\"921\"\u003eLunghezza focale:\u003c\/strong\u003e 50mm\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli class=\"\" data-start=\"927\" data-end=\"956\"\u003e\n\u003cp class=\"\" data-start=\"929\" data-end=\"956\"\u003e\u003cstrong data-start=\"929\" data-end=\"950\"\u003eApertura massima:\u003c\/strong\u003e f\/2.8\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli class=\"\" data-start=\"957\" data-end=\"984\"\u003e\n\u003cp class=\"\" data-start=\"959\" data-end=\"984\"\u003e\u003cstrong data-start=\"959\" data-end=\"979\"\u003eApertura minima:\u003c\/strong\u003e f\/22\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli class=\"\" data-start=\"985\" data-end=\"1031\"\u003e\n\u003cp class=\"\" data-start=\"987\" data-end=\"1031\"\u003e\u003cstrong data-start=\"987\" data-end=\"1008\"\u003eStruttura ottica:\u003c\/strong\u003e 6 elementi in 5 gruppi\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli class=\"\" data-start=\"1032\" data-end=\"1083\"\u003e\n\u003cp class=\"\" data-start=\"1034\" data-end=\"1083\"\u003e\u003cstrong data-start=\"1034\" data-end=\"1071\"\u003eDistanza minima di messa a fuoco:\u003c\/strong\u003e circa 30 cm\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli class=\"\" data-start=\"1084\" data-end=\"1111\"\u003e\n\u003cp class=\"\" data-start=\"1086\" data-end=\"1111\"\u003e\u003cstrong data-start=\"1086\" data-end=\"1106\"\u003eDiametro filtro:\u003c\/strong\u003e 52mm\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli class=\"\" data-start=\"1112\" data-end=\"1135\"\u003e\n\u003cp class=\"\" data-start=\"1114\" data-end=\"1135\"\u003e\u003cstrong data-start=\"1114\" data-end=\"1123\"\u003ePeso:\u003c\/strong\u003e circa 190 g\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli class=\"\" data-start=\"1136\" data-end=\"1198\"\u003e\n\u003cp class=\"\" data-start=\"1138\" data-end=\"1198\"\u003e\u003cstrong data-start=\"1138\" data-end=\"1150\"\u003eAttacco:\u003c\/strong\u003e compatibile con fotocamere Canon con attacco EF\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 class=\"\" data-start=\"1200\" data-end=\"1235\"\u003ePrestazioni e qualità d’immagine\u003c\/h2\u003e\n\u003cp class=\"\" data-start=\"1237\" data-end=\"1541\"\u003eIl \u003cstrong data-start=\"1240\" data-end=\"1263\"\u003eCanon SD 50mm f 2.8\u003c\/strong\u003e offre prestazioni eccellenti per il suo prezzo. Grazie all’apertura f\/2.8, è in grado di gestire situazioni di scarsa luminosità con risultati sorprendenti. L’obiettivo produce immagini nitide al centro già a tutta apertura, con una resa cromatica naturale e un buon contrasto.\u003c\/p\u003e\n\n\u003ch3 class=\"\" data-start=\"1543\" data-end=\"1570\"\u003eNitidezza e resa ottica\u003c\/h3\u003e\n\u003cp class=\"\" data-start=\"1572\" data-end=\"1840\"\u003eLa nitidezza al centro dell'immagine è molto buona anche a f\/2.8, migliorando ulteriormente chiudendo a f\/4 o f\/5.6. I bordi dell’immagine possono mostrare una leggera morbidezza alle aperture più ampie, ma diventano molto definiti man mano che si chiude il diaframma.\u003c\/p\u003e\n\n\u003ch3 class=\"\" data-start=\"1842\" data-end=\"1859\"\u003eEffetto bokeh\u003c\/h3\u003e\n\u003cp class=\"\" data-start=\"1861\" data-end=\"2100\"\u003eIl bokeh – l’effetto sfocato sullo sfondo – è morbido e piacevole, rendendo questo obiettivo ideale per ritratti e fotografia creativa. I 7 lamelle del diaframma contribuiscono a creare un effetto circolare naturale nelle aree fuori fuoco.\u003c\/p\u003e\n\n\u003ch2 class=\"\" data-start=\"2102\" data-end=\"2147\"\u003ePer chi è indicato il Canon SD 50mm f 2.8?\u003c\/h2\u003e\n\u003cp class=\"\" data-start=\"2149\" data-end=\"2181\"\u003eQuesto obiettivo è perfetto per:\u003c\/p\u003e\n\n\u003cul data-start=\"2183\" data-end=\"2450\"\u003e\n \t\u003cli class=\"\" data-start=\"2183\" data-end=\"2249\"\u003e\n\u003cp class=\"\" data-start=\"2185\" data-end=\"2249\"\u003e\u003cstrong data-start=\"2185\" data-end=\"2206\"\u003eFotografi amatori\u003c\/strong\u003e che vogliono un’ottica luminosa e leggera.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli class=\"\" data-start=\"2250\" data-end=\"2320\"\u003e\n\u003cp class=\"\" data-start=\"2252\" data-end=\"2320\"\u003e\u003cstrong data-start=\"2252\" data-end=\"2275\"\u003eStreet photographer\u003c\/strong\u003e per via della sua discrezione e versatilità.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli class=\"\" data-start=\"2321\" data-end=\"2380\"\u003e\n\u003cp class=\"\" data-start=\"2323\" data-end=\"2380\"\u003e\u003cstrong data-start=\"2323\" data-end=\"2338\"\u003eRitrattisti\u003c\/strong\u003e che cercano uno sfondo morbido e sfocato.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli class=\"\" data-start=\"2381\" data-end=\"2450\"\u003e\n\u003cp class=\"\" data-start=\"2383\" data-end=\"2450\"\u003e\u003cstrong data-start=\"2383\" data-end=\"2402\"\u003eContent creator\u003c\/strong\u003e e videomaker che lavorano con fotocamere Canon.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 class=\"\" data-start=\"2452\" data-end=\"2467\"\u003ePro e contro\u003c\/h2\u003e\n\u003ch3 class=\"\" data-start=\"2469\" data-end=\"2483\"\u003e✅ Vantaggi\u003c\/h3\u003e\n\u003cul data-start=\"2484\" data-end=\"2605\"\u003e\n \t\u003cli class=\"\" data-start=\"2484\" data-end=\"2504\"\u003e\n\u003cp class=\"\" data-start=\"2486\" data-end=\"2504\"\u003eCompatto e leggero\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli class=\"\" data-start=\"2505\" data-end=\"2531\"\u003e\n\u003cp class=\"\" data-start=\"2507\" data-end=\"2531\"\u003eBuona nitidezza generale\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli class=\"\" data-start=\"2532\" data-end=\"2564\"\u003e\n\u003cp class=\"\" data-start=\"2534\" data-end=\"2564\"\u003eOttimo rapporto qualità\/prezzo\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli class=\"\" data-start=\"2565\" data-end=\"2605\"\u003e\n\u003cp class=\"\" data-start=\"2567\" data-end=\"2605\"\u003eApertura f\/2.8 per scatti in low light\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"\" data-start=\"2607\" data-end=\"2622\"\u003e❌ Svantaggi\u003c\/h3\u003e\n\u003cul data-start=\"2623\" data-end=\"2753\"\u003e\n \t\u003cli class=\"\" data-start=\"2623\" data-end=\"2679\"\u003e\n\u003cp class=\"\" data-start=\"2625\" data-end=\"2679\"\u003eAutofocus non velocissimo in condizioni di luce scarsa\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli class=\"\" data-start=\"2680\" data-end=\"2713\"\u003e\n\u003cp class=\"\" data-start=\"2682\" data-end=\"2713\"\u003eManca la stabilizzazione ottica\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli class=\"\" data-start=\"2714\" data-end=\"2753\"\u003e\n\u003cp class=\"\" data-start=\"2716\" data-end=\"2753\"\u003eLeggera vignettatura a tutta apertura\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 class=\"\" data-start=\"2755\" data-end=\"2780\"\u003ePrezzo e disponibilità\u003c\/h2\u003e\n\u003cp class=\"\" data-start=\"2782\" data-end=\"3104\"\u003eIl prezzo del \u003cstrong data-start=\"2796\" data-end=\"2819\"\u003eCanon SD 50mm f 2.8\u003c\/strong\u003e varia in base al mercato e alle promozioni in corso, ma si colloca generalmente nella fascia \u003cstrong data-start=\"2913\" data-end=\"2926\"\u003eeconomica\u003c\/strong\u003e, rendendolo uno dei migliori obiettivi entry-level per Canon. Puoi trovarlo sia nuovo che usato presso rivenditori online come Amazon, eBay o negozi di fotografia specializzati.\u003c\/p\u003e\n\n\u003ch2 class=\"\" data-start=\"3106\" data-end=\"3147\"\u003eConclusione: vale la pena acquistarlo?\u003c\/h2\u003e\n\u003cp class=\"\" data-start=\"3149\" data-end=\"3470\"\u003eAssolutamente sì. Il \u003cstrong data-start=\"3170\" data-end=\"3193\"\u003eCanon SD 50mm f 2.8\u003c\/strong\u003e è un’ottima scelta per chi desidera un obiettivo fisso, luminoso e accessibile, ideale per iniziare a sperimentare con la fotografia creativa senza spendere una fortuna. La qualità dell’immagine, la leggerezza e la versatilità lo rendono un compagno ideale per tutti i giorni.\u003c\/p\u003e\n\u003cp data-start=\"3149\" data-end=\"3470\"\u003eCanon SD 50mm f 2.8 X Demi C\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":59739723727182,"sku":"123168","price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/7681\/8510\/files\/DSC_7228.jpg?v=1779704507"},{"product_id":"vivitar-series-1-35-85mm-f-2-8-variable-focus-x-canon-f","title":"Vivitar Series 1 35-85mm f\/2.8 Variable-Focus x Canon F","description":"Vivitar Series 1 35-85mm f\/2.8 Variable-Focus x Canon F\n\u003ch1 data-start=\"159\" data-end=\"226\"\u003eVivitar 35-85mm f\/2.8 per Canon F: Guida Completa all’Obiettivo\u003c\/h1\u003e\n\u003cp data-start=\"228\" data-end=\"609\"\u003eIl \u003cstrong data-start=\"231\" data-end=\"256\"\u003eVivitar 35-85mm f\/2.8\u003c\/strong\u003e è un obiettivo zoom classico, molto apprezzato dagli appassionati di fotografia che possiedono fotocamere Canon con attacco F. Grazie alla sua apertura luminosa costante e alla versatilità del range focale, rappresenta una scelta ideale sia per chi vuole sperimentare la fotografia creativa, sia per chi cerca un obiettivo pratico per uso quotidiano.\u003c\/p\u003e\n\n\u003ch2 data-start=\"611\" data-end=\"642\"\u003eCaratteristiche Principali\u003c\/h2\u003e\n\u003cul data-start=\"644\" data-end=\"904\"\u003e\n \t\u003cli data-start=\"644\" data-end=\"667\"\u003e\n\u003cp data-start=\"646\" data-end=\"667\"\u003e\u003cstrong data-start=\"646\" data-end=\"657\"\u003eFocale:\u003c\/strong\u003e 35-85mm\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"668\" data-end=\"699\"\u003e\n\u003cp data-start=\"670\" data-end=\"699\"\u003e\u003cstrong data-start=\"670\" data-end=\"691\"\u003eApertura massima:\u003c\/strong\u003e f\/2.8\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"700\" data-end=\"724\"\u003e\n\u003cp data-start=\"702\" data-end=\"724\"\u003e\u003cstrong data-start=\"702\" data-end=\"714\"\u003eAttacco:\u003c\/strong\u003e Canon F\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"725\" data-end=\"790\"\u003e\n\u003cp data-start=\"727\" data-end=\"790\"\u003e\u003cstrong data-start=\"727\" data-end=\"744\"\u003eTipo di zoom:\u003c\/strong\u003e Standard, versatile per ritratti e paesaggi\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"791\" data-end=\"868\"\u003e\n\u003cp data-start=\"793\" data-end=\"868\"\u003e\u003cstrong data-start=\"793\" data-end=\"816\"\u003eCostruzione ottica:\u003c\/strong\u003e Lenti multistrato per ridurre aberrazioni e flare\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"869\" data-end=\"904\"\u003e\n\u003cp data-start=\"871\" data-end=\"904\"\u003e\u003cstrong data-start=\"871\" data-end=\"885\"\u003eDiaframma:\u003c\/strong\u003e Iris a 7 lamelle\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"906\" data-end=\"1204\"\u003eIl range 35-85mm permette di coprire situazioni molto diverse, dal ritratto ravvicinato ai panorami urbani e naturali, senza cambiare obiettivo. L’apertura f\/2.8 costante garantisce ottime performance in condizioni di scarsa illuminazione, rendendolo perfetto anche per foto indoor o al tramonto.\u003c\/p\u003e\n\n\u003ch2 data-start=\"1206\" data-end=\"1232\"\u003eQualità dell’Immagine\u003c\/h2\u003e\n\u003cp data-start=\"1234\" data-end=\"1597\"\u003eIl Vivitar 35-85mm f\/2.8 offre immagini nitide e dettagliate grazie alla sua costruzione ottica curata. I colori risultano naturali e il contrasto è ben bilanciato. L’obiettivo gestisce efficacemente flare e ghosting, consentendo foto più pulite anche con luce laterale intensa. La resa bokeh, morbida e uniforme, lo rende particolarmente adatto per i ritratti.\u003c\/p\u003e\n\n\u003ch2 data-start=\"1599\" data-end=\"1629\"\u003eCompatibilità con Canon F\u003c\/h2\u003e\n\u003cp data-start=\"1631\" data-end=\"1940\"\u003eIl sistema Canon F è stato sviluppato per garantire piena compatibilità tra corpo macchina e obiettivo. Il Vivitar 35-85mm f\/2.8 può essere montato facilmente su diverse fotocamere Canon F, mantenendo la funzionalità automatica dell’apertura (su modelli supportati) e la perfetta integrazione con il mirino.\u003c\/p\u003e\n\n\u003ch2 data-start=\"1942\" data-end=\"1988\"\u003ePerché Scegliere il Vivitar 35-85mm f\/2.8\u003c\/h2\u003e\n\u003col data-start=\"1990\" data-end=\"2327\"\u003e\n \t\u003cli data-start=\"1990\" data-end=\"2088\"\u003e\n\u003cp data-start=\"1993\" data-end=\"2088\"\u003e\u003cstrong data-start=\"1993\" data-end=\"2009\"\u003eVersatilità:\u003c\/strong\u003e copre un ampio range di focali senza compromettere la qualità dell’immagine.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2089\" data-end=\"2168\"\u003e\n\u003cp data-start=\"2092\" data-end=\"2168\"\u003e\u003cstrong data-start=\"2092\" data-end=\"2107\"\u003eLuminosità:\u003c\/strong\u003e f\/2.8 costante per scatti in condizioni di luce difficile.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2169\" data-end=\"2238\"\u003e\n\u003cp data-start=\"2172\" data-end=\"2238\"\u003e\u003cstrong data-start=\"2172\" data-end=\"2195\"\u003eCostruzione solida:\u003c\/strong\u003e robusto e resistente all’uso quotidiano.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2239\" data-end=\"2327\"\u003e\n\u003cp data-start=\"2242\" data-end=\"2327\"\u003e\u003cstrong data-start=\"2242\" data-end=\"2270\"\u003eRapporto qualità-prezzo:\u003c\/strong\u003e offre prestazioni professionali senza costi eccessivi.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2 data-start=\"2329\" data-end=\"2352\"\u003eConsigli per l’Uso\u003c\/h2\u003e\n\u003cul data-start=\"2354\" data-end=\"2613\"\u003e\n \t\u003cli data-start=\"2354\" data-end=\"2455\"\u003e\n\u003cp data-start=\"2356\" data-end=\"2455\"\u003eUtilizzare diaframmi intermedi (f\/4-f\/5.6) per ottenere la massima nitidezza su tutta l’immagine.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2456\" data-end=\"2530\"\u003e\n\u003cp data-start=\"2458\" data-end=\"2530\"\u003ePerfetto per ritratti grazie al bokeh naturale e allo sfocato morbido.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2531\" data-end=\"2613\"\u003e\n\u003cp data-start=\"2533\" data-end=\"2613\"\u003eIdeale per reportage e street photography grazie alla gamma focale flessibile.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 data-start=\"2615\" data-end=\"2631\"\u003eConclusione\u003c\/h2\u003e\n\u003cp data-start=\"2633\" data-end=\"2971\"\u003eIl \u003cstrong data-start=\"2636\" data-end=\"2673\"\u003eVivitar 35-85mm f\/2.8 per Canon F\u003c\/strong\u003e è un obiettivo versatile e luminoso, capace di soddisfare sia i fotografi amatoriali sia quelli più esperti. La combinazione di qualità ottica, costruzione robusta e compatibilità con Canon F lo rende un investimento intelligente per chi cerca prestazioni elevate senza sacrificare la praticità.\u003c\/p\u003e\n\n\n\u003chr data-start=\"2973\" data-end=\"2976\"\u003e\n\u003cp data-start=\"2978\" data-end=\"3171\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eVivitar Series 1 35-85mm f\/2.8 Variable-Focus x Canon F\u003c\/p\u003e","brand":"Vivitar","offers":[{"title":"Default Title","offer_id":59739732836686,"sku":"128691","price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/7681\/8510\/files\/DSC_0161.jpg?v=1779704599"},{"product_id":"canon-fd-135mm-f-2-5-sc","title":"Canon FD 135mm f\/2.5 SC","description":"Canon FD 135mm f\/2.5 SC\n\u003ch1 data-start=\"178\" data-end=\"259\"\u003e\u003cstrong data-start=\"180\" data-end=\"259\"\u003eCanon FD 135mm f\/2.5 SC – Recensione Completa dell’Obiettivo Classico Canon\u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch2 data-start=\"261\" data-end=\"280\"\u003e\u003cstrong data-start=\"264\" data-end=\"280\"\u003eIntroduzione\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"281\" data-end=\"646\"\u003eIl \u003cstrong data-start=\"284\" data-end=\"311\"\u003eCanon FD 135mm f\/2.5 SC\u003c\/strong\u003e è uno degli obiettivi più amati della storica serie FD, prodotta da Canon negli anni ’70 e ’80. Pensato per le fotocamere a pellicola con innesto FD, oggi è diventato una vera e propria gemma per gli appassionati di fotografia vintage e per chi cerca un teleobiettivo manuale di qualità da adattare alle moderne mirrorless digitali.\u003c\/p\u003e\n\u003cp data-start=\"648\" data-end=\"901\"\u003eGrazie alla sua \u003cstrong data-start=\"664\" data-end=\"691\"\u003eluminosa apertura f\/2.5\u003c\/strong\u003e e alla \u003cstrong data-start=\"699\" data-end=\"737\"\u003ecostruzione ottica di alto livello\u003c\/strong\u003e, questo 135mm è ideale per \u003cstrong data-start=\"765\" data-end=\"836\"\u003eritratti, street photography, fotografia naturalistica e still life\u003c\/strong\u003e, offrendo una resa cromatica calda e un piacevole effetto bokeh.\u003c\/p\u003e\n\n\n\u003chr data-start=\"903\" data-end=\"906\"\u003e\n\n\u003ch2 data-start=\"908\" data-end=\"950\"\u003e\u003cstrong data-start=\"911\" data-end=\"950\"\u003eCaratteristiche Tecniche Principali\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul data-start=\"951\" data-end=\"1290\"\u003e\n \t\u003cli data-start=\"951\" data-end=\"972\"\u003e\n\u003cp data-start=\"953\" data-end=\"972\"\u003e\u003cstrong data-start=\"953\" data-end=\"964\"\u003eFocale:\u003c\/strong\u003e 135mm\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"973\" data-end=\"1004\"\u003e\n\u003cp data-start=\"975\" data-end=\"1004\"\u003e\u003cstrong data-start=\"975\" data-end=\"996\"\u003eApertura massima:\u003c\/strong\u003e f\/2.5\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1005\" data-end=\"1034\"\u003e\n\u003cp data-start=\"1007\" data-end=\"1034\"\u003e\u003cstrong data-start=\"1007\" data-end=\"1027\"\u003eApertura minima:\u003c\/strong\u003e f\/22\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1035\" data-end=\"1080\"\u003e\n\u003cp data-start=\"1037\" data-end=\"1080\"\u003e\u003cstrong data-start=\"1037\" data-end=\"1055\"\u003eSchema ottico:\u003c\/strong\u003e 6 elementi in 4 gruppi\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1081\" data-end=\"1109\"\u003e\n\u003cp data-start=\"1083\" data-end=\"1109\"\u003e\u003cstrong data-start=\"1083\" data-end=\"1097\"\u003eDiaframma:\u003c\/strong\u003e 8 lamelle\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1110\" data-end=\"1140\"\u003e\n\u003cp data-start=\"1112\" data-end=\"1140\"\u003e\u003cstrong data-start=\"1112\" data-end=\"1130\"\u003eMessa a fuoco:\u003c\/strong\u003e manuale\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1141\" data-end=\"1192\"\u003e\n\u003cp data-start=\"1143\" data-end=\"1192\"\u003e\u003cstrong data-start=\"1143\" data-end=\"1180\"\u003eDistanza minima di messa a fuoco:\u003c\/strong\u003e 1,3 metri\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1193\" data-end=\"1223\"\u003e\n\u003cp data-start=\"1195\" data-end=\"1223\"\u003e\u003cstrong data-start=\"1195\" data-end=\"1215\"\u003eDiametro filtri:\u003c\/strong\u003e 55 mm\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1224\" data-end=\"1249\"\u003e\n\u003cp data-start=\"1226\" data-end=\"1249\"\u003e\u003cstrong data-start=\"1226\" data-end=\"1235\"\u003ePeso:\u003c\/strong\u003e circa 620 g\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1250\" data-end=\"1290\"\u003e\n\u003cp data-start=\"1252\" data-end=\"1290\"\u003e\u003cstrong data-start=\"1252\" data-end=\"1269\"\u003eRivestimento:\u003c\/strong\u003e Super Coating (SC)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"1292\" data-end=\"1295\"\u003e\n\n\u003ch2 data-start=\"1297\" data-end=\"1324\"\u003e\u003cstrong data-start=\"1300\" data-end=\"1324\"\u003eCostruzione e Design\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"1325\" data-end=\"1688\"\u003eIl \u003cstrong data-start=\"1328\" data-end=\"1355\"\u003eCanon FD 135mm f\/2.5 SC\u003c\/strong\u003e presenta una \u003cstrong data-start=\"1369\" data-end=\"1407\"\u003ecostruzione interamente in metallo\u003c\/strong\u003e, tipica dell’epoca d’oro della meccanica fotografica. Solido, compatto e ben bilanciato, trasmette una sensazione di qualità immediata. La ghiera di messa a fuoco è ampia, fluida e precisa, ideale per regolare con cura la profondità di campo anche con soggetti in movimento lento.\u003c\/p\u003e\n\u003cp data-start=\"1690\" data-end=\"1877\"\u003eIl suffisso \u003cstrong data-start=\"1702\" data-end=\"1726\"\u003e“SC” (Super Coating)\u003c\/strong\u003e indica la presenza di un trattamento antiriflesso applicato alle lenti, che riduce il flare e migliora il contrasto rispetto alle versioni precedenti.\u003c\/p\u003e\n\n\n\u003chr data-start=\"1879\" data-end=\"1882\"\u003e\n\n\u003ch2 data-start=\"1884\" data-end=\"1905\"\u003e\u003cstrong data-start=\"1887\" data-end=\"1905\"\u003eQualità Ottica\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"1906\" data-end=\"1993\"\u003eDal punto di vista ottico, il \u003cstrong data-start=\"1936\" data-end=\"1963\"\u003eCanon FD 135mm f\/2.5 SC\u003c\/strong\u003e offre risultati eccellenti.\u003c\/p\u003e\n\n\u003cul data-start=\"1994\" data-end=\"2486\"\u003e\n \t\u003cli data-start=\"1994\" data-end=\"2082\"\u003e\n\u003cp data-start=\"1996\" data-end=\"2082\"\u003e\u003cstrong data-start=\"1996\" data-end=\"2010\"\u003eNitidezza:\u003c\/strong\u003e già ottima a tutta apertura e notevolmente superiore chiudendo a f\/4.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2083\" data-end=\"2175\"\u003e\n\u003cp data-start=\"2085\" data-end=\"2175\"\u003e\u003cstrong data-start=\"2085\" data-end=\"2095\"\u003eBokeh:\u003c\/strong\u003e morbido, cremoso e molto piacevole, perfetto per ritratti con sfondi sfocati.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2176\" data-end=\"2302\"\u003e\n\u003cp data-start=\"2178\" data-end=\"2302\"\u003e\u003cstrong data-start=\"2178\" data-end=\"2189\"\u003eColori:\u003c\/strong\u003e caldi e naturali, con una leggera dominante vintage che molti fotografi apprezzano per il suo carattere unico.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2303\" data-end=\"2382\"\u003e\n\u003cp data-start=\"2305\" data-end=\"2382\"\u003e\u003cstrong data-start=\"2305\" data-end=\"2321\"\u003eAberrazioni:\u003c\/strong\u003e contenute, con un minimo di purple fringing in controluce.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2383\" data-end=\"2486\"\u003e\n\u003cp data-start=\"2385\" data-end=\"2486\"\u003e\u003cstrong data-start=\"2385\" data-end=\"2395\"\u003eFlare:\u003c\/strong\u003e ben gestito, anche se l’uso di un paraluce è consigliato per situazioni di luce diretta.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"2488\" data-end=\"2491\"\u003e\n\n\u003ch2 data-start=\"2493\" data-end=\"2528\"\u003e\u003cstrong data-start=\"2496\" data-end=\"2528\"\u003eUso su Fotocamere Mirrorless\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2529\" data-end=\"2864\"\u003eGrazie alla diffusione degli \u003cstrong data-start=\"2558\" data-end=\"2592\"\u003eadattatori per ottiche vintage\u003c\/strong\u003e, il Canon FD 135mm f\/2.5 SC può essere facilmente utilizzato su mirrorless moderne come \u003cstrong data-start=\"2681\" data-end=\"2728\"\u003eSony, Canon RF, Nikon Z, Fuji X e Micro 4\/3\u003c\/strong\u003e.\u003cbr data-start=\"2729\" data-end=\"2732\"\u003eL’uso in manual focus è molto intuitivo e la resa, anche su sensori digitali ad alta risoluzione, rimane sorprendentemente valida.\u003c\/p\u003e\n\u003cp data-start=\"2866\" data-end=\"2915\"\u003eMolti fotografi digitali lo scelgono proprio per:\u003c\/p\u003e\n\n\u003cul data-start=\"2916\" data-end=\"3061\"\u003e\n \t\u003cli data-start=\"2916\" data-end=\"2948\"\u003e\n\u003cp data-start=\"2918\" data-end=\"2948\"\u003ela \u003cstrong data-start=\"2921\" data-end=\"2945\"\u003eresa cinematografica\u003c\/strong\u003e,\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2949\" data-end=\"2993\"\u003e\n\u003cp data-start=\"2951\" data-end=\"2993\"\u003eil \u003cstrong data-start=\"2954\" data-end=\"2990\"\u003econtrasto morbido ma dettagliato\u003c\/strong\u003e,\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2994\" data-end=\"3061\"\u003e\n\u003cp data-start=\"2996\" data-end=\"3061\"\u003ee l’\u003cstrong data-start=\"3000\" data-end=\"3027\"\u003eeffetto tridimensionale\u003c\/strong\u003e che caratterizza le ottiche FD.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"3063\" data-end=\"3066\"\u003e\n\n\u003ch2 data-start=\"3068\" data-end=\"3113\"\u003e\u003cstrong data-start=\"3071\" data-end=\"3113\"\u003eCanon FD 135mm f\/2.5 SC vs Altri 135mm\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"3114\" data-end=\"3210\"\u003eRispetto ad altri teleobiettivi della stessa epoca, il Canon FD 135mm f\/2.5 SC si distingue per:\u003c\/p\u003e\n\n\u003cul data-start=\"3211\" data-end=\"3414\"\u003e\n \t\u003cli data-start=\"3211\" data-end=\"3274\"\u003e\n\u003cp data-start=\"3213\" data-end=\"3274\"\u003ela \u003cstrong data-start=\"3216\" data-end=\"3239\"\u003emaggiore luminosità\u003c\/strong\u003e rispetto al più economico f\/3.5;\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3275\" data-end=\"3337\"\u003e\n\u003cp data-start=\"3277\" data-end=\"3337\"\u003euna \u003cstrong data-start=\"3281\" data-end=\"3309\"\u003eresa cromatica più calda\u003c\/strong\u003e e un bokeh più gradevole;\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3338\" data-end=\"3414\"\u003e\n\u003cp data-start=\"3340\" data-end=\"3414\"\u003euna \u003cstrong data-start=\"3344\" data-end=\"3379\"\u003ecostruzione meccanica superiore\u003c\/strong\u003e, con movimenti fluidi e precisi.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"3416\" data-end=\"3524\"\u003eÈ considerato uno dei migliori 135mm Canon manual focus per equilibrio tra prestazioni, dimensioni e prezzo.\u003c\/p\u003e\n\n\n\u003chr data-start=\"3526\" data-end=\"3529\"\u003e\n\n\u003ch2 data-start=\"3531\" data-end=\"3548\"\u003e\u003cstrong data-start=\"3534\" data-end=\"3548\"\u003eIdeale per\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul data-start=\"3549\" data-end=\"3946\"\u003e\n \t\u003cli data-start=\"3549\" data-end=\"3647\"\u003e\n\u003cp data-start=\"3551\" data-end=\"3647\"\u003e\u003cstrong data-start=\"3551\" data-end=\"3564\"\u003eRitratti:\u003c\/strong\u003e grazie all’apertura f\/2.5 e alla lunghezza focale ideale per isolare i soggetti.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3648\" data-end=\"3752\"\u003e\n\u003cp data-start=\"3650\" data-end=\"3752\"\u003e\u003cstrong data-start=\"3650\" data-end=\"3682\"\u003eStreet e reportage discreto:\u003c\/strong\u003e offre una distanza di lavoro confortevole senza avvicinarsi troppo.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3753\" data-end=\"3841\"\u003e\n\u003cp data-start=\"3755\" data-end=\"3841\"\u003e\u003cstrong data-start=\"3755\" data-end=\"3792\"\u003eFotografia di dettagli e oggetti:\u003c\/strong\u003e ottimo per catturare texture e giochi di luce.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3842\" data-end=\"3946\"\u003e\n\u003cp data-start=\"3844\" data-end=\"3946\"\u003e\u003cstrong data-start=\"3844\" data-end=\"3858\"\u003eUso video:\u003c\/strong\u003e produce un look analogico molto apprezzato nei progetti cinematografici indipendenti.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"3948\" data-end=\"3951\"\u003e\n\n\u003ch2 data-start=\"3953\" data-end=\"3975\"\u003e\u003cstrong data-start=\"3956\" data-end=\"3975\"\u003ePregi e Difetti\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3 data-start=\"3977\" data-end=\"3992\"\u003e✅ \u003cstrong data-start=\"3983\" data-end=\"3992\"\u003ePregi\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cul data-start=\"3993\" data-end=\"4185\"\u003e\n \t\u003cli data-start=\"3993\" data-end=\"4030\"\u003e\n\u003cp data-start=\"3995\" data-end=\"4030\"\u003eOttima nitidezza e resa cromatica\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"4031\" data-end=\"4059\"\u003e\n\u003cp data-start=\"4033\" data-end=\"4059\"\u003eBokeh morbido e naturale\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"4060\" data-end=\"4092\"\u003e\n\u003cp data-start=\"4062\" data-end=\"4092\"\u003eCostruzione solida e precisa\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"4093\" data-end=\"4138\"\u003e\n\u003cp data-start=\"4095\" data-end=\"4138\"\u003ePrezzo accessibile sul mercato dell’usato\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"4139\" data-end=\"4185\"\u003e\n\u003cp data-start=\"4141\" data-end=\"4185\"\u003eAdattabile facilmente a fotocamere moderne\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"4187\" data-end=\"4205\"\u003e⚠️ \u003cstrong data-start=\"4194\" data-end=\"4205\"\u003eDifetti\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cul data-start=\"4206\" data-end=\"4340\"\u003e\n \t\u003cli data-start=\"4206\" data-end=\"4246\"\u003e\n\u003cp data-start=\"4208\" data-end=\"4246\"\u003eMessa a fuoco esclusivamente manuale\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"4247\" data-end=\"4284\"\u003e\n\u003cp data-start=\"4249\" data-end=\"4284\"\u003eAssenza di stabilizzazione ottica\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"4285\" data-end=\"4340\"\u003e\n\u003cp data-start=\"4287\" data-end=\"4340\"\u003eLeggera aberrazione cromatica in condizioni estreme\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"4342\" data-end=\"4345\"\u003e\n\n\u003ch2 data-start=\"4347\" data-end=\"4365\"\u003e\u003cstrong data-start=\"4350\" data-end=\"4365\"\u003eConclusione\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"4366\" data-end=\"4696\"\u003eè un obiettivo che incarna la filosofia classica della fotografia: costruzione solida, resa ottica di alto livello e un carattere d’immagine unico. Perfetto per chi desidera un \u003cstrong data-start=\"4574\" data-end=\"4610\"\u003eteleobiettivo luminoso e vintage\u003c\/strong\u003e, capace di offrire risultati professionali anche sulle fotocamere digitali di oggi.\u003c\/p\u003e\n\u003cp data-start=\"4698\" data-end=\"4870\"\u003eUn vero \u003cstrong data-start=\"4706\" data-end=\"4767\"\u003e“must-have” per gli amanti delle ottiche manuali Canon FD\u003c\/strong\u003e, ideale per chi cerca un look autentico, ricco di personalità e con un tocco di storia in ogni scatto.B\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":59739746795854,"sku":"129501","price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/7681\/8510\/files\/DSC_0810.jpg?v=1779704645"},{"product_id":"tokina-sl200-f3-5-per-canon-fd","title":"Tokina SL200 F3.5 per Canon FD","description":"Tokina SL200 F3.5 per Canon FD\n\u003ch2 data-start=\"567\" data-end=\"605\"\u003eIntroduzione alla Tokina SL200 F3.5\u003c\/h2\u003e\n\u003cp data-start=\"607\" data-end=\"905\"\u003eLa \u003cstrong data-start=\"610\" data-end=\"644\"\u003eTokina SL200 F3.5 per Canon FD\u003c\/strong\u003e è un obiettivo vintage molto apprezzato da fotografi e collezionisti di fotocamere analogiche. Con una costruzione robusta e una resa ottica sorprendente per la sua fascia di prezzo, questo obiettivo offre un’eccellente combinazione di qualità e compatibilità.\u003c\/p\u003e\n\u003cp data-start=\"907\" data-end=\"1063\"\u003eSe stai cercando un obiettivo per la fotografia analogica o digitale tramite adattatore, il \u003cstrong data-start=\"999\" data-end=\"1029\"\u003eTokina SL200 F3.5 Canon FD\u003c\/strong\u003e potrebbe essere la scelta ideale.\u003c\/p\u003e\n\n\n\u003chr data-start=\"1065\" data-end=\"1068\"\u003e\n\n\u003ch2 data-start=\"1070\" data-end=\"1099\"\u003eCaratteristiche principali\u003c\/h2\u003e\n\u003ch3 data-start=\"1101\" data-end=\"1125\"\u003eDesign e costruzione\u003c\/h3\u003e\n\u003cul data-start=\"1126\" data-end=\"1308\"\u003e\n \t\u003cli data-start=\"1126\" data-end=\"1192\"\u003e\n\u003cp data-start=\"1128\" data-end=\"1192\"\u003eCorpo in metallo robusto, tipico degli obiettivi Tokina vintage.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1193\" data-end=\"1264\"\u003e\n\u003cp data-start=\"1195\" data-end=\"1264\"\u003eMontatura Canon FD compatibile con molte fotocamere analogiche Canon.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1265\" data-end=\"1308\"\u003e\n\u003cp data-start=\"1267\" data-end=\"1308\"\u003eMeccanismo manual focus fluido e preciso.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"1310\" data-end=\"1333\"\u003eSpecifiche tecniche\u003c\/h3\u003e\n\u003cul data-start=\"1334\" data-end=\"1542\"\u003e\n \t\u003cli data-start=\"1334\" data-end=\"1361\"\u003e\n\u003cp data-start=\"1336\" data-end=\"1361\"\u003eLunghezza focale: 200mm\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1362\" data-end=\"1389\"\u003e\n\u003cp data-start=\"1364\" data-end=\"1389\"\u003eApertura massima: f\/3.5\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1390\" data-end=\"1421\"\u003e\n\u003cp data-start=\"1392\" data-end=\"1421\"\u003eTipo di montatura: Canon FD\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1422\" data-end=\"1495\"\u003e\n\u003cp data-start=\"1424\" data-end=\"1495\"\u003eCostruzione ottica: multi-lenti per ridurre aberrazioni e distorsioni\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1496\" data-end=\"1542\"\u003e\n\u003cp data-start=\"1498\" data-end=\"1542\"\u003ePeso: leggero per la categoria (circa 600 g)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"1544\" data-end=\"1572\"\u003ePrestazioni fotografiche\u003c\/h3\u003e\n\u003cul data-start=\"1573\" data-end=\"1743\"\u003e\n \t\u003cli data-start=\"1573\" data-end=\"1626\"\u003e\n\u003cp data-start=\"1575\" data-end=\"1626\"\u003eOttima nitidezza al centro e buona resa ai bordi.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1627\" data-end=\"1666\"\u003e\n\u003cp data-start=\"1629\" data-end=\"1666\"\u003eContrasto naturale e colori fedeli.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1667\" data-end=\"1743\"\u003e\n\u003cp data-start=\"1669\" data-end=\"1743\"\u003eIdeale per ritratti, fotografia naturalistica e sportiva a medio raggio.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"1745\" data-end=\"1748\"\u003e\n\n\u003ch2 data-start=\"1750\" data-end=\"1799\"\u003ePerché scegliere\u003c\/h2\u003e\n\u003cp data-start=\"1750\" data-end=\"1799\"\u003e\u003cstrong data-start=\"1804\" data-end=\"1830\"\u003eQualità ottica vintage\u003c\/strong\u003e: nonostante l’età, la lente produce immagini nitide e dettagliate.\u003c\/p\u003e\n\n\u003col data-start=\"1801\" data-end=\"2196\"\u003e\n \t\u003cli data-start=\"1900\" data-end=\"2005\"\u003e\n\u003cp data-start=\"1903\" data-end=\"2005\"\u003e\u003cstrong data-start=\"1903\" data-end=\"1920\"\u003eCompatibilità\u003c\/strong\u003e: montatura Canon FD facilmente adattabile a mirrorless moderne tramite adattatori.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2006\" data-end=\"2087\"\u003e\n\u003cp data-start=\"2009\" data-end=\"2087\"\u003e\u003cstrong data-start=\"2009\" data-end=\"2030\"\u003eCosto accessibile\u003c\/strong\u003e: un’ottima alternativa agli obiettivi moderni costosi.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2088\" data-end=\"2196\"\u003e\n\u003cp data-start=\"2091\" data-end=\"2196\"\u003e\u003cstrong data-start=\"2091\" data-end=\"2113\"\u003eEsperienza manuale\u003c\/strong\u003e: perfetta per chi ama il controllo manuale dell’esposizione e della messa a fuoco.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003chr data-start=\"2198\" data-end=\"2201\"\u003e\n\n\u003ch2 data-start=\"2203\" data-end=\"2224\"\u003eConsigli per l’uso\u003c\/h2\u003e\n\u003cul data-start=\"2226\" data-end=\"2480\"\u003e\n \t\u003cli data-start=\"2226\" data-end=\"2293\"\u003e\n\u003cp data-start=\"2228\" data-end=\"2293\"\u003eUtilizzare un treppiede per ridurre vibrazioni a lunghe focali.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2294\" data-end=\"2365\"\u003e\n\u003cp data-start=\"2296\" data-end=\"2365\"\u003eSfruttare aperture intermedie (f\/5.6-f\/8) per la massima nitidezza.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2366\" data-end=\"2480\"\u003e\n\u003cp data-start=\"2368\" data-end=\"2480\"\u003eAdattabile a fotocamere digitali tramite adattatori Canon FD → mirrorless (Sony, Canon EOS R, Fujifilm, ecc.).\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":59739757936974,"sku":"130324","price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/7681\/8510\/files\/DSC_1045.jpg?v=1779704700"},{"product_id":"canon-ef-s-17-85mm-f-4-5-6-is-usm","title":"Canon EF-S 17-85mm f\/4-5.6 IS USM","description":"Canon EF-S 17-85mm f\/4-5.6 IS USM\n\u003cp data-start=\"272\" data-end=\"728\"\u003eIl \u003cstrong data-start=\"275\" data-end=\"312\"\u003eCanon EF-S 17-85mm f\/4-5.6 IS USM\u003c\/strong\u003e è uno degli obiettivi più versatili progettati per fotocamere Canon APS-C. Grazie alla sua escursione focale equivalente a \u003cstrong data-start=\"436\" data-end=\"448\"\u003e27-136mm\u003c\/strong\u003e (nel formato 35mm), si adatta perfettamente a chi cerca un unico obiettivo in grado di coprire paesaggi, ritratti, reportage e uso quotidiano. In questo articolo completo analizziamo caratteristiche, prestazioni, qualità d’immagine, pro e contro, e a chi è realmente consigliato.\u003c\/p\u003e\n\n\n\u003chr data-start=\"730\" data-end=\"733\"\u003e\n\n\u003ch2 data-start=\"735\" data-end=\"777\"\u003e\u003cstrong data-start=\"738\" data-end=\"777\"\u003eCaratteristiche Tecniche Principali\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul data-start=\"778\" data-end=\"1188\"\u003e\n \t\u003cli data-start=\"778\" data-end=\"805\"\u003e\n\u003cp data-start=\"780\" data-end=\"805\"\u003e\u003cstrong data-start=\"780\" data-end=\"792\"\u003eAttacco:\u003c\/strong\u003e Canon EF-S\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"806\" data-end=\"917\"\u003e\n\u003cp data-start=\"808\" data-end=\"917\"\u003e\u003cstrong data-start=\"808\" data-end=\"826\"\u003eCompatibilità:\u003c\/strong\u003e solo fotocamere APS-C (es: Canon 80D, 90D, 70D, 60D, 7D, serie 600D\/700D\/750D\/800D ecc.)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"918\" data-end=\"952\"\u003e\n\u003cp data-start=\"920\" data-end=\"952\"\u003e\u003cstrong data-start=\"920\" data-end=\"942\"\u003eEscursione focale:\u003c\/strong\u003e 17-85mm\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"953\" data-end=\"986\"\u003e\n\u003cp data-start=\"955\" data-end=\"986\"\u003e\u003cstrong data-start=\"955\" data-end=\"976\"\u003eApertura massima:\u003c\/strong\u003e f\/4-5.6\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"987\" data-end=\"1044\"\u003e\n\u003cp data-start=\"989\" data-end=\"1044\"\u003e\u003cstrong data-start=\"989\" data-end=\"1024\"\u003eStabilizzatore d’immagine (IS):\u003c\/strong\u003e sì, fino a 3 stop\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1045\" data-end=\"1087\"\u003e\n\u003cp data-start=\"1047\" data-end=\"1087\"\u003e\u003cstrong data-start=\"1047\" data-end=\"1061\"\u003eMotore AF:\u003c\/strong\u003e USM (Ultra Sonic Motor)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1088\" data-end=\"1135\"\u003e\n\u003cp data-start=\"1090\" data-end=\"1135\"\u003e\u003cstrong data-start=\"1090\" data-end=\"1127\"\u003eDistanza minima di messa a fuoco:\u003c\/strong\u003e 35 cm\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1136\" data-end=\"1168\"\u003e\n\u003cp data-start=\"1138\" data-end=\"1168\"\u003e\u003cstrong data-start=\"1138\" data-end=\"1164\"\u003eLamelle del diaframma:\u003c\/strong\u003e 6\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1169\" data-end=\"1188\"\u003e\n\u003cp data-start=\"1171\" data-end=\"1188\"\u003e\u003cstrong data-start=\"1171\" data-end=\"1180\"\u003ePeso:\u003c\/strong\u003e 475 g\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"1190\" data-end=\"1193\"\u003e\n\n\u003ch2 data-start=\"1195\" data-end=\"1222\"\u003e\u003cstrong data-start=\"1198\" data-end=\"1222\"\u003eDesign e Costruzione\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"1223\" data-end=\"1571\"\u003eL’obiettivo presenta una costruzione solida, tipica degli zoom Canon della fascia media. Il barilotto è in plastica ma resistente, l’anello di zoom è ampio e scorrevole, mentre quello di messa a fuoco manuale è preciso e fluido. Il motore \u003cstrong data-start=\"1462\" data-end=\"1469\"\u003eUSM\u003c\/strong\u003e garantisce una messa a fuoco \u003cstrong data-start=\"1499\" data-end=\"1522\"\u003erapida e silenziosa\u003c\/strong\u003e, perfetta sia per foto che per video amatoriali.\u003c\/p\u003e\n\n\n\u003chr data-start=\"1573\" data-end=\"1576\"\u003e\n\n\u003ch2 data-start=\"1578\" data-end=\"1603\"\u003e\u003cstrong data-start=\"1581\" data-end=\"1603\"\u003eQualità d’Immagine\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3 data-start=\"1604\" data-end=\"1621\"\u003e\u003cstrong data-start=\"1608\" data-end=\"1621\"\u003eNitidezza\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul data-start=\"1622\" data-end=\"1785\"\u003e\n \t\u003cli data-start=\"1622\" data-end=\"1666\"\u003e\n\u003cp data-start=\"1624\" data-end=\"1666\"\u003eBuona al centro in quasi tutte le focali\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1667\" data-end=\"1728\"\u003e\n\u003cp data-start=\"1669\" data-end=\"1728\"\u003eLeggera perdita di nitidezza ai bordi specialmente a 17mm\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1729\" data-end=\"1785\"\u003e\n\u003cp data-start=\"1731\" data-end=\"1785\"\u003eLe migliori prestazioni si ottengono tra f\/5.6 e f\/8\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"1787\" data-end=\"1821\"\u003e\u003cstrong data-start=\"1791\" data-end=\"1821\"\u003eDistorsione e vignettatura\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul data-start=\"1822\" data-end=\"1973\"\u003e\n \t\u003cli data-start=\"1822\" data-end=\"1894\"\u003e\n\u003cp data-start=\"1824\" data-end=\"1894\"\u003eA 17mm è presente una \u003cstrong data-start=\"1846\" data-end=\"1873\"\u003edistorsione a barilotto\u003c\/strong\u003e piuttosto evidente\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1895\" data-end=\"1973\"\u003e\n\u003cp data-start=\"1897\" data-end=\"1973\"\u003eLa vignettatura a tutta apertura è visibile ma corretta facilmente in post\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"1975\" data-end=\"2001\"\u003e\u003cstrong data-start=\"1979\" data-end=\"2001\"\u003eColori e contrasto\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2002\" data-end=\"2098\"\u003eI colori Canon sono presenti e piacevoli, con un buon micro-contrasto e resa cromatica naturale.\u003c\/p\u003e\n\n\n\u003chr data-start=\"2100\" data-end=\"2103\"\u003e\n\n\u003ch2 data-start=\"2105\" data-end=\"2142\"\u003e\u003cstrong data-start=\"2108\" data-end=\"2142\"\u003eStabilizzatore d’Immagine (IS)\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2143\" data-end=\"2356\"\u003eLo stabilizzatore a 3 stop permette di scattare a mano libera anche con tempi relativamente lunghi, risultando utile soprattutto alle focali più tele. Per fotografia da viaggio e reportage è un vantaggio concreto.\u003c\/p\u003e\n\n\n\u003chr data-start=\"2358\" data-end=\"2361\"\u003e\n\n\u003ch2 data-start=\"2363\" data-end=\"2384\"\u003e\u003cstrong data-start=\"2366\" data-end=\"2384\"\u003ePrestazioni AF\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2385\" data-end=\"2424\"\u003eIl sistema USM garantisce un autofocus:\u003c\/p\u003e\n\n\u003cul data-start=\"2425\" data-end=\"2481\"\u003e\n \t\u003cli data-start=\"2425\" data-end=\"2439\"\u003e\n\u003cp data-start=\"2427\" data-end=\"2439\"\u003e\u003cstrong data-start=\"2427\" data-end=\"2437\"\u003eveloce\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2440\" data-end=\"2456\"\u003e\n\u003cp data-start=\"2442\" data-end=\"2456\"\u003e\u003cstrong data-start=\"2442\" data-end=\"2454\"\u003eaccurato\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2457\" data-end=\"2481\"\u003e\n\u003cp data-start=\"2459\" data-end=\"2481\"\u003e\u003cstrong data-start=\"2459\" data-end=\"2479\"\u003equasi silenzioso\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2483\" data-end=\"2541\"\u003eIdeale per soggetti in movimento, eventi e uso quotidiano.\u003c\/p\u003e\n\n\n\u003chr data-start=\"2543\" data-end=\"2546\"\u003e\n\n\u003ch2 data-start=\"2548\" data-end=\"2593\"\u003e\u003cstrong data-start=\"2551\" data-end=\"2593\"\u003ePer Quali Tipi di Fotografia è Ideale?\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3 data-start=\"2594\" data-end=\"2611\"\u003e✔️ \u003cstrong data-start=\"2601\" data-end=\"2611\"\u003eViaggi\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-start=\"2612\" data-end=\"2679\"\u003eEscursione focale perfetta per evitare continui cambi di obiettivo.\u003c\/p\u003e\n\n\u003ch3 data-start=\"2681\" data-end=\"2710\"\u003e✔️ \u003cstrong data-start=\"2688\" data-end=\"2710\"\u003eStreet e reportage\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-start=\"2711\" data-end=\"2746\"\u003eLeggero, versatile, buon autofocus.\u003c\/p\u003e\n\n\u003ch3 data-start=\"2748\" data-end=\"2781\"\u003e✔️ \u003cstrong data-start=\"2755\" data-end=\"2781\"\u003eFotografia di famiglia\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-start=\"2782\" data-end=\"2848\"\u003eIn interni ed esterni si comporta bene grazie allo stabilizzatore.\u003c\/p\u003e\n\n\u003ch3 data-start=\"2850\" data-end=\"2869\"\u003e✔️ \u003cstrong data-start=\"2857\" data-end=\"2869\"\u003eRitratti\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-start=\"2870\" data-end=\"2967\"\u003eA 85mm offre un piacevole effetto compressione, anche se l’apertura massima non è molto luminosa.\u003c\/p\u003e\n\n\u003ch3 data-start=\"2969\" data-end=\"2988\"\u003e✔️ \u003cstrong data-start=\"2976\" data-end=\"2988\"\u003ePaesaggi\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-start=\"2989\" data-end=\"3083\"\u003eLa focale 17mm è comoda, ma meglio chiudere il diaframma per migliorare la nitidezza ai bordi.\u003c\/p\u003e\n\n\n\u003chr data-start=\"3085\" data-end=\"3088\"\u003e\n\n\u003ch2 data-start=\"3090\" data-end=\"3109\"\u003e\u003cstrong data-start=\"3093\" data-end=\"3109\"\u003ePro e Contro\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3 data-start=\"3111\" data-end=\"3127\"\u003e\u003cstrong data-start=\"3115\" data-end=\"3127\"\u003eVantaggi\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul data-start=\"3128\" data-end=\"3331\"\u003e\n \t\u003cli data-start=\"3128\" data-end=\"3171\"\u003e\n\u003cp data-start=\"3130\" data-end=\"3171\"\u003eGrande versatilità (17-85mm ≈ 27-136mm)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3172\" data-end=\"3199\"\u003e\n\u003cp data-start=\"3174\" data-end=\"3199\"\u003eStabilizzatore efficace\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3200\" data-end=\"3237\"\u003e\n\u003cp data-start=\"3202\" data-end=\"3237\"\u003eAutofocus USM rapido e silenzioso\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3238\" data-end=\"3262\"\u003e\n\u003cp data-start=\"3240\" data-end=\"3262\"\u003eBuona resa cromatica\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3263\" data-end=\"3331\"\u003e\n\u003cp data-start=\"3265\" data-end=\"3331\"\u003eRapporto qualità\/prezzo molto conveniente sul mercato dell’usato\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"3333\" data-end=\"3350\"\u003e\u003cstrong data-start=\"3337\" data-end=\"3350\"\u003eSvantaggi\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul data-start=\"3351\" data-end=\"3494\"\u003e\n \t\u003cli data-start=\"3351\" data-end=\"3390\"\u003e\n\u003cp data-start=\"3353\" data-end=\"3390\"\u003eApertura f\/4-5.6 non molto luminosa\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3391\" data-end=\"3422\"\u003e\n\u003cp data-start=\"3393\" data-end=\"3422\"\u003eDistorsione evidente a 17mm\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3423\" data-end=\"3459\"\u003e\n\u003cp data-start=\"3425\" data-end=\"3459\"\u003eBordo immagine non sempre nitido\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3460\" data-end=\"3494\"\u003e\n\u003cp data-start=\"3462\" data-end=\"3494\"\u003eObiettivo non più recentissimo\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"3496\" data-end=\"3499\"\u003e\n\n\u003ch2 data-start=\"3501\" data-end=\"3528\"\u003e\u003cstrong data-start=\"3504\" data-end=\"3528\"\u003eA Chi è Consigliato?\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"3529\" data-end=\"3559\"\u003eIl Canon 17-85mm è ideale per:\u003c\/p\u003e\n\n\u003cul data-start=\"3560\" data-end=\"3810\"\u003e\n \t\u003cli data-start=\"3560\" data-end=\"3612\"\u003e\n\u003cp data-start=\"3562\" data-end=\"3612\"\u003eprincipianti che cercano un obiettivo tuttofare;\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3613\" data-end=\"3694\"\u003e\n\u003cp data-start=\"3615\" data-end=\"3694\"\u003efotografi amatoriali che desiderano un’evoluzione rispetto al classico 18-55;\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3695\" data-end=\"3757\"\u003e\n\u003cp data-start=\"3697\" data-end=\"3757\"\u003echi vuole risparmiare acquistando un buon obiettivo usato;\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3758\" data-end=\"3810\"\u003e\n\u003cp data-start=\"3760\" data-end=\"3810\"\u003eviaggiatori che vogliono leggerezza e versatilità.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"3812\" data-end=\"3848\"\u003eNon è invece la scelta migliore per:\u003c\/p\u003e\n\n\u003cul data-start=\"3849\" data-end=\"3992\"\u003e\n \t\u003cli data-start=\"3849\" data-end=\"3893\"\u003e\n\u003cp data-start=\"3851\" data-end=\"3893\"\u003efotografia in condizioni di scarsa luce,\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3894\" data-end=\"3921\"\u003e\n\u003cp data-start=\"3896\" data-end=\"3921\"\u003eritratti professionali,\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3922\" data-end=\"3992\"\u003e\n\u003cp data-start=\"3924\" data-end=\"3992\"\u003echi cerca qualità ottica elevata e performance da obiettivo moderno.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"3994\" data-end=\"3997\"\u003e\n\n\u003ch2 data-start=\"3999\" data-end=\"4017\"\u003e\u003cstrong data-start=\"4002\" data-end=\"4017\"\u003eConclusioni\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"4018\" data-end=\"4338\"\u003eIl \u003cstrong data-start=\"4021\" data-end=\"4058\"\u003eCanon EF-S 17-85mm f\/4-5.6 IS USM\u003c\/strong\u003e rimane uno degli zoom tuttofare più equilibrati e convenienti del sistema APS-C Canon. Pur con i suoi anni e qualche limite ottico, offre un eccellente rapporto qualità\/prezzo sul mercato dell’usato, ed è perfetto per chi desidera un obiettivo versatile da portare sempre con sé.\u003c\/p\u003e\n\u003cp data-start=\"4018\" data-end=\"4338\"\u003eCanon EF-S 17-85mm f\/4-5.6 IS USM\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":59739764785486,"sku":"133323","price":160.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/7681\/8510\/files\/DSC_1438.jpg?v=1779704736"},{"product_id":"canon-m-15-45mm-f-3-5-6-3-is-stm","title":"Canon M 15-45mm f\/3.5-6.3 IS STM","description":"\u003cp data-start=\"416\" data-end=\"482\"\u003eCanon M 15-45mm f\/3.5-6.3 IS STM\u003c\/p\u003e\n\n\u003ch1 data-start=\"416\" data-end=\"482\"\u003eCanon M 15-45mm: recensione completa, caratteristiche e opinioni\u003c\/h1\u003e\n\u003cp data-start=\"484\" data-end=\"814\"\u003eSe sei alla ricerca di un obiettivo versatile per la tua \u003cstrong data-start=\"541\" data-end=\"556\"\u003eCanon EOS M\u003c\/strong\u003e, il \u003cstrong data-start=\"561\" data-end=\"597\"\u003eCanon M 15-45mm f\/3.5-6.3 IS STM\u003c\/strong\u003e potrebbe essere la scelta giusta. In questa guida completa analizzeremo ogni dettaglio, dalle caratteristiche tecniche ai vantaggi e svantaggi, fino a consigli pratici per ottenere il massimo da questo zoom standard.\u003c\/p\u003e\n\n\n\u003chr data-start=\"816\" data-end=\"819\"\u003e\n\n\u003ch2 data-start=\"821\" data-end=\"870\"\u003eCaratteristiche principali del Canon M 15-45mm\u003c\/h2\u003e\n\u003cp data-start=\"872\" data-end=\"1024\"\u003eIl \u003cstrong data-start=\"875\" data-end=\"894\"\u003eCanon M 15-45mm\u003c\/strong\u003e è un obiettivo standard zoom pensato per le fotocamere mirrorless della serie EOS M. Ecco le caratteristiche tecniche principali:\u003c\/p\u003e\n\n\u003cul data-start=\"1026\" data-end=\"1408\"\u003e\n \t\u003cli data-start=\"1026\" data-end=\"1085\"\u003e\n\u003cp data-start=\"1028\" data-end=\"1085\"\u003e\u003cstrong data-start=\"1028\" data-end=\"1039\"\u003eFocale:\u003c\/strong\u003e 15-45mm (equivalente 24-72mm su full frame)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1086\" data-end=\"1121\"\u003e\n\u003cp data-start=\"1088\" data-end=\"1121\"\u003e\u003cstrong data-start=\"1088\" data-end=\"1109\"\u003eApertura massima:\u003c\/strong\u003e f\/3.5-6.3\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1122\" data-end=\"1177\"\u003e\n\u003cp data-start=\"1124\" data-end=\"1177\"\u003e\u003cstrong data-start=\"1124\" data-end=\"1143\"\u003eStabilizzatore:\u003c\/strong\u003e Sì, stabilizzazione ottica (IS)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1178\" data-end=\"1254\"\u003e\n\u003cp data-start=\"1180\" data-end=\"1254\"\u003e\u003cstrong data-start=\"1180\" data-end=\"1194\"\u003eMotore AF:\u003c\/strong\u003e STM (Stepper Motor) per messa a fuoco silenziosa e fluida\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1255\" data-end=\"1302\"\u003e\n\u003cp data-start=\"1257\" data-end=\"1302\"\u003e\u003cstrong data-start=\"1257\" data-end=\"1275\"\u003eCompatibilità:\u003c\/strong\u003e Canon EOS M (mirrorless)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1303\" data-end=\"1327\"\u003e\n\u003cp data-start=\"1305\" data-end=\"1327\"\u003e\u003cstrong data-start=\"1305\" data-end=\"1314\"\u003ePeso:\u003c\/strong\u003e circa 130g\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1328\" data-end=\"1408\"\u003e\n\u003cp data-start=\"1330\" data-end=\"1408\"\u003e\u003cstrong data-start=\"1330\" data-end=\"1345\"\u003eDimensioni:\u003c\/strong\u003e compatto e leggero, perfetto per viaggi e street photography\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1410\" data-end=\"1553\"\u003eQuesto obiettivo offre una buona flessibilità, coprendo dall’ampio grandangolo al medio tele, ideale sia per paesaggi che per ritratti leggeri.\u003c\/p\u003e\n\n\n\u003chr data-start=\"1555\" data-end=\"1558\"\u003e\n\n\u003ch2 data-start=\"1560\" data-end=\"1591\"\u003eVantaggi del Canon M 15-45mm\u003c\/h2\u003e\n\u003col data-start=\"1593\" data-end=\"2067\"\u003e\n \t\u003cli data-start=\"1593\" data-end=\"1687\"\u003e\n\u003cp data-start=\"1596\" data-end=\"1687\"\u003e\u003cstrong data-start=\"1596\" data-end=\"1619\"\u003eCompatto e leggero:\u003c\/strong\u003e facile da portare ovunque, perfetto per la fotografia di viaggio.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1688\" data-end=\"1809\"\u003e\n\u003cp data-start=\"1691\" data-end=\"1809\"\u003e\u003cstrong data-start=\"1691\" data-end=\"1720\"\u003eStabilizzazione efficace:\u003c\/strong\u003e l’IS ottico riduce il rischio di foto mosse, soprattutto in condizioni di luce scarsa.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1810\" data-end=\"1889\"\u003e\n\u003cp data-start=\"1813\" data-end=\"1889\"\u003e\u003cstrong data-start=\"1813\" data-end=\"1842\"\u003eMessa a fuoco silenziosa:\u003c\/strong\u003e ideale anche per video grazie al motore STM.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1890\" data-end=\"1986\"\u003e\n\u003cp data-start=\"1893\" data-end=\"1986\"\u003e\u003cstrong data-start=\"1893\" data-end=\"1916\"\u003ePrezzo accessibile:\u003c\/strong\u003e ottimo rapporto qualità-prezzo rispetto ad altri obiettivi Canon M.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1987\" data-end=\"2067\"\u003e\n\u003cp data-start=\"1990\" data-end=\"2067\"\u003e\u003cstrong data-start=\"1990\" data-end=\"2006\"\u003eVersatilità:\u003c\/strong\u003e copre un range focale utile per molte situazioni quotidiane.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003chr data-start=\"2069\" data-end=\"2072\"\u003e\n\n\u003ch2 data-start=\"2074\" data-end=\"2106\"\u003eSvantaggi del Canon M 15-45mm\u003c\/h2\u003e\n\u003cul data-start=\"2108\" data-end=\"2342\"\u003e\n \t\u003cli data-start=\"2108\" data-end=\"2199\"\u003e\n\u003cp data-start=\"2110\" data-end=\"2199\"\u003eApertura limitata (f\/3.5-6.3) che può penalizzare le foto in condizioni di scarsa luce.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2200\" data-end=\"2268\"\u003e\n\u003cp data-start=\"2202\" data-end=\"2268\"\u003eNon particolarmente luminoso per bokeh pronunciato nei ritratti.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2269\" data-end=\"2342\"\u003e\n\u003cp data-start=\"2271\" data-end=\"2342\"\u003ePlastica nella costruzione, meno resistente di obiettivi professionali.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"2344\" data-end=\"2347\"\u003e\n\n\u003ch2 data-start=\"2349\" data-end=\"2366\"\u003eConsigli d’uso\u003c\/h2\u003e\n\u003cul data-start=\"2368\" data-end=\"2703\"\u003e\n \t\u003cli data-start=\"2368\" data-end=\"2473\"\u003e\n\u003cp data-start=\"2370\" data-end=\"2473\"\u003eIdeale per \u003cstrong data-start=\"2381\" data-end=\"2427\"\u003efotografia di viaggio e street photography\u003c\/strong\u003e, grazie alla sua leggerezza e flessibilità.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2474\" data-end=\"2573\"\u003e\n\u003cp data-start=\"2476\" data-end=\"2573\"\u003eOttimo per \u003cstrong data-start=\"2487\" data-end=\"2496\"\u003evideo\u003c\/strong\u003e su Canon EOS M grazie alla messa a fuoco silenziosa e allo stabilizzatore.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2574\" data-end=\"2703\"\u003e\n\u003cp data-start=\"2576\" data-end=\"2703\"\u003eNon eccelle in \u003cstrong data-start=\"2591\" data-end=\"2630\"\u003ebokeh intenso o fotografia notturna\u003c\/strong\u003e: in questi casi considera obiettivi con apertura più ampia come f\/1.8.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"2705\" data-end=\"2708\"\u003e\n\n\u003ch2 data-start=\"2710\" data-end=\"2750\"\u003eConfronto con altri obiettivi Canon M\u003c\/h2\u003e\n\u003cdiv class=\"TyagGW_tableContainer\"\u003e\n\u003cdiv class=\"group TyagGW_tableWrapper flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable class=\"w-fit min-w-(--thread-content-width)\" data-start=\"2752\" data-end=\"3090\"\u003e\n\u003cthead data-start=\"2752\" data-end=\"2798\"\u003e\n\u003ctr data-start=\"2752\" data-end=\"2798\"\u003e\n\u003cth data-start=\"2752\" data-end=\"2764\" data-col-size=\"sm\"\u003eObiettivo\u003c\/th\u003e\n\u003cth data-start=\"2764\" data-end=\"2775\" data-col-size=\"sm\"\u003eApertura\u003c\/th\u003e\n\u003cth data-start=\"2775\" data-end=\"2782\" data-col-size=\"sm\"\u003ePeso\u003c\/th\u003e\n\u003cth data-start=\"2782\" data-end=\"2788\" data-col-size=\"sm\"\u003ePro\u003c\/th\u003e\n\u003cth data-start=\"2788\" data-end=\"2798\" data-col-size=\"sm\"\u003eContro\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"2846\" data-end=\"3090\"\u003e\n\u003ctr data-start=\"2846\" data-end=\"2926\"\u003e\n\u003ctd data-start=\"2846\" data-end=\"2864\" data-col-size=\"sm\"\u003eCanon M 15-45mm\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"2864\" data-end=\"2876\"\u003ef\/3.5-6.3\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"2876\" data-end=\"2883\"\u003e130g\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"2883\" data-end=\"2909\"\u003eCompatto, IS, versatile\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"2909\" data-end=\"2926\"\u003ePoco luminoso\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2927\" data-end=\"3012\"\u003e\n\u003ctd data-start=\"2927\" data-end=\"2946\" data-col-size=\"sm\"\u003eCanon M 22mm f\/2\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"2946\" data-end=\"2952\"\u003ef\/2\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"2952\" data-end=\"2959\"\u003e105g\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"2959\" data-end=\"2980\"\u003eLuminoso, compatto\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"2980\" data-end=\"3012\"\u003eFocale fissa, meno versatile\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3013\" data-end=\"3090\"\u003e\n\u003ctd data-start=\"3013\" data-end=\"3032\" data-col-size=\"sm\"\u003eCanon M 18-150mm\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3032\" data-end=\"3044\"\u003ef\/3.5-6.3\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3044\" data-end=\"3051\"\u003e300g\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3051\" data-end=\"3066\"\u003eZoom potente\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3066\" data-end=\"3090\"\u003ePiù pesante, costoso\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003chr data-start=\"3092\" data-end=\"3095\"\u003e\n\n\u003ch2 data-start=\"3097\" data-end=\"3115\"\u003eOpinioni finali\u003c\/h2\u003e\n\u003cp data-start=\"3117\" data-end=\"3501\"\u003eIl \u003cstrong data-start=\"3120\" data-end=\"3156\"\u003eCanon M 15-45mm f\/3.5-6.3 IS STM\u003c\/strong\u003e è un obiettivo consigliato a chi cerca un kit leggero e versatile per la \u003cstrong data-start=\"3230\" data-end=\"3265\"\u003efotografia quotidiana e i video\u003c\/strong\u003e. Pur non essendo il più luminoso sul mercato, offre un eccellente equilibrio tra prezzo, qualità e praticità. Perfetto per chi ha una Canon EOS M e vuole iniziare a esplorare diverse focali senza appesantirsi con obiettivi ingombranti.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":59739766522190,"sku":"134364","price":130.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/7681\/8510\/files\/DSC_1646.jpg?v=1779704744"},{"product_id":"canon-fd-300mm-f-5-6","title":"Canon FD 300mm f\/5.6","description":"Canon FD 300mm f\/5.6\n\u003cp data-start=\"267\" data-end=\"658\"\u003eIl \u003cstrong data-start=\"270\" data-end=\"294\"\u003eCanon FD 300mm f\/5.6\u003c\/strong\u003e è un obiettivo tele medio-lungo prodotto da Canon negli anni d’oro del sistema \u003cstrong data-start=\"374\" data-end=\"380\"\u003eFD\u003c\/strong\u003e, progettato per le fotocamere reflex a pellicola manual focus. Ancora oggi è molto apprezzato da collezionisti, fotografi analogici e da chi utilizza mirrorless moderne con adattatore, grazie alla sua resa ottica, costruzione solida e prezzo accessibile sul mercato dell’usato.\u003c\/p\u003e\n\u003cp data-start=\"660\" data-end=\"843\"\u003eIn questo articolo analizziamo \u003cstrong data-start=\"691\" data-end=\"775\"\u003especifiche tecniche, qualità dell’immagine, utilizzi consigliati e compatibilità\u003c\/strong\u003e, offrendo una panoramica completa per chi sta valutando l’acquisto.\u003c\/p\u003e\n\n\n\u003chr data-start=\"845\" data-end=\"848\"\u003e\n\n\u003ch2 data-start=\"850\" data-end=\"904\"\u003eCaratteristiche principali del Canon FD 300mm f\/5.6\u003c\/h2\u003e\n\u003cp data-start=\"906\" data-end=\"1044\"\u003eIl Canon FD 300mm f\/5.6 è un teleobiettivo a focale fissa progettato per offrire un buon equilibrio tra portabilità e prestazioni ottiche.\u003c\/p\u003e\n\u003cp data-start=\"1046\" data-end=\"1070\"\u003e\u003cstrong data-start=\"1046\" data-end=\"1070\"\u003eSpecifiche tecniche:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul data-start=\"1072\" data-end=\"1457\"\u003e\n \t\u003cli data-start=\"1072\" data-end=\"1097\"\u003e\n\u003cp data-start=\"1074\" data-end=\"1097\"\u003e\u003cstrong data-start=\"1074\" data-end=\"1086\"\u003eAttacco:\u003c\/strong\u003e Canon FD\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1098\" data-end=\"1129\"\u003e\n\u003cp data-start=\"1100\" data-end=\"1129\"\u003e\u003cstrong data-start=\"1100\" data-end=\"1121\"\u003eLunghezza focale:\u003c\/strong\u003e 300mm\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1130\" data-end=\"1161\"\u003e\n\u003cp data-start=\"1132\" data-end=\"1161\"\u003e\u003cstrong data-start=\"1132\" data-end=\"1153\"\u003eApertura massima:\u003c\/strong\u003e f\/5.6\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1162\" data-end=\"1191\"\u003e\n\u003cp data-start=\"1164\" data-end=\"1191\"\u003e\u003cstrong data-start=\"1164\" data-end=\"1184\"\u003eApertura minima:\u003c\/strong\u003e f\/32\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1192\" data-end=\"1222\"\u003e\n\u003cp data-start=\"1194\" data-end=\"1222\"\u003e\u003cstrong data-start=\"1194\" data-end=\"1212\"\u003eMessa a fuoco:\u003c\/strong\u003e manuale\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1223\" data-end=\"1313\"\u003e\n\u003cp data-start=\"1225\" data-end=\"1313\"\u003e\u003cstrong data-start=\"1225\" data-end=\"1243\"\u003eSchema ottico:\u003c\/strong\u003e 6 elementi in 6 gruppi (varia leggermente a seconda della versione)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1314\" data-end=\"1365\"\u003e\n\u003cp data-start=\"1316\" data-end=\"1365\"\u003e\u003cstrong data-start=\"1316\" data-end=\"1353\"\u003eDistanza minima di messa a fuoco:\u003c\/strong\u003e circa 4 m\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1366\" data-end=\"1396\"\u003e\n\u003cp data-start=\"1368\" data-end=\"1396\"\u003e\u003cstrong data-start=\"1368\" data-end=\"1388\"\u003eDiametro filtri:\u003c\/strong\u003e 58 mm\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1397\" data-end=\"1422\"\u003e\n\u003cp data-start=\"1399\" data-end=\"1422\"\u003e\u003cstrong data-start=\"1399\" data-end=\"1408\"\u003ePeso:\u003c\/strong\u003e circa 700 g\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1423\" data-end=\"1457\"\u003e\n\u003cp data-start=\"1425\" data-end=\"1457\"\u003e\u003cstrong data-start=\"1425\" data-end=\"1441\"\u003eCostruzione:\u003c\/strong\u003e metallo e vetro\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1459\" data-end=\"1599\"\u003eCanon ha prodotto più versioni di questo obiettivo (FD, New FD), tutte accomunate da una buona qualità costruttiva e affidabilità nel tempo.\u003c\/p\u003e\n\n\n\u003chr data-start=\"1601\" data-end=\"1604\"\u003e\n\n\u003ch2 data-start=\"1606\" data-end=\"1637\"\u003eQualità costruttiva e design\u003c\/h2\u003e\n\u003cp data-start=\"1639\" data-end=\"1938\"\u003eUno dei punti di forza del Canon FD 300mm f\/5.6 è la \u003cstrong data-start=\"1692\" data-end=\"1715\"\u003ecostruzione robusta\u003c\/strong\u003e, tipica degli obiettivi manuali Canon degli anni ’70 e ’80. Il barilotto in metallo garantisce resistenza e durata, mentre la ghiera di messa a fuoco è fluida e precisa, ideale anche per il \u003cstrong data-start=\"1906\" data-end=\"1923\"\u003evideo manuale\u003c\/strong\u003e su mirrorless.\u003c\/p\u003e\n\u003cp data-start=\"1940\" data-end=\"2070\"\u003eIl design è essenziale, privo di elettronica, il che rende l’obiettivo praticamente immune a problemi di obsolescenza tecnologica.\u003c\/p\u003e\n\n\n\u003chr data-start=\"2072\" data-end=\"2075\"\u003e\n\n\u003ch2 data-start=\"2077\" data-end=\"2101\"\u003eQualità dell’immagine\u003c\/h2\u003e\n\u003cp data-start=\"2103\" data-end=\"2216\"\u003eDal punto di vista ottico, il Canon FD 300mm f\/5.6 offre risultati sorprendenti per un obiettivo della sua epoca.\u003c\/p\u003e\n\n\u003ch3 data-start=\"2218\" data-end=\"2231\"\u003eNitidezza\u003c\/h3\u003e\n\u003cul data-start=\"2232\" data-end=\"2371\"\u003e\n \t\u003cli data-start=\"2232\" data-end=\"2268\"\u003e\n\u003cp data-start=\"2234\" data-end=\"2268\"\u003eBuona già a tutta apertura (f\/5.6)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2269\" data-end=\"2316\"\u003e\n\u003cp data-start=\"2271\" data-end=\"2316\"\u003eMigliora sensibilmente chiudendo a f\/8 – f\/11\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2317\" data-end=\"2371\"\u003e\n\u003cp data-start=\"2319\" data-end=\"2371\"\u003eOttima resa al centro, con bordi più che accettabili\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"2373\" data-end=\"2395\"\u003eColori e contrasto\u003c\/h3\u003e\n\u003cul data-start=\"2396\" data-end=\"2527\"\u003e\n \t\u003cli data-start=\"2396\" data-end=\"2433\"\u003e\n\u003cp data-start=\"2398\" data-end=\"2433\"\u003eColori naturali e leggermente caldi\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2434\" data-end=\"2495\"\u003e\n\u003cp data-start=\"2436\" data-end=\"2495\"\u003eContrasto medio, facilmente migliorabile in post-produzione\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2496\" data-end=\"2527\"\u003e\n\u003cp data-start=\"2498\" data-end=\"2527\"\u003eBuona resa su sensori moderni\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"2529\" data-end=\"2554\"\u003eAberrazioni e difetti\u003c\/h3\u003e\n\u003cul data-start=\"2555\" data-end=\"2692\"\u003e\n \t\u003cli data-start=\"2555\" data-end=\"2600\"\u003e\n\u003cp data-start=\"2557\" data-end=\"2600\"\u003eAberrazione cromatica presente ma contenuta\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2601\" data-end=\"2657\"\u003e\n\u003cp data-start=\"2603\" data-end=\"2657\"\u003eFlare visibile in controluce (consigliato il paraluce)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2658\" data-end=\"2692\"\u003e\n\u003cp data-start=\"2660\" data-end=\"2692\"\u003eDistorsione praticamente assente\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"2694\" data-end=\"2697\"\u003e\n\n\u003ch2 data-start=\"2699\" data-end=\"2722\"\u003eUtilizzi consigliati\u003c\/h2\u003e\n\u003cp data-start=\"2724\" data-end=\"2808\"\u003eGrazie alla focale da 300mm, questo obiettivo è adatto a diversi generi fotografici:\u003c\/p\u003e\n\n\u003cul data-start=\"2810\" data-end=\"3038\"\u003e\n \t\u003cli data-start=\"2810\" data-end=\"2870\"\u003e\n\u003cp data-start=\"2812\" data-end=\"2870\"\u003e\u003cstrong data-start=\"2812\" data-end=\"2840\"\u003eFotografia naturalistica\u003c\/strong\u003e (animali, uccelli a distanza)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2871\" data-end=\"2910\"\u003e\n\u003cp data-start=\"2873\" data-end=\"2910\"\u003e\u003cstrong data-start=\"2873\" data-end=\"2893\"\u003eSport all’aperto\u003c\/strong\u003e (con buona luce)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2911\" data-end=\"2936\"\u003e\n\u003cp data-start=\"2913\" data-end=\"2936\"\u003e\u003cstrong data-start=\"2913\" data-end=\"2936\"\u003ePaesaggio compresso\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2937\" data-end=\"2989\"\u003e\n\u003cp data-start=\"2939\" data-end=\"2989\"\u003e\u003cstrong data-start=\"2939\" data-end=\"2963\"\u003eAstrofotografia base\u003c\/strong\u003e (luna, soggetti luminosi)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2990\" data-end=\"3038\"\u003e\n\u003cp data-start=\"2992\" data-end=\"3038\"\u003e\u003cstrong data-start=\"2992\" data-end=\"3009\"\u003eVideo manuale\u003c\/strong\u003e su mirrorless con adattatore\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"3040\" data-end=\"3184\"\u003eSu fotocamere APS-C o Micro Quattro Terzi, la focale equivalente aumenta, rendendolo ancora più interessante per la fotografia a lunga distanza.\u003c\/p\u003e\n\n\n\u003chr data-start=\"3186\" data-end=\"3189\"\u003e\n\n\u003ch2 data-start=\"3191\" data-end=\"3230\"\u003eCompatibilità con fotocamere moderne\u003c\/h2\u003e\n\u003cp data-start=\"3232\" data-end=\"3337\"\u003eIl Canon FD 300mm f\/5.6 può essere utilizzato facilmente su molte fotocamere digitali tramite adattatore:\u003c\/p\u003e\n\n\u003cul data-start=\"3339\" data-end=\"3413\"\u003e\n \t\u003cli data-start=\"3339\" data-end=\"3351\"\u003e\n\u003cp data-start=\"3341\" data-end=\"3351\"\u003e\u003cstrong data-start=\"3341\" data-end=\"3351\"\u003eSony E\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3352\" data-end=\"3366\"\u003e\n\u003cp data-start=\"3354\" data-end=\"3366\"\u003e\u003cstrong data-start=\"3354\" data-end=\"3366\"\u003eCanon RF\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3367\" data-end=\"3380\"\u003e\n\u003cp data-start=\"3369\" data-end=\"3380\"\u003e\u003cstrong data-start=\"3369\" data-end=\"3380\"\u003eNikon Z\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3381\" data-end=\"3396\"\u003e\n\u003cp data-start=\"3383\" data-end=\"3396\"\u003e\u003cstrong data-start=\"3383\" data-end=\"3396\"\u003eMicro 4\/3\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3397\" data-end=\"3413\"\u003e\n\u003cp data-start=\"3399\" data-end=\"3413\"\u003e\u003cstrong data-start=\"3399\" data-end=\"3413\"\u003eFujifilm X\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"3415\" data-end=\"3536\"\u003e⚠️ Nota: su reflex Canon EF l’adattamento è sconsigliato senza lenti correttive, che peggiorano la qualità dell’immagine.\u003c\/p\u003e\n\n\n\u003chr data-start=\"3864\" data-end=\"3867\"\u003e\n\n\u003ch2 data-start=\"3869\" data-end=\"3884\"\u003ePro e contro\u003c\/h2\u003e\n\u003cp data-start=\"3886\" data-end=\"3898\"\u003e\u003cstrong data-start=\"3886\" data-end=\"3898\"\u003eVantaggi\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul data-start=\"3899\" data-end=\"4015\"\u003e\n \t\u003cli data-start=\"3899\" data-end=\"3929\"\u003e\n\u003cp data-start=\"3901\" data-end=\"3929\"\u003eOttima qualità costruttiva\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3930\" data-end=\"3949\"\u003e\n\u003cp data-start=\"3932\" data-end=\"3949\"\u003eBuona nitidezza\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3950\" data-end=\"3972\"\u003e\n\u003cp data-start=\"3952\" data-end=\"3972\"\u003ePrezzo accessibile\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3973\" data-end=\"4015\"\u003e\n\u003cp data-start=\"3975\" data-end=\"4015\"\u003ePerfetto per mirrorless con adattatore\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"4017\" data-end=\"4030\"\u003e\u003cstrong data-start=\"4017\" data-end=\"4030\"\u003eSvantaggi\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul data-start=\"4031\" data-end=\"4143\"\u003e\n \t\u003cli data-start=\"4031\" data-end=\"4068\"\u003e\n\u003cp data-start=\"4033\" data-end=\"4068\"\u003eApertura massima limitata (f\/5.6)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"4069\" data-end=\"4099\"\u003e\n\u003cp data-start=\"4071\" data-end=\"4099\"\u003eMessa a fuoco solo manuale\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"4100\" data-end=\"4143\"\u003e\n\u003cp data-start=\"4102\" data-end=\"4143\"\u003eNon ideale in condizioni di scarsa luce\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"4145\" data-end=\"4148\"\u003e\n\n\u003ch2 data-start=\"4150\" data-end=\"4164\"\u003eConclusione\u003c\/h2\u003e\n\u003cp data-start=\"4166\" data-end=\"4473\"\u003eIl \u003cstrong data-start=\"4169\" data-end=\"4193\"\u003eCanon FD 300mm f\/5.6\u003c\/strong\u003e è un obiettivo che dimostra come la fotografia vintage possa ancora dire la sua nel mondo digitale. Ideale per chi ama la messa a fuoco manuale, per appassionati di ottiche storiche o per chi cerca un teleobiettivo economico ma valido, rimane una scelta intelligente e versatile.\u003c\/p\u003e\n\u003cp data-start=\"4475\" data-end=\"4615\"\u003eSe stai cercando un \u003cstrong data-start=\"4495\" data-end=\"4566\"\u003e300mm Canon FD affidabile, robusto e con una resa più che dignitosa\u003c\/strong\u003e, questo obiettivo merita sicuramente attenzione.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":59739767996750,"sku":"136247","price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/7681\/8510\/files\/DSC_1958.jpg?v=1779704761"},{"product_id":"metabones-canon-ef-micro-4-3-t-cine-speed-booster-xl-0-64x","title":"Metabones Canon EF Micro 4\/3 T CINE Speed Booster XL 0.64x","description":"Metabones Canon EF Micro 4\/3 T CINE Speed Booster XL 0.64x\n\nUn \u003cstrong data-start=\"359\" data-end=\"376\"\u003eSpeed Booster\u003c\/strong\u003e è un adattatore ottico avanzato progettato per montare ottiche Canon con attacco \u003cstrong data-start=\"458\" data-end=\"464\"\u003eEF\u003c\/strong\u003e su fotocamere con attacco \u003cstrong data-start=\"491\" data-end=\"518\"\u003eMicro Four Thirds (MFT)\u003c\/strong\u003e, come ad esempio Panasonic GH5\/GH4 o Olympus OM‑D. A differenza di un semplice adattatore meccanico, il Speed Booster incorpora un gruppo di lenti che:\n\u003cul data-start=\"671\" data-end=\"1083\"\u003e\n \t\u003cli data-start=\"671\" data-end=\"842\"\u003e\n\u003cp data-start=\"673\" data-end=\"842\"\u003e\u003cstrong data-start=\"673\" data-end=\"702\"\u003eRiduce il fattore di crop\u003c\/strong\u003e della fotocamera MFT (di solito da ×2.0 a circa ×1.4 o ×1.28) aumentando il campo visivo percepito.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"843\" data-end=\"991\"\u003e\n\u003cp data-start=\"845\" data-end=\"991\"\u003e\u003cstrong data-start=\"845\" data-end=\"895\"\u003eIncrementa l’apertura effettiva dell’obiettivo\u003c\/strong\u003e, consentendo più luce rispetto a un adattatore normale.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"992\" data-end=\"1083\"\u003e\n\u003cp data-start=\"994\" data-end=\"1083\"\u003e\u003cstrong data-start=\"994\" data-end=\"1040\"\u003eMigliora il bokeh e la profondità di campo\u003c\/strong\u003e, rendendo immagini più cinematografiche.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1085\" data-end=\"1330\"\u003eQuesta combinazione di effetto grandangolare e aumento della luce utile rende lo Speed Booster uno strumento molto amato da videomaker e fotografi che vogliono sfruttare ottiche EF su corpi MFT senza sacrificare troppo campo visivo o luminosità.\u003c\/p\u003e\n\n\n\u003chr data-start=\"1332\" data-end=\"1335\"\u003e\n\n\u003ch2 data-start=\"1337\" data-end=\"1366\"\u003eCome funziona tecnicamente\u003c\/h2\u003e\n\u003cp data-start=\"1367\" data-end=\"1571\"\u003eIl cuore di uno Speed Booster è una lente \u003cstrong data-start=\"1409\" data-end=\"1428\"\u003e“focal reducer”\u003c\/strong\u003e, cioè un elemento ottico che comprime l’immagine proiettata dall’obiettivo Canon verso il sensore MFT. Questo porta a due principali vantaggi:\u003c\/p\u003e\n\n\u003col data-start=\"1572\" data-end=\"1979\"\u003e\n \t\u003cli data-start=\"1572\" data-end=\"1753\"\u003e\n\u003cp data-start=\"1575\" data-end=\"1753\"\u003e\u003cstrong data-start=\"1575\" data-end=\"1602\"\u003eCampo visivo più ampio:\u003c\/strong\u003e riduce il crop factor tipico del formato Micro 4\/3 (che è circa 2×) a un fattore inferiore (es. 1,4× o 1,28×).\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1754\" data-end=\"1979\"\u003e\n\u003cp data-start=\"1757\" data-end=\"1979\"\u003e\u003cstrong data-start=\"1757\" data-end=\"1790\"\u003eApertura effettiva aumentata:\u003c\/strong\u003e un obiettivo Canon f\/1.2 può comportarsi come f\/0.8 sul corpo MFT con Speed Booster, consentendo performance superiori in condizioni di scarsa luce.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003chr data-start=\"1981\" data-end=\"1984\"\u003e\n\n\u003ch2 data-start=\"1986\" data-end=\"2034\"\u003ePrincipali \u003cstrong data-start=\"2000\" data-end=\"2034\"\u003emodelli Metabones per MFT → EF\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003ch3 data-start=\"2036\" data-end=\"2068\"\u003e✨ Speed Booster “classico”\u003c\/h3\u003e\n\u003cul data-start=\"2069\" data-end=\"2325\"\u003e\n \t\u003cli data-start=\"2069\" data-end=\"2192\"\u003e\n\u003cp data-start=\"2071\" data-end=\"2192\"\u003e\u003cstrong data-start=\"2071\" data-end=\"2112\"\u003e\u003cspan class=\"entity-underline hover:entity-accent inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMetabones Speed Booster Ultra 0.71x Mount Adapter CANON EF\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e – versione Ultra 0,71× adatta per molte mirrorless MFT con elettro‑controllo.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2193\" data-end=\"2325\"\u003e\n\u003cp data-start=\"2195\" data-end=\"2325\"\u003eInclude comunicazione elettronica per autofocus, stabilizzazione e apertura dove supportato.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"2327\" data-end=\"2355\"\u003e🏆 Versione \u003cstrong data-start=\"2343\" data-end=\"2355\"\u003eXL 0.64x\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cul data-start=\"2356\" data-end=\"2725\"\u003e\n \t\u003cli data-start=\"2356\" data-end=\"2592\"\u003e\n\u003cp data-start=\"2358\" data-end=\"2592\"\u003e\u003cstrong data-start=\"2358\" data-end=\"2399\"\u003e\u003cspan class=\"entity-underline hover:entity-accent inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMetabones Canon EF Micro 4\/3 T CINE Speed Booster XL 0.64x\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e – multiplica i vantaggi con fattore di riduzione \u003cstrong data-start=\"2449\" data-end=\"2458\"\u003e0.64×\u003c\/strong\u003e, ideale per videomaker che vogliono un enorme campo visivo e \u003cstrong data-start=\"2520\" data-end=\"2536\"\u003efino a f\/0.8\u003c\/strong\u003e con ottiche F1.2.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2593\" data-end=\"2725\"\u003e\n\u003cp data-start=\"2595\" data-end=\"2725\"\u003ePerfetto per cine‑look e uso su camere come Panasonic GH4, GH5 e altri body MFT selezionati.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"2727\" data-end=\"2758\"\u003e📽 Versioni dedicate Cinema\u003c\/h3\u003e\n\u003cul data-start=\"2759\" data-end=\"2983\"\u003e\n \t\u003cli data-start=\"2759\" data-end=\"2881\"\u003e\n\u003cp data-start=\"2761\" data-end=\"2881\"\u003e\u003cstrong data-start=\"2761\" data-end=\"2804\"\u003e\u003cspan class=\"entity-underline hover:entity-accent inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMetabones Canon EF to BMPCC4K T Speed Booster Ultra 0.71x\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e – ottimizzato per Blackmagic Pocket Cinema Camera con montaggio Micro 4\/3.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2882\" data-end=\"2983\"\u003e\n\u003cp data-start=\"2884\" data-end=\"2983\"\u003eOpzioni XL dedicate \u003cstrong data-start=\"2904\" data-end=\"2947\"\u003e\u003cspan class=\"entity-underline hover:entity-accent inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMetabones Canon EF to BMPCC4K T Speed Booster XL 0.64x\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e adatte per workflow video avanzato.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"2985\" data-end=\"2988\"\u003e\n\n\u003ch2 data-start=\"2990\" data-end=\"3012\"\u003eVantaggi principali\u003c\/h2\u003e\n\u003ch3 data-start=\"3014\" data-end=\"3062\"\u003e📷 1. \u003cstrong data-start=\"3024\" data-end=\"3062\"\u003eMaggiore campo visivo e luminosità\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-start=\"3063\" data-end=\"3312\"\u003eIl Speed Booster permette di ridurre il crop e ottenere un campo di ripresa più vicino a quello di una fotocamera full‑frame, aggiungendo anche \u003cstrong data-start=\"3207\" data-end=\"3233\"\u003estop di apertura utili\u003c\/strong\u003e in più rispetto all’obiettivo da solo.\u003c\/p\u003e\n\n\u003ch3 data-start=\"3314\" data-end=\"3364\"\u003e⚡ 2. \u003cstrong data-start=\"3323\" data-end=\"3364\"\u003eMessa a fuoco e controllo elettronico\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-start=\"3365\" data-end=\"3570\"\u003eMolti modelli Metabones mantengono \u003cstrong data-start=\"3400\" data-end=\"3480\"\u003eautofocus, controllo apertura, stabilizzazione dell’obiettivo e lettura EXIF\u003c\/strong\u003e quando la fotocamera e l’obiettivo lo supportano.\u003c\/p\u003e\n\n\u003ch3 data-start=\"3572\" data-end=\"3607\"\u003e🎞️ 3. \u003cstrong data-start=\"3583\" data-end=\"3607\"\u003eLook cinematografico\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-start=\"3608\" data-end=\"3763\"\u003eGrazie a profondità di campo più bassa e resa ottica di qualità, le immagini risultano più “cinematiche” rispetto all’utilizzo di un semplice adattatore.\u003c\/p\u003e\n\n\n\u003chr data-start=\"3765\" data-end=\"3768\"\u003e\n\n\u003ch2 data-start=\"3770\" data-end=\"3800\"\u003eCompatibilità e limitazioni\u003c\/h2\u003e\n\u003ch3 data-start=\"3802\" data-end=\"3821\"\u003e✅ Compatibilità\u003c\/h3\u003e\n\u003cul data-start=\"3822\" data-end=\"4076\"\u003e\n \t\u003cli data-start=\"3822\" data-end=\"3979\"\u003e\n\u003cp data-start=\"3824\" data-end=\"3979\"\u003eFunziona con numerosi corpi macchina MFT (es. Panasonic GHx, Olympus OM‑D) e ottiche Canon EF\/EF‑S in molti casi.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3980\" data-end=\"4076\"\u003e\n\u003cp data-start=\"3982\" data-end=\"4076\"\u003eAlcuni modelli supportano autofocus e stabilizzazione.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"4078\" data-end=\"4096\"\u003e⚠️ Limitazioni\u003c\/h3\u003e\n\u003cul data-start=\"4097\" data-end=\"4424\"\u003e\n \t\u003cli data-start=\"4097\" data-end=\"4250\"\u003e\n\u003cp data-start=\"4099\" data-end=\"4250\"\u003eAlcune ottiche EF‑S o non‑full‑frame possono causare vignettatura o non coprire correttamente il sensore MFT.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"4251\" data-end=\"4365\"\u003e\n\u003cp data-start=\"4253\" data-end=\"4365\"\u003eIn alcuni casi l’autofocus può essere lento o meno preciso rispetto a lenti native MFT, specialmente in video.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"4366\" data-end=\"4424\"\u003e\n\u003cp data-start=\"4368\" data-end=\"4424\"\u003eLa resa ai bordi può variare in base alla lente montata.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"4426\" data-end=\"4429\"\u003e\n\n\u003ch2 data-start=\"4431\" data-end=\"4445\"\u003eConclusione\u003c\/h2\u003e\n\u003cp data-start=\"4447\" data-end=\"4804\"\u003eLo \u003cstrong data-start=\"4450\" data-end=\"4502\"\u003eSpeed Booster Metabones per Micro 4\/3 → Canon EF\u003c\/strong\u003e non è un semplice adattatore: è una soluzione ottica avanzata che amplia significativamente le possibilità creative su fotocamere MFT. Specialmente nei modelli con riduzione 0.71× o 0.64×, offre \u003cstrong data-start=\"4698\" data-end=\"4756\"\u003emaggiore campo, maggiore luce utile, maggior controllo\u003c\/strong\u003e e un miglior look complessivo per foto e video.\u003c\/p\u003e\n\u003cp data-start=\"4447\" data-end=\"4804\"\u003eMetabones Canon EF Micro 4\/3 T CINE Speed Booster XL 0.64x\u003c\/p\u003e","brand":"Metabones","offers":[{"title":"Default Title","offer_id":59739770388814,"sku":"136414","price":200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/7681\/8510\/files\/DSC_2183.jpg?v=1779704773"},{"product_id":"canon-24-105-mm-f4-l-is-usm","title":"Canon 24-105 mm F4 L IS USM","description":"\u003cp data-start=\"91\" data-end=\"164\"\u003eCanon 24-105 mm F4 L IS USM\u003c\/p\u003e\n\n\u003ch1 data-start=\"91\" data-end=\"164\"\u003eCanon EF 24-105mm f\/4L IS USM: Recensione Completa e Guida all’Acquisto\u003c\/h1\u003e\n\u003cp data-start=\"166\" data-end=\"586\"\u003eIl \u003cstrong data-start=\"169\" data-end=\"202\"\u003eCanon EF 24-105mm f\/4L IS USM\u003c\/strong\u003e è uno degli obiettivi più versatili e popolari della serie \u003cstrong data-start=\"262\" data-end=\"276\"\u003eL di Canon\u003c\/strong\u003e, progettato per fotografi e videomaker che cercano qualità professionale e praticità in un unico prodotto. Grazie alla sua escursione focale, alla luminosità costante e alla costruzione robusta, questo obiettivo si adatta a molteplici generi fotografici, dalla ritrattistica al paesaggio, fino al reportage.\u003c\/p\u003e\n\n\n\u003chr data-start=\"588\" data-end=\"591\"\u003e\n\n\u003ch2 data-start=\"593\" data-end=\"656\"\u003eCaratteristiche principali del Canon EF 24-105mm f\/4L IS USM\u003c\/h2\u003e\n\u003cul data-start=\"658\" data-end=\"1207\"\u003e\n \t\u003cli data-start=\"658\" data-end=\"712\"\u003e\n\u003cp data-start=\"660\" data-end=\"712\"\u003e\u003cstrong data-start=\"660\" data-end=\"682\"\u003eTipo di obiettivo:\u003c\/strong\u003e zoom standard professionale\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"713\" data-end=\"782\"\u003e\n\u003cp data-start=\"715\" data-end=\"782\"\u003e\u003cstrong data-start=\"715\" data-end=\"727\"\u003eInnesto:\u003c\/strong\u003e Canon EF (compatibile con reflex full frame e APS-C)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"783\" data-end=\"818\"\u003e\n\u003cp data-start=\"785\" data-end=\"818\"\u003e\u003cstrong data-start=\"785\" data-end=\"807\"\u003eEscursione focale:\u003c\/strong\u003e 24-105mm\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"819\" data-end=\"875\"\u003e\n\u003cp data-start=\"821\" data-end=\"875\"\u003e\u003cstrong data-start=\"821\" data-end=\"842\"\u003eApertura massima:\u003c\/strong\u003e f\/4 costante su tutta la gamma\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"876\" data-end=\"946\"\u003e\n\u003cp data-start=\"878\" data-end=\"946\"\u003e\u003cstrong data-start=\"878\" data-end=\"913\"\u003eStabilizzatore d’immagine (IS):\u003c\/strong\u003e fino a 3 stop di compensazione\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"947\" data-end=\"1026\"\u003e\n\u003cp data-start=\"949\" data-end=\"1026\"\u003e\u003cstrong data-start=\"949\" data-end=\"963\"\u003eMotore AF:\u003c\/strong\u003e USM (Ultrasonic Motor) per messa a fuoco rapida e silenziosa\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1027\" data-end=\"1077\"\u003e\n\u003cp data-start=\"1029\" data-end=\"1077\"\u003e\u003cstrong data-start=\"1029\" data-end=\"1050\"\u003eStruttura ottica:\u003c\/strong\u003e 18 elementi in 13 gruppi\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1078\" data-end=\"1116\"\u003e\n\u003cp data-start=\"1080\" data-end=\"1116\"\u003e\u003cstrong data-start=\"1080\" data-end=\"1094\"\u003eDiaframma:\u003c\/strong\u003e 8 lamelle circolari\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1117\" data-end=\"1142\"\u003e\n\u003cp data-start=\"1119\" data-end=\"1142\"\u003e\u003cstrong data-start=\"1119\" data-end=\"1128\"\u003ePeso:\u003c\/strong\u003e circa 670 g\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1143\" data-end=\"1176\"\u003e\n\u003cp data-start=\"1145\" data-end=\"1176\"\u003e\u003cstrong data-start=\"1145\" data-end=\"1160\"\u003eDimensioni:\u003c\/strong\u003e 83,5 × 107 mm\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1177\" data-end=\"1207\"\u003e\n\u003cp data-start=\"1179\" data-end=\"1207\"\u003e\u003cstrong data-start=\"1179\" data-end=\"1199\"\u003eDiametro filtri:\u003c\/strong\u003e 77 mm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"1209\" data-end=\"1212\"\u003e\n\n\u003ch2 data-start=\"1214\" data-end=\"1245\"\u003eQualità costruttiva e design\u003c\/h2\u003e\n\u003cp data-start=\"1247\" data-end=\"1566\"\u003eEssendo parte della \u003cstrong data-start=\"1267\" data-end=\"1278\"\u003eserie L\u003c\/strong\u003e, il Canon 24-105mm f\/4L IS USM offre una costruzione resistente con guarnizioni contro polvere e umidità, ideale per i fotografi che lavorano in condizioni difficili. La ghiera dello zoom è fluida e precisa, mentre la ghiera di messa a fuoco manuale consente regolazioni millimetriche.\u003c\/p\u003e\n\n\n\u003chr data-start=\"1568\" data-end=\"1571\"\u003e\n\n\u003ch2 data-start=\"1573\" data-end=\"1595\"\u003ePrestazioni ottiche\u003c\/h2\u003e\n\u003cul data-start=\"1597\" data-end=\"1966\"\u003e\n \t\u003cli data-start=\"1597\" data-end=\"1688\"\u003e\n\u003cp data-start=\"1599\" data-end=\"1688\"\u003e\u003cstrong data-start=\"1599\" data-end=\"1613\"\u003eNitidezza:\u003c\/strong\u003e eccellente al centro, buona anche ai bordi, soprattutto tra f\/5.6 e f\/8.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1689\" data-end=\"1761\"\u003e\n\u003cp data-start=\"1691\" data-end=\"1761\"\u003e\u003cstrong data-start=\"1691\" data-end=\"1718\"\u003eAberrazioni cromatiche:\u003c\/strong\u003e ben controllate grazie agli elementi UD.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1762\" data-end=\"1900\"\u003e\n\u003cp data-start=\"1764\" data-end=\"1900\"\u003e\u003cstrong data-start=\"1764\" data-end=\"1780\"\u003eDistorsione:\u003c\/strong\u003e presente un leggero effetto a barilotto a 24mm e a cuscinetto a 105mm, ma facilmente correggibile in post-produzione.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1901\" data-end=\"1966\"\u003e\n\u003cp data-start=\"1903\" data-end=\"1966\"\u003e\u003cstrong data-start=\"1903\" data-end=\"1913\"\u003eBokeh:\u003c\/strong\u003e gradevole e morbido grazie al diaframma circolare.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"1968\" data-end=\"1971\"\u003e\n\n\u003ch2 data-start=\"1973\" data-end=\"2003\"\u003eAutofocus e stabilizzazione\u003c\/h2\u003e\n\u003cp data-start=\"2005\" data-end=\"2297\"\u003eIl motore \u003cstrong data-start=\"2015\" data-end=\"2022\"\u003eUSM\u003c\/strong\u003e garantisce un autofocus veloce, preciso e silenzioso, perfetto sia per la fotografia d’azione sia per il video.\u003cbr data-start=\"2134\" data-end=\"2137\"\u003eLo \u003cstrong data-start=\"2140\" data-end=\"2169\"\u003estabilizzatore d’immagine\u003c\/strong\u003e integrato permette di scattare a mano libera con tempi di posa più lunghi, riducendo il rischio di mosso fino a circa 3 stop.\u003c\/p\u003e\n\n\n\u003chr data-start=\"2299\" data-end=\"2302\"\u003e\n\n\u003ch2 data-start=\"2304\" data-end=\"2357\"\u003ePer chi è ideale il Canon EF 24-105mm f\/4L IS USM?\u003c\/h2\u003e\n\u003cp data-start=\"2359\" data-end=\"2394\"\u003eQuesto obiettivo è consigliato a:\u003c\/p\u003e\n\n\u003cul data-start=\"2396\" data-end=\"2751\"\u003e\n \t\u003cli data-start=\"2396\" data-end=\"2498\"\u003e\n\u003cp data-start=\"2398\" data-end=\"2498\"\u003e\u003cstrong data-start=\"2398\" data-end=\"2435\"\u003eFotografi di viaggio e reportage:\u003c\/strong\u003e un solo obiettivo per coprire paesaggi, ritratti e dettagli.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2499\" data-end=\"2572\"\u003e\n\u003cp data-start=\"2501\" data-end=\"2572\"\u003e\u003cstrong data-start=\"2501\" data-end=\"2524\"\u003eEventi e matrimoni:\u003c\/strong\u003e versatilità e qualità in un formato compatto.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2573\" data-end=\"2648\"\u003e\n\u003cp data-start=\"2575\" data-end=\"2648\"\u003e\u003cstrong data-start=\"2575\" data-end=\"2590\"\u003eVideomaker:\u003c\/strong\u003e zoom fluido, stabilizzazione integrata e AF silenzioso.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2649\" data-end=\"2751\"\u003e\n\u003cp data-start=\"2651\" data-end=\"2751\"\u003e\u003cstrong data-start=\"2651\" data-end=\"2677\"\u003eAppassionati avanzati:\u003c\/strong\u003e che vogliono un’ottica professionale senza dover cambiare spesso lente.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"2753\" data-end=\"2756\"\u003e\n\n\u003ch2 data-start=\"2758\" data-end=\"2773\"\u003ePro e Contro\u003c\/h2\u003e\n\u003ch3 data-start=\"2775\" data-end=\"2789\"\u003e✅ Vantaggi\u003c\/h3\u003e\n\u003cul data-start=\"2790\" data-end=\"2974\"\u003e\n \t\u003cli data-start=\"2790\" data-end=\"2818\"\u003e\n\u003cp data-start=\"2792\" data-end=\"2818\"\u003eZoom universale 24-105mm\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2819\" data-end=\"2844\"\u003e\n\u003cp data-start=\"2821\" data-end=\"2844\"\u003eApertura f\/4 costante\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2845\" data-end=\"2901\"\u003e\n\u003cp data-start=\"2847\" data-end=\"2901\"\u003eCostruzione serie L (robustezza e tropicalizzazione)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2902\" data-end=\"2940\"\u003e\n\u003cp data-start=\"2904\" data-end=\"2940\"\u003eStabilizzatore d’immagine efficace\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2941\" data-end=\"2974\"\u003e\n\u003cp data-start=\"2943\" data-end=\"2974\"\u003eAutofocus rapido e silenzioso\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"2976\" data-end=\"2991\"\u003e❌ Svantaggi\u003c\/h3\u003e\n\u003cul data-start=\"2992\" data-end=\"3144\"\u003e\n \t\u003cli data-start=\"2992\" data-end=\"3034\"\u003e\n\u003cp data-start=\"2994\" data-end=\"3034\"\u003eNon molto luminoso rispetto a un f\/2.8\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3035\" data-end=\"3084\"\u003e\n\u003cp data-start=\"3037\" data-end=\"3084\"\u003eQualche distorsione alle estremità dello zoom\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3085\" data-end=\"3144\"\u003e\n\u003cp data-start=\"3087\" data-end=\"3144\"\u003ePeso non trascurabile per chi cerca leggerezza assoluta\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"3146\" data-end=\"3149\"\u003e\n\n\u003ch2 data-start=\"3151\" data-end=\"3179\"\u003eConfronto con alternative\u003c\/h2\u003e\n\u003cul data-start=\"3181\" data-end=\"3427\"\u003e\n \t\u003cli data-start=\"3181\" data-end=\"3302\"\u003e\n\u003cp data-start=\"3183\" data-end=\"3302\"\u003e\u003cstrong data-start=\"3183\" data-end=\"3218\"\u003eCanon EF 24-70mm f\/2.8L II USM:\u003c\/strong\u003e più luminoso e performante, ma meno versatile in termini di focale e più costoso.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3303\" data-end=\"3427\"\u003e\n\u003cp data-start=\"3305\" data-end=\"3427\"\u003e\u003cstrong data-start=\"3305\" data-end=\"3339\"\u003eCanon RF 24-105mm f\/4L IS USM:\u003c\/strong\u003e versione per mirrorless Canon R, con prestazioni migliorate e autofocus più avanzato.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 data-start=\"3695\" data-end=\"3709\"\u003eConclusione\u003c\/h2\u003e\n\u003cp data-start=\"3711\" data-end=\"4011\"\u003eIl \u003cstrong data-start=\"3714\" data-end=\"3747\"\u003eCanon EF 24-105mm f\/4L IS USM\u003c\/strong\u003e è un obiettivo all-around che combina qualità professionale, escursione focale ampia e stabilizzazione d’immagine. È la scelta perfetta per chi cerca un unico obiettivo capace di affrontare quasi tutte le situazioni fotografiche senza compromessi significativi.\u003c\/p\u003e\n\u003cp data-start=\"4013\" data-end=\"4160\"\u003eSe vuoi uno zoom standard affidabile, versatile e con la qualità della \u003cstrong data-start=\"4087\" data-end=\"4098\"\u003eserie L\u003c\/strong\u003e, questo obiettivo è ancora oggi un investimento eccellente.\u003c\/p\u003e\n\u003cp data-start=\"4013\" data-end=\"4160\"\u003eCanon 24-105 mm F4 L IS USM\u003c\/p\u003e","brand":"Il mio negozio","offers":[{"title":"Default Title","offer_id":59739771208014,"sku":"136707","price":550.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/7681\/8510\/files\/DSC_2298.jpg?v=1779704778"},{"product_id":"canon-fd-135mm-f-3-5","title":"Canon FD 135mm f\/3.5","description":"Canon FD 135mm f\/3.5\n\u003cp data-start=\"75\" data-end=\"383\"\u003eIl \u003cstrong data-start=\"78\" data-end=\"102\"\u003eCanon FD 135mm f\/3.5\u003c\/strong\u003e è uno degli obiettivi tele più apprezzati del sistema analogico Canon FD. Compatto, nitido e dal prezzo accessibile sul mercato dell’usato, rappresenta ancora oggi una scelta interessante per appassionati di fotografia vintage e per chi utilizza mirrorless moderne con adattatore.\u003c\/p\u003e\n\u003cp data-start=\"385\" data-end=\"545\"\u003eIn questo articolo analizziamo \u003cstrong data-start=\"416\" data-end=\"516\"\u003ecaratteristiche tecniche, qualità d’immagine, costruzione, utilizzo su digitale e prezzo attuale\u003c\/strong\u003e, con un’ottica SEO completa.\u003c\/p\u003e\n\n\n\u003chr data-start=\"547\" data-end=\"550\"\u003e\n\n\u003ch2 data-start=\"552\" data-end=\"604\"\u003eCaratteristiche Tecniche del Canon FD 135mm f\/3.5\u003c\/h2\u003e\n\u003cul data-start=\"606\" data-end=\"928\"\u003e\n \t\u003cli data-start=\"606\" data-end=\"644\"\u003e\n\u003cp data-start=\"608\" data-end=\"644\"\u003e\u003cstrong data-start=\"608\" data-end=\"620\"\u003eAttacco:\u003c\/strong\u003e Canon FD (manual focus)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"645\" data-end=\"674\"\u003e\n\u003cp data-start=\"647\" data-end=\"674\"\u003e\u003cstrong data-start=\"647\" data-end=\"668\"\u003eLunghezza focale:\u003c\/strong\u003e 135mm\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"675\" data-end=\"704\"\u003e\n\u003cp data-start=\"677\" data-end=\"704\"\u003e\u003cstrong data-start=\"677\" data-end=\"698\"\u003eApertura massima:\u003c\/strong\u003e f\/3.5\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"705\" data-end=\"732\"\u003e\n\u003cp data-start=\"707\" data-end=\"732\"\u003e\u003cstrong data-start=\"707\" data-end=\"727\"\u003eApertura minima:\u003c\/strong\u003e f\/22\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"733\" data-end=\"803\"\u003e\n\u003cp data-start=\"735\" data-end=\"803\"\u003e\u003cstrong data-start=\"735\" data-end=\"753\"\u003eSchema ottico:\u003c\/strong\u003e 4 elementi in 4 gruppi (a seconda della versione)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"804\" data-end=\"859\"\u003e\n\u003cp data-start=\"806\" data-end=\"859\"\u003e\u003cstrong data-start=\"806\" data-end=\"843\"\u003eDistanza minima di messa a fuoco:\u003c\/strong\u003e circa 1.3 metri\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"860\" data-end=\"878\"\u003e\n\u003cp data-start=\"862\" data-end=\"878\"\u003e\u003cstrong data-start=\"862\" data-end=\"873\"\u003eFiltro:\u003c\/strong\u003e 52mm\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"879\" data-end=\"901\"\u003e\n\u003cp data-start=\"881\" data-end=\"901\"\u003e\u003cstrong data-start=\"881\" data-end=\"890\"\u003ePeso:\u003c\/strong\u003e circa 400g\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"902\" data-end=\"928\"\u003e\n\u003cp data-start=\"904\" data-end=\"928\"\u003e\u003cstrong data-start=\"904\" data-end=\"918\"\u003eDiaframma:\u003c\/strong\u003e 8 lamelle\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"930\" data-end=\"1070\"\u003eDisponibile in diverse versioni (breech-lock e New FD), mantiene sempre una costruzione solida tipica della produzione Canon anni ’70 e ’80.\u003c\/p\u003e\n\n\n\u003chr data-start=\"1072\" data-end=\"1075\"\u003e\n\n\u003ch2 data-start=\"1077\" data-end=\"1099\"\u003eQualità Costruttiva\u003c\/h2\u003e\n\u003cp data-start=\"1101\" data-end=\"1310\"\u003eIl Canon FD 135mm f\/3.5 presenta una \u003cstrong data-start=\"1138\" data-end=\"1176\"\u003ecostruzione interamente in metallo\u003c\/strong\u003e nelle prime versioni, con ghiera di messa a fuoco fluida e precisa. La versione New FD introduce più plastica ma risulta più leggera.\u003c\/p\u003e\n\u003cp data-start=\"1312\" data-end=\"1430\"\u003eLa corsa della messa a fuoco è lunga e permette un controllo accurato, ideale per ritratti e fotografia naturalistica.\u003c\/p\u003e\n\n\n\u003chr data-start=\"1432\" data-end=\"1435\"\u003e\n\n\u003ch2 data-start=\"1437\" data-end=\"1458\"\u003eQualità d’Immagine\u003c\/h2\u003e\n\u003ch3 data-start=\"1460\" data-end=\"1473\"\u003eNitidezza\u003c\/h3\u003e\n\u003cp data-start=\"1474\" data-end=\"1659\"\u003eGià a tutta apertura (f\/3.5) l’obiettivo offre una buona nitidezza al centro. Chiudendo a \u003cstrong data-start=\"1564\" data-end=\"1579\"\u003ef\/5.6 o f\/8\u003c\/strong\u003e, la resa migliora sensibilmente, con ottima definizione su tutto il fotogramma.\u003c\/p\u003e\n\n\u003ch3 data-start=\"1661\" data-end=\"1683\"\u003eColori e Contrasto\u003c\/h3\u003e\n\u003cp data-start=\"1684\" data-end=\"1809\"\u003eI colori sono naturali e leggermente caldi, con un contrasto buono ma non aggressivo — tipico delle ottiche vintage Canon FD.\u003c\/p\u003e\n\n\u003ch3 data-start=\"1811\" data-end=\"1820\"\u003eBokeh\u003c\/h3\u003e\n\u003cp data-start=\"1821\" data-end=\"2024\"\u003eNonostante l’apertura massima non sia molto luminosa rispetto a un f\/2.8, il 135mm permette comunque un \u003cstrong data-start=\"1925\" data-end=\"1957\"\u003ebuon isolamento del soggetto\u003c\/strong\u003e e uno sfocato gradevole, soprattutto a distanze medio-ravvicinate.\u003c\/p\u003e\n\n\n\u003chr data-start=\"2026\" data-end=\"2029\"\u003e\n\n\u003ch2 data-start=\"2031\" data-end=\"2065\"\u003eUtilizzo su Mirrorless Digitali\u003c\/h2\u003e\n\u003cp data-start=\"2067\" data-end=\"2195\"\u003eUno dei motivi del rinnovato interesse verso il Canon FD 135mm f\/3.5 è la possibilità di utilizzarlo su fotocamere moderne come:\u003c\/p\u003e\n\n\u003cul data-start=\"2197\" data-end=\"2248\"\u003e\n \t\u003cli data-start=\"2197\" data-end=\"2212\"\u003e\n\u003cp data-start=\"2199\" data-end=\"2212\"\u003eCanon EOS R\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2213\" data-end=\"2230\"\u003e\n\u003cp data-start=\"2215\" data-end=\"2230\"\u003eSony Alpha a7\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2231\" data-end=\"2248\"\u003e\n\u003cp data-start=\"2233\" data-end=\"2248\"\u003eFujifilm X-T5\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2250\" data-end=\"2389\"\u003eCon un semplice adattatore FD → mirrorless è possibile sfruttarlo in modalità manuale, spesso con focus peaking e ingrandimento nel mirino.\u003c\/p\u003e\n\u003cp data-start=\"2391\" data-end=\"2494\"\u003eSu sensori APS-C diventa equivalente a circa \u003cstrong data-start=\"2436\" data-end=\"2445\"\u003e200mm\u003c\/strong\u003e, ideale per wildlife leggero e sport amatoriale.\u003c\/p\u003e\n\n\n\u003chr data-start=\"2496\" data-end=\"2499\"\u003e\n\n\u003ch2 data-start=\"2501\" data-end=\"2524\"\u003eA Chi È Consigliato?\u003c\/h2\u003e\n\u003cp data-start=\"2526\" data-end=\"2563\"\u003eIl Canon FD 135mm f\/3.5 è ideale per:\u003c\/p\u003e\n\n\u003cul data-start=\"2565\" data-end=\"2790\"\u003e\n \t\u003cli data-start=\"2565\" data-end=\"2600\"\u003e\n\u003cp data-start=\"2567\" data-end=\"2600\"\u003eAmanti della fotografia analogica\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2601\" data-end=\"2635\"\u003e\n\u003cp data-start=\"2603\" data-end=\"2635\"\u003eCollezionisti di ottiche vintage\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2636\" data-end=\"2677\"\u003e\n\u003cp data-start=\"2638\" data-end=\"2677\"\u003eFotografi che cercano un tele economico\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2678\" data-end=\"2725\"\u003e\n\u003cp data-start=\"2680\" data-end=\"2725\"\u003eRitrattisti che vogliono uno sfocato naturale\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2726\" data-end=\"2790\"\u003e\n\u003cp data-start=\"2728\" data-end=\"2790\"\u003eCreatori di contenuti che utilizzano mirrorless con adattatori\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2792\" data-end=\"2877\"\u003eNon è invece adatto a chi necessita di autofocus o prestazioni professionali moderne.\u003c\/p\u003e\n\n\u003ch2 data-start=\"3126\" data-end=\"3167\"\u003eDifferenze con il Canon FD 135mm f\/2.8\u003c\/h2\u003e\n\u003cp data-start=\"3169\" data-end=\"3198\"\u003eRispetto alla versione f\/2.8:\u003c\/p\u003e\n\n\u003cul data-start=\"3200\" data-end=\"3326\"\u003e\n \t\u003cli data-start=\"3200\" data-end=\"3224\"\u003e\n\u003cp data-start=\"3202\" data-end=\"3224\"\u003eIl f\/3.5 è più leggero\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3225\" data-end=\"3237\"\u003e\n\u003cp data-start=\"3227\" data-end=\"3237\"\u003eCosta meno\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3238\" data-end=\"3279\"\u003e\n\u003cp data-start=\"3240\" data-end=\"3279\"\u003eHa leggermente meno capacità di sfocato\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3280\" data-end=\"3326\"\u003e\n\u003cp data-start=\"3282\" data-end=\"3326\"\u003eÈ meno luminoso in condizioni di scarsa luce\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"3328\" data-end=\"3446\"\u003eChi cerca maggiore luminosità potrebbe preferire il 135mm f\/2.8, ma per molti utilizzi il f\/3.5 è più che sufficiente.\u003c\/p\u003e\n\n\n\u003chr data-start=\"3448\" data-end=\"3451\"\u003e\n\n\u003ch2 data-start=\"3453\" data-end=\"3468\"\u003ePro e Contro\u003c\/h2\u003e\n\u003ch3 data-start=\"3470\" data-end=\"3479\"\u003e✅ Pro\u003c\/h3\u003e\n\u003cul data-start=\"3480\" data-end=\"3625\"\u003e\n \t\u003cli data-start=\"3480\" data-end=\"3517\"\u003e\n\u003cp data-start=\"3482\" data-end=\"3517\"\u003eOttima nitidezza chiuso di uno stop\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3518\" data-end=\"3539\"\u003e\n\u003cp data-start=\"3520\" data-end=\"3539\"\u003eCostruzione robusta\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3540\" data-end=\"3560\"\u003e\n\u003cp data-start=\"3542\" data-end=\"3560\"\u003ePrezzo accessibile\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3561\" data-end=\"3587\"\u003e\n\u003cp data-start=\"3563\" data-end=\"3587\"\u003eResa cromatica piacevole\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3588\" data-end=\"3625\"\u003e\n\u003cp data-start=\"3590\" data-end=\"3625\"\u003eIdeale su mirrorless con adattatore\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"3627\" data-end=\"3639\"\u003e❌ Contro\u003c\/h3\u003e\n\u003cul data-start=\"3640\" data-end=\"3751\"\u003e\n \t\u003cli data-start=\"3640\" data-end=\"3668\"\u003e\n\u003cp data-start=\"3642\" data-end=\"3668\"\u003eSolo messa a fuoco manuale\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3669\" data-end=\"3698\"\u003e\n\u003cp data-start=\"3671\" data-end=\"3698\"\u003eApertura non molto luminosa\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3699\" data-end=\"3751\"\u003e\n\u003cp data-start=\"3701\" data-end=\"3751\"\u003eMinima distanza di messa a fuoco non molto ridotta\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"3753\" data-end=\"3756\"\u003e\n\n\u003ch2 data-start=\"3758\" data-end=\"3772\"\u003eConclusione\u003c\/h2\u003e\n\u003cp data-start=\"3774\" data-end=\"4083\"\u003eIl \u003cstrong data-start=\"3777\" data-end=\"3801\"\u003eCanon FD 135mm f\/3.5\u003c\/strong\u003e è un teleobiettivo vintage che ancora oggi può regalare grandi soddisfazioni. Economico, solido e con una resa ottica convincente, rappresenta un’ottima scelta per chi vuole entrare nel mondo delle ottiche manuali o ampliare il proprio corredo con un 135mm dal carattere analogico.\u003c\/p\u003e\n\u003cp data-start=\"4085\" data-end=\"4237\"\u003eSe cerchi un \u003cstrong data-start=\"4098\" data-end=\"4155\"\u003eteleobiettivo Canon FD economico, nitido e affidabile\u003c\/strong\u003e, questo modello rimane una delle opzioni più interessanti sul mercato dell’usato.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":59739774583118,"sku":"137504","price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/7681\/8510\/files\/DSC_2417.jpg?v=1779704788"},{"product_id":"canon-fd-100mm-f-2-8-s-s-c","title":"Canon FD 100mm f\/2.8 S.S.C.","description":"Canon FD 100mm f\/2.8 S.S.C\n\u003cp data-start=\"66\" data-end=\"469\"\u003eIl \u003cstrong data-start=\"69\" data-end=\"100\"\u003eCanon FD 100mm f\/2.8 S.S.C.\u003c\/strong\u003e è uno degli obiettivi medio-tele più apprezzati del sistema FD. Prodotto negli anni ’70 e ’80, è ancora oggi molto ricercato da fotografi e videomaker che utilizzano mirrorless moderne tramite adattatore. Compatto, luminoso e con una resa cromatica distintiva, rappresenta una scelta eccellente per ritratto, fotografia naturalistica leggera e street a lunga distanza.\u003c\/p\u003e\n\n\n\u003chr data-start=\"471\" data-end=\"474\"\u003e\n\n\u003ch2 data-start=\"476\" data-end=\"503\"\u003eCaratteristiche Tecniche\u003c\/h2\u003e\n\u003cul data-start=\"505\" data-end=\"846\"\u003e\n \t\u003cli data-start=\"505\" data-end=\"545\"\u003e\n\u003cp data-start=\"507\" data-end=\"545\"\u003e\u003cstrong data-start=\"507\" data-end=\"519\"\u003eAttacco:\u003c\/strong\u003e Canon FD (manual focus)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"546\" data-end=\"577\"\u003e\n\u003cp data-start=\"548\" data-end=\"577\"\u003e\u003cstrong data-start=\"548\" data-end=\"569\"\u003eLunghezza focale:\u003c\/strong\u003e 100mm\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"578\" data-end=\"609\"\u003e\n\u003cp data-start=\"580\" data-end=\"609\"\u003e\u003cstrong data-start=\"580\" data-end=\"601\"\u003eApertura massima:\u003c\/strong\u003e f\/2.8\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"610\" data-end=\"639\"\u003e\n\u003cp data-start=\"612\" data-end=\"639\"\u003e\u003cstrong data-start=\"612\" data-end=\"632\"\u003eApertura minima:\u003c\/strong\u003e f\/22\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"640\" data-end=\"685\"\u003e\n\u003cp data-start=\"642\" data-end=\"685\"\u003e\u003cstrong data-start=\"642\" data-end=\"660\"\u003eSchema ottico:\u003c\/strong\u003e 5 elementi in 4 gruppi\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"686\" data-end=\"735\"\u003e\n\u003cp data-start=\"688\" data-end=\"735\"\u003e\u003cstrong data-start=\"688\" data-end=\"725\"\u003eDistanza minima di messa a fuoco:\u003c\/strong\u003e 1 metro\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"736\" data-end=\"765\"\u003e\n\u003cp data-start=\"738\" data-end=\"765\"\u003e\u003cstrong data-start=\"738\" data-end=\"758\"\u003eDiametro filtro:\u003c\/strong\u003e 55mm\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"766\" data-end=\"790\"\u003e\n\u003cp data-start=\"768\" data-end=\"790\"\u003e\u003cstrong data-start=\"768\" data-end=\"777\"\u003ePeso:\u003c\/strong\u003e circa 400g\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"791\" data-end=\"846\"\u003e\n\u003cp data-start=\"793\" data-end=\"846\"\u003e\u003cstrong data-start=\"793\" data-end=\"815\"\u003eTrattamento lenti:\u003c\/strong\u003e S.S.C. (Super Spectra Coating)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"848\" data-end=\"851\"\u003e\n\n\u003ch2 data-start=\"853\" data-end=\"875\"\u003eQualità Costruttiva\u003c\/h2\u003e\n\u003cp data-start=\"877\" data-end=\"1081\"\u003eIl Canon FD 100mm f\/2.8 S.S.C. è costruito interamente in metallo, con una ghiera di messa a fuoco ampia e fluida. La solidità è tipica delle ottiche vintage Canon: meccanica precisa e durabilità elevata.\u003c\/p\u003e\n\u003cp data-start=\"1083\" data-end=\"1242\"\u003eIl trattamento \u003cstrong data-start=\"1098\" data-end=\"1132\"\u003eSuper Spectra Coating (S.S.C.)\u003c\/strong\u003e riduce flare e riflessi, migliorando contrasto e fedeltà cromatica rispetto alle prime versioni FD non S.S.C.\u003c\/p\u003e\n\n\n\u003chr data-start=\"1244\" data-end=\"1247\"\u003e\n\n\u003ch2 data-start=\"1249\" data-end=\"1273\"\u003eQualità dell’Immagine\u003c\/h2\u003e\n\u003ch3 data-start=\"1275\" data-end=\"1288\"\u003eNitidezza\u003c\/h3\u003e\n\u003cul data-start=\"1289\" data-end=\"1464\"\u003e\n \t\u003cli data-start=\"1289\" data-end=\"1365\"\u003e\n\u003cp data-start=\"1291\" data-end=\"1365\"\u003e\u003cstrong data-start=\"1291\" data-end=\"1303\"\u003eA f\/2.8:\u003c\/strong\u003e buona nitidezza al centro, leggermente più morbida ai bordi\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1366\" data-end=\"1428\"\u003e\n\u003cp data-start=\"1368\" data-end=\"1428\"\u003e\u003cstrong data-start=\"1368\" data-end=\"1385\"\u003eDa f\/4 a f\/8:\u003c\/strong\u003e eccellente resa generale, molto uniforme\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1429\" data-end=\"1464\"\u003e\n\u003cp data-start=\"1431\" data-end=\"1464\"\u003e\u003cstrong data-start=\"1431\" data-end=\"1446\"\u003eOltre f\/11:\u003c\/strong\u003e lieve diffrazione\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"1466\" data-end=\"1488\"\u003eColori e Contrasto\u003c\/h3\u003e\n\u003cp data-start=\"1489\" data-end=\"1581\"\u003eColori caldi e naturali, con un microcontrasto piacevole tipico delle ottiche Canon vintage.\u003c\/p\u003e\n\n\u003ch3 data-start=\"1583\" data-end=\"1592\"\u003eBokeh\u003c\/h3\u003e\n\u003cp data-start=\"1593\" data-end=\"1658\"\u003eIl diaframma produce uno sfocato morbido e gradevole, ideale per:\u003c\/p\u003e\n\n\u003cul data-start=\"1659\" data-end=\"1716\"\u003e\n \t\u003cli data-start=\"1659\" data-end=\"1669\"\u003e\n\u003cp data-start=\"1661\" data-end=\"1669\"\u003eRitratto\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1670\" data-end=\"1694\"\u003e\n\u003cp data-start=\"1672\" data-end=\"1694\"\u003eDettagli naturalistici\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1695\" data-end=\"1716\"\u003e\n\u003cp data-start=\"1697\" data-end=\"1716\"\u003eFotografia creativa\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"1718\" data-end=\"1721\"\u003e\n\n\u003ch2 data-start=\"1723\" data-end=\"1756\"\u003eUtilizzo su Mirrorless Moderne\u003c\/h2\u003e\n\u003cp data-start=\"1758\" data-end=\"1882\"\u003eGrazie agli adattatori FD-EOS, FD-Sony E, FD-Fujifilm X o Micro 4\/3, questo obiettivo è molto utilizzato su fotocamere come:\u003c\/p\u003e\n\n\u003cul data-start=\"1884\" data-end=\"1934\"\u003e\n \t\u003cli data-start=\"1884\" data-end=\"1900\"\u003e\n\u003cp data-start=\"1886\" data-end=\"1900\"\u003eCanon EOS R6\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1901\" data-end=\"1916\"\u003e\n\u003cp data-start=\"1903\" data-end=\"1916\"\u003eSony A7 III\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1917\" data-end=\"1934\"\u003e\n\u003cp data-start=\"1919\" data-end=\"1934\"\u003eFujifilm X-T4\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1936\" data-end=\"2032\"\u003eCon focus peaking e ingrandimento digitale, la messa a fuoco manuale diventa semplice e precisa.\u003c\/p\u003e\n\n\n\u003chr data-start=\"2034\" data-end=\"2037\"\u003e\n\n\u003ch2 data-start=\"2039\" data-end=\"2050\"\u003eVantaggi\u003c\/h2\u003e\n\u003cp data-start=\"2052\" data-end=\"2211\"\u003e✔ Ottima qualità ottica\u003cbr data-start=\"2075\" data-end=\"2078\"\u003e✔ Costruzione robusta in metallo\u003cbr data-start=\"2110\" data-end=\"2113\"\u003e✔ Bokeh morbido e naturale\u003cbr data-start=\"2139\" data-end=\"2142\"\u003e✔ Prezzo accessibile nel mercato dell’usato\u003cbr data-start=\"2185\" data-end=\"2188\"\u003e✔ Dimensioni compatte\u003c\/p\u003e\n\n\n\u003chr data-start=\"2213\" data-end=\"2216\"\u003e\n\n\u003ch2 data-start=\"2218\" data-end=\"2230\"\u003eSvantaggi\u003c\/h2\u003e\n\u003cp data-start=\"2232\" data-end=\"2343\"\u003e✘ Solo messa a fuoco manuale\u003cbr data-start=\"2260\" data-end=\"2263\"\u003e✘ Nessuna stabilizzazione\u003cbr data-start=\"2288\" data-end=\"2291\"\u003e✘ Distanza minima di messa a fuoco non ravvicinata\u003c\/p\u003e\n\n\n\u003chr data-start=\"2345\" data-end=\"2348\"\u003e\n\n\u003ch2 data-start=\"2350\" data-end=\"2386\"\u003eConfronto con Altri 100mm Vintage\u003c\/h2\u003e\n\u003cp data-start=\"2388\" data-end=\"2452\"\u003eRispetto al più costoso Canon FD 100mm f\/2, la versione f\/2.8 è:\u003c\/p\u003e\n\n\u003cul data-start=\"2453\" data-end=\"2569\"\u003e\n \t\u003cli data-start=\"2453\" data-end=\"2468\"\u003e\n\u003cp data-start=\"2455\" data-end=\"2468\"\u003ePiù leggera\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2469\" data-end=\"2486\"\u003e\n\u003cp data-start=\"2471\" data-end=\"2486\"\u003ePiù economica\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2487\" data-end=\"2516\"\u003e\n\u003cp data-start=\"2489\" data-end=\"2516\"\u003eLeggermente meno luminosa\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2517\" data-end=\"2569\"\u003e\n\u003cp data-start=\"2519\" data-end=\"2569\"\u003eMolto simile in termini di resa a diaframmi medi\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 data-start=\"2745\" data-end=\"2770\"\u003ePer Chi è Consigliato?\u003c\/h2\u003e\n\u003cp data-start=\"2772\" data-end=\"2816\"\u003eIl Canon FD 100mm f\/2.8 S.S.C. è ideale per:\u003c\/p\u003e\n\n\u003cul data-start=\"2818\" data-end=\"2973\"\u003e\n \t\u003cli data-start=\"2818\" data-end=\"2843\"\u003e\n\u003cp data-start=\"2820\" data-end=\"2843\"\u003eFotografi ritrattisti\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2844\" data-end=\"2876\"\u003e\n\u003cp data-start=\"2846\" data-end=\"2876\"\u003eAmanti delle ottiche vintage\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2877\" data-end=\"2924\"\u003e\n\u003cp data-start=\"2879\" data-end=\"2924\"\u003eVideomaker che cercano resa cinematografica\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2925\" data-end=\"2973\"\u003e\n\u003cp data-start=\"2927\" data-end=\"2973\"\u003eCreatori di contenuti con mirrorless moderne\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"2975\" data-end=\"2978\"\u003e\n\n\u003ch2 data-start=\"2980\" data-end=\"2994\"\u003eConclusione\u003c\/h2\u003e\n\u003cp data-start=\"2996\" data-end=\"3290\"\u003eIl \u003cstrong data-start=\"2999\" data-end=\"3030\"\u003eCanon FD 100mm f\/2.8 S.S.C.\u003c\/strong\u003e rimane uno dei migliori tele vintage per rapporto qualità\/prezzo. Offre una resa ottica eccellente, colori piacevoli e costruzione professionale. Se cerchi un 100mm manuale dal carattere analogico e con grande nitidezza, è ancora oggi una scelta intelligente.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":59739774845262,"sku":"137606","price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/7681\/8510\/files\/DSC_2420.jpg?v=1779704789"},{"product_id":"canon-fd-50mm-f-3-5","title":"Canon FD 50mm f\/3.5","description":"Canon FD 50mm f\/3.5\n\u003cp data-start=\"227\" data-end=\"527\"\u003eSe sei un appassionato di fotografia vintage o un collezionista di obiettivi Canon, il \u003cstrong data-start=\"314\" data-end=\"337\"\u003eCanon FD 50mm f\/3.5\u003c\/strong\u003e è un’opzione interessante da considerare. Questo obiettivo compatto offre qualità ottica e costruzione robusta, ideale sia per fotografia analogica che per adattatori su mirrorless moderne.\u003c\/p\u003e\n\n\u003ch2 data-start=\"529\" data-end=\"562\"\u003eStoria del Canon FD 50mm f\/3.5\u003c\/h2\u003e\n\u003cp data-start=\"564\" data-end=\"868\"\u003eIl \u003cstrong data-start=\"567\" data-end=\"590\"\u003eCanon FD 50mm f\/3.5\u003c\/strong\u003e è stato introdotto negli anni ’70 come parte della linea FD, la serie di obiettivi manual focus di Canon destinata alle fotocamere a pellicola. Questo obiettivo è noto per la sua leggerezza e versatilità, grazie all’apertura massima f\/3.5 e al design pancake in alcuni modelli.\u003c\/p\u003e\n\n\u003cul data-start=\"870\" data-end=\"976\"\u003e\n \t\u003cli data-start=\"870\" data-end=\"885\"\u003e\n\u003cp data-start=\"872\" data-end=\"885\"\u003eMontatura: FD\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"886\" data-end=\"910\"\u003e\n\u003cp data-start=\"888\" data-end=\"910\"\u003eLunghezza focale: 50mm\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"911\" data-end=\"936\"\u003e\n\u003cp data-start=\"913\" data-end=\"936\"\u003eApertura massima: f\/3.5\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"937\" data-end=\"976\"\u003e\n\u003cp data-start=\"939\" data-end=\"976\"\u003eTipo di obiettivo: Standard \/ Pancake\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 data-start=\"978\" data-end=\"1005\"\u003eCaratteristiche Tecniche\u003c\/h2\u003e\n\u003ch3 data-start=\"1007\" data-end=\"1031\"\u003eCostruzione e Design\u003c\/h3\u003e\n\u003cp data-start=\"1032\" data-end=\"1267\"\u003eL’obiettivo presenta un corpo metallico compatto, con una ghiera di messa a fuoco manuale precisa e fluida. La sua struttura lo rende resistente, leggero e perfetto per chi vuole portarlo facilmente in viaggio o per street photography.\u003c\/p\u003e\n\n\u003ch3 data-start=\"1269\" data-end=\"1287\"\u003eQualità Ottica\u003c\/h3\u003e\n\u003cp data-start=\"1288\" data-end=\"1512\"\u003eoffre una buona nitidezza al centro e un piacevole effetto sfocato (bokeh) sullo sfondo, soprattutto se utilizzato su pellicola 35mm. È ideale per ritratti, fotografia di strada e paesaggi ravvicinati.\u003c\/p\u003e\n\n\u003ch3 data-start=\"1514\" data-end=\"1531\"\u003eMessa a Fuoco\u003c\/h3\u003e\n\u003cp data-start=\"1532\" data-end=\"1693\"\u003eLa messa a fuoco manuale è lineare e precisa, con distanza minima di circa 0,45 metri, consentendo anche macro fotografici ravvicinati in alcuni modelli pancake.\u003c\/p\u003e\n\n\u003ch3 data-start=\"1695\" data-end=\"1712\"\u003eCompatibilità\u003c\/h3\u003e\n\u003cp data-start=\"1713\" data-end=\"1889\"\u003eSebbene progettato per le fotocamere Canon FD, l’obiettivo può essere adattato su mirrorless moderne con adattatori FD-EOS M o FD-EOS R, mantenendo la qualità ottica originale.\u003c\/p\u003e\n\n\u003ch2 data-start=\"1891\" data-end=\"1930\"\u003ePro e Contro\u003c\/h2\u003e\n\u003ch2 data-start=\"1891\" data-end=\"1930\"\u003e\u003cstrong data-start=\"1932\" data-end=\"1940\"\u003ePro:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul data-start=\"1941\" data-end=\"2072\"\u003e\n \t\u003cli data-start=\"1941\" data-end=\"1963\"\u003e\n\u003cp data-start=\"1943\" data-end=\"1963\"\u003eCompatto e leggero\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1964\" data-end=\"1994\"\u003e\n\u003cp data-start=\"1966\" data-end=\"1994\"\u003eOttima qualità costruttiva\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1995\" data-end=\"2026\"\u003e\n\u003cp data-start=\"1997\" data-end=\"2026\"\u003eBuona nitidezza e contrasto\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2027\" data-end=\"2072\"\u003e\n\u003cp data-start=\"2029\" data-end=\"2072\"\u003ePrezzo accessibile sul mercato dell’usato\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2074\" data-end=\"2085\"\u003e\u003cstrong data-start=\"2074\" data-end=\"2085\"\u003eContro:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul data-start=\"2086\" data-end=\"2230\"\u003e\n \t\u003cli data-start=\"2086\" data-end=\"2120\"\u003e\n\u003cp data-start=\"2088\" data-end=\"2120\"\u003eMessa a fuoco manuale (non AF)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2121\" data-end=\"2187\"\u003e\n\u003cp data-start=\"2123\" data-end=\"2187\"\u003eApertura massima non molto ampia per condizioni di scarsa luce\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2188\" data-end=\"2230\"\u003e\n\u003cp data-start=\"2190\" data-end=\"2230\"\u003eLeggero vignettamento ai bordi a f\/3.5\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 data-start=\"2486\" data-end=\"2512\"\u003eConsigli per l’Acquisto\u003c\/h2\u003e\n\u003col data-start=\"2514\" data-end=\"2695\"\u003e\n \t\u003cli data-start=\"2514\" data-end=\"2557\"\u003e\n\u003cp data-start=\"2517\" data-end=\"2557\"\u003eControlla le lenti per graffi o muffa.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2558\" data-end=\"2619\"\u003e\n\u003cp data-start=\"2561\" data-end=\"2619\"\u003eVerifica il funzionamento della ghiera di messa a fuoco.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2620\" data-end=\"2695\"\u003e\n\u003cp data-start=\"2623\" data-end=\"2695\"\u003eSe possibile, prova l’obiettivo sulla tua fotocamera o con adattatore.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":59739775271246,"sku":"137772","price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/7681\/8510\/files\/DSC_2440.jpg?v=1779704791"},{"product_id":"canon-24-105-mm-f4-l-is-usm-2","title":"Canon 24-105 mm F4 L IS USM","description":"\u003cp data-start=\"91\" data-end=\"164\"\u003eCanon 24-105 mm F4 L IS USM\u003c\/p\u003e\n\n\u003ch1 data-start=\"91\" data-end=\"164\"\u003eCanon EF 24-105mm f\/4L IS USM: Recensione Completa e Guida all’Acquisto\u003c\/h1\u003e\n\u003cp data-start=\"166\" data-end=\"586\"\u003eIl \u003cstrong data-start=\"169\" data-end=\"202\"\u003eCanon EF 24-105mm f\/4L IS USM\u003c\/strong\u003e è uno degli obiettivi più versatili e popolari della serie \u003cstrong data-start=\"262\" data-end=\"276\"\u003eL di Canon\u003c\/strong\u003e, progettato per fotografi e videomaker che cercano qualità professionale e praticità in un unico prodotto. Grazie alla sua escursione focale, alla luminosità costante e alla costruzione robusta, questo obiettivo si adatta a molteplici generi fotografici, dalla ritrattistica al paesaggio, fino al reportage.\u003c\/p\u003e\n\n\n\u003chr data-start=\"588\" data-end=\"591\"\u003e\n\n\u003ch2 data-start=\"593\" data-end=\"656\"\u003eCaratteristiche principali del Canon EF 24-105mm f\/4L IS USM\u003c\/h2\u003e\n\u003cul data-start=\"658\" data-end=\"1207\"\u003e\n \t\u003cli data-start=\"658\" data-end=\"712\"\u003e\n\u003cp data-start=\"660\" data-end=\"712\"\u003e\u003cstrong data-start=\"660\" data-end=\"682\"\u003eTipo di obiettivo:\u003c\/strong\u003e zoom standard professionale\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"713\" data-end=\"782\"\u003e\n\u003cp data-start=\"715\" data-end=\"782\"\u003e\u003cstrong data-start=\"715\" data-end=\"727\"\u003eInnesto:\u003c\/strong\u003e Canon EF (compatibile con reflex full frame e APS-C)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"783\" data-end=\"818\"\u003e\n\u003cp data-start=\"785\" data-end=\"818\"\u003e\u003cstrong data-start=\"785\" data-end=\"807\"\u003eEscursione focale:\u003c\/strong\u003e 24-105mm\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"819\" data-end=\"875\"\u003e\n\u003cp data-start=\"821\" data-end=\"875\"\u003e\u003cstrong data-start=\"821\" data-end=\"842\"\u003eApertura massima:\u003c\/strong\u003e f\/4 costante su tutta la gamma\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"876\" data-end=\"946\"\u003e\n\u003cp data-start=\"878\" data-end=\"946\"\u003e\u003cstrong data-start=\"878\" data-end=\"913\"\u003eStabilizzatore d’immagine (IS):\u003c\/strong\u003e fino a 3 stop di compensazione\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"947\" data-end=\"1026\"\u003e\n\u003cp data-start=\"949\" data-end=\"1026\"\u003e\u003cstrong data-start=\"949\" data-end=\"963\"\u003eMotore AF:\u003c\/strong\u003e USM (Ultrasonic Motor) per messa a fuoco rapida e silenziosa\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1027\" data-end=\"1077\"\u003e\n\u003cp data-start=\"1029\" data-end=\"1077\"\u003e\u003cstrong data-start=\"1029\" data-end=\"1050\"\u003eStruttura ottica:\u003c\/strong\u003e 18 elementi in 13 gruppi\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1078\" data-end=\"1116\"\u003e\n\u003cp data-start=\"1080\" data-end=\"1116\"\u003e\u003cstrong data-start=\"1080\" data-end=\"1094\"\u003eDiaframma:\u003c\/strong\u003e 8 lamelle circolari\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1117\" data-end=\"1142\"\u003e\n\u003cp data-start=\"1119\" data-end=\"1142\"\u003e\u003cstrong data-start=\"1119\" data-end=\"1128\"\u003ePeso:\u003c\/strong\u003e circa 670 g\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1143\" data-end=\"1176\"\u003e\n\u003cp data-start=\"1145\" data-end=\"1176\"\u003e\u003cstrong data-start=\"1145\" data-end=\"1160\"\u003eDimensioni:\u003c\/strong\u003e 83,5 × 107 mm\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1177\" data-end=\"1207\"\u003e\n\u003cp data-start=\"1179\" data-end=\"1207\"\u003e\u003cstrong data-start=\"1179\" data-end=\"1199\"\u003eDiametro filtri:\u003c\/strong\u003e 77 mm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"1209\" data-end=\"1212\"\u003e\n\n\u003ch2 data-start=\"1214\" data-end=\"1245\"\u003eQualità costruttiva e design\u003c\/h2\u003e\n\u003cp data-start=\"1247\" data-end=\"1566\"\u003eEssendo parte della \u003cstrong data-start=\"1267\" data-end=\"1278\"\u003eserie L\u003c\/strong\u003e, il Canon 24-105mm f\/4L IS USM offre una costruzione resistente con guarnizioni contro polvere e umidità, ideale per i fotografi che lavorano in condizioni difficili. La ghiera dello zoom è fluida e precisa, mentre la ghiera di messa a fuoco manuale consente regolazioni millimetriche.\u003c\/p\u003e\n\n\n\u003chr data-start=\"1568\" data-end=\"1571\"\u003e\n\n\u003ch2 data-start=\"1573\" data-end=\"1595\"\u003ePrestazioni ottiche\u003c\/h2\u003e\n\u003cul data-start=\"1597\" data-end=\"1966\"\u003e\n \t\u003cli data-start=\"1597\" data-end=\"1688\"\u003e\n\u003cp data-start=\"1599\" data-end=\"1688\"\u003e\u003cstrong data-start=\"1599\" data-end=\"1613\"\u003eNitidezza:\u003c\/strong\u003e eccellente al centro, buona anche ai bordi, soprattutto tra f\/5.6 e f\/8.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1689\" data-end=\"1761\"\u003e\n\u003cp data-start=\"1691\" data-end=\"1761\"\u003e\u003cstrong data-start=\"1691\" data-end=\"1718\"\u003eAberrazioni cromatiche:\u003c\/strong\u003e ben controllate grazie agli elementi UD.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1762\" data-end=\"1900\"\u003e\n\u003cp data-start=\"1764\" data-end=\"1900\"\u003e\u003cstrong data-start=\"1764\" data-end=\"1780\"\u003eDistorsione:\u003c\/strong\u003e presente un leggero effetto a barilotto a 24mm e a cuscinetto a 105mm, ma facilmente correggibile in post-produzione.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1901\" data-end=\"1966\"\u003e\n\u003cp data-start=\"1903\" data-end=\"1966\"\u003e\u003cstrong data-start=\"1903\" data-end=\"1913\"\u003eBokeh:\u003c\/strong\u003e gradevole e morbido grazie al diaframma circolare.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"1968\" data-end=\"1971\"\u003e\n\n\u003ch2 data-start=\"1973\" data-end=\"2003\"\u003eAutofocus e stabilizzazione\u003c\/h2\u003e\n\u003cp data-start=\"2005\" data-end=\"2297\"\u003eIl motore \u003cstrong data-start=\"2015\" data-end=\"2022\"\u003eUSM\u003c\/strong\u003e garantisce un autofocus veloce, preciso e silenzioso, perfetto sia per la fotografia d’azione sia per il video.\u003cbr data-start=\"2134\" data-end=\"2137\"\u003eLo \u003cstrong data-start=\"2140\" data-end=\"2169\"\u003estabilizzatore d’immagine\u003c\/strong\u003e integrato permette di scattare a mano libera con tempi di posa più lunghi, riducendo il rischio di mosso fino a circa 3 stop.\u003c\/p\u003e\n\n\n\u003chr data-start=\"2299\" data-end=\"2302\"\u003e\n\n\u003ch2 data-start=\"2304\" data-end=\"2357\"\u003ePer chi è ideale il Canon EF 24-105mm f\/4L IS USM?\u003c\/h2\u003e\n\u003cp data-start=\"2359\" data-end=\"2394\"\u003eQuesto obiettivo è consigliato a:\u003c\/p\u003e\n\n\u003cul data-start=\"2396\" data-end=\"2751\"\u003e\n \t\u003cli data-start=\"2396\" data-end=\"2498\"\u003e\n\u003cp data-start=\"2398\" data-end=\"2498\"\u003e\u003cstrong data-start=\"2398\" data-end=\"2435\"\u003eFotografi di viaggio e reportage:\u003c\/strong\u003e un solo obiettivo per coprire paesaggi, ritratti e dettagli.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2499\" data-end=\"2572\"\u003e\n\u003cp data-start=\"2501\" data-end=\"2572\"\u003e\u003cstrong data-start=\"2501\" data-end=\"2524\"\u003eEventi e matrimoni:\u003c\/strong\u003e versatilità e qualità in un formato compatto.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2573\" data-end=\"2648\"\u003e\n\u003cp data-start=\"2575\" data-end=\"2648\"\u003e\u003cstrong data-start=\"2575\" data-end=\"2590\"\u003eVideomaker:\u003c\/strong\u003e zoom fluido, stabilizzazione integrata e AF silenzioso.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2649\" data-end=\"2751\"\u003e\n\u003cp data-start=\"2651\" data-end=\"2751\"\u003e\u003cstrong data-start=\"2651\" data-end=\"2677\"\u003eAppassionati avanzati:\u003c\/strong\u003e che vogliono un’ottica professionale senza dover cambiare spesso lente.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"2753\" data-end=\"2756\"\u003e\n\n\u003ch2 data-start=\"2758\" data-end=\"2773\"\u003ePro e Contro\u003c\/h2\u003e\n\u003ch3 data-start=\"2775\" data-end=\"2789\"\u003e✅ Vantaggi\u003c\/h3\u003e\n\u003cul data-start=\"2790\" data-end=\"2974\"\u003e\n \t\u003cli data-start=\"2790\" data-end=\"2818\"\u003e\n\u003cp data-start=\"2792\" data-end=\"2818\"\u003eZoom universale 24-105mm\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2819\" data-end=\"2844\"\u003e\n\u003cp data-start=\"2821\" data-end=\"2844\"\u003eApertura f\/4 costante\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2845\" data-end=\"2901\"\u003e\n\u003cp data-start=\"2847\" data-end=\"2901\"\u003eCostruzione serie L (robustezza e tropicalizzazione)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2902\" data-end=\"2940\"\u003e\n\u003cp data-start=\"2904\" data-end=\"2940\"\u003eStabilizzatore d’immagine efficace\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2941\" data-end=\"2974\"\u003e\n\u003cp data-start=\"2943\" data-end=\"2974\"\u003eAutofocus rapido e silenzioso\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"2976\" data-end=\"2991\"\u003e❌ Svantaggi\u003c\/h3\u003e\n\u003cul data-start=\"2992\" data-end=\"3144\"\u003e\n \t\u003cli data-start=\"2992\" data-end=\"3034\"\u003e\n\u003cp data-start=\"2994\" data-end=\"3034\"\u003eNon molto luminoso rispetto a un f\/2.8\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3035\" data-end=\"3084\"\u003e\n\u003cp data-start=\"3037\" data-end=\"3084\"\u003eQualche distorsione alle estremità dello zoom\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3085\" data-end=\"3144\"\u003e\n\u003cp data-start=\"3087\" data-end=\"3144\"\u003ePeso non trascurabile per chi cerca leggerezza assoluta\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"3146\" data-end=\"3149\"\u003e\n\n\u003ch2 data-start=\"3151\" data-end=\"3179\"\u003eConfronto con alternative\u003c\/h2\u003e\n\u003cul data-start=\"3181\" data-end=\"3427\"\u003e\n \t\u003cli data-start=\"3181\" data-end=\"3302\"\u003e\n\u003cp data-start=\"3183\" data-end=\"3302\"\u003e\u003cstrong data-start=\"3183\" data-end=\"3218\"\u003eCanon EF 24-70mm f\/2.8L II USM:\u003c\/strong\u003e più luminoso e performante, ma meno versatile in termini di focale e più costoso.\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3303\" data-end=\"3427\"\u003e\n\u003cp data-start=\"3305\" data-end=\"3427\"\u003e\u003cstrong data-start=\"3305\" data-end=\"3339\"\u003eCanon RF 24-105mm f\/4L IS USM:\u003c\/strong\u003e versione per mirrorless Canon R, con prestazioni migliorate e autofocus più avanzato.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 data-start=\"3695\" data-end=\"3709\"\u003eConclusione\u003c\/h2\u003e\n\u003cp data-start=\"3711\" data-end=\"4011\"\u003eIl \u003cstrong data-start=\"3714\" data-end=\"3747\"\u003eCanon EF 24-105mm f\/4L IS USM\u003c\/strong\u003e è un obiettivo all-around che combina qualità professionale, escursione focale ampia e stabilizzazione d’immagine. È la scelta perfetta per chi cerca un unico obiettivo capace di affrontare quasi tutte le situazioni fotografiche senza compromessi significativi.\u003c\/p\u003e\n\u003cp data-start=\"4013\" data-end=\"4160\"\u003eSe vuoi uno zoom standard affidabile, versatile e con la qualità della \u003cstrong data-start=\"4087\" data-end=\"4098\"\u003eserie L\u003c\/strong\u003e, questo obiettivo è ancora oggi un investimento eccellente.\u003c\/p\u003e\n\u003cp data-start=\"4013\" data-end=\"4160\"\u003eCanon 24-105 mm F4 L IS USM\u003c\/p\u003e","brand":"Il mio negozio","offers":[{"title":"Default Title","offer_id":59739794473294,"sku":"138177","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/7681\/8510\/files\/DSC_2553.jpg?v=1779704800"},{"product_id":"canon-rf-85mm-f2-macro-is-stm","title":"Canon RF 85mm F2 Macro IS STM","description":"L'obiettivo RF 85mm F2 MACRO IS STM è pensato per i fotografi utilizzatori della serie EOS R alla ricerca di un obiettivo RF per ritratti che sia compatto, leggero e versatile.\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\nCanon RF 85mm F2 Macro IS STM\n\u003cp data-start=\"660\" data-end=\"985\"\u003eIl \u003cstrong data-start=\"663\" data-end=\"696\"\u003eCanon RF 85mm F2 Macro IS STM\u003c\/strong\u003e è uno degli obiettivi più versatili della serie RF di Canon, progettato sia per ritratti che per fotografia macro. Grazie al suo design compatto, all’autofocus veloce e alla stabilizzazione d’immagine integrata, rappresenta una scelta ideale per fotografi professionisti e appassionati.\u003c\/p\u003e\n\u003cp data-start=\"987\" data-end=\"1191\"\u003eIn questo articolo analizzeremo ogni dettaglio: specifiche tecniche, prestazioni in campo reale, punti di forza e limiti, confronti con altri obiettivi simili e consigli pratici per sfruttarlo al massimo.\u003c\/p\u003e\n\n\n\u003chr data-start=\"1193\" data-end=\"1196\"\u003e\n\n\u003ch2 data-start=\"1198\" data-end=\"1227\"\u003eCaratteristiche principali\u003c\/h2\u003e\n\u003ch3 data-start=\"1229\" data-end=\"1260\"\u003eLunghezza focale e apertura\u003c\/h3\u003e\n\u003cul data-start=\"1261\" data-end=\"1439\"\u003e\n \t\u003cli data-start=\"1261\" data-end=\"1291\"\u003e\n\u003cp data-start=\"1263\" data-end=\"1291\"\u003eLunghezza focale: \u003cstrong data-start=\"1281\" data-end=\"1289\"\u003e85mm\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1292\" data-end=\"1373\"\u003e\n\u003cp data-start=\"1294\" data-end=\"1373\"\u003eApertura massima: \u003cstrong data-start=\"1312\" data-end=\"1319\"\u003ef\/2\u003c\/strong\u003e, ideale per sfocature morbide e controllate (bokeh)\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1374\" data-end=\"1439\"\u003e\n\u003cp data-start=\"1376\" data-end=\"1439\"\u003eApertura minima: f\/22, utile per macro e paesaggi dettagliati\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"1441\" data-end=\"1471\"\u003eStabilizzazione d’immagine\u003c\/h3\u003e\n\u003cp data-start=\"1472\" data-end=\"1656\"\u003eIl sistema \u003cstrong data-start=\"1483\" data-end=\"1521\"\u003eIS (Image Stabilization) integrato\u003c\/strong\u003e permette fino a \u003cstrong data-start=\"1538\" data-end=\"1565\"\u003e5 stop di compensazione\u003c\/strong\u003e, riducendo il rischio di foto mosse in condizioni di scarsa illuminazione o a mano libera.\u003c\/p\u003e\n\n\u003ch3 data-start=\"1658\" data-end=\"1675\"\u003eAutofocus STM\u003c\/h3\u003e\n\u003cul data-start=\"1676\" data-end=\"1844\"\u003e\n \t\u003cli data-start=\"1676\" data-end=\"1773\"\u003e\n\u003cp data-start=\"1678\" data-end=\"1773\"\u003eMotore \u003cstrong data-start=\"1685\" data-end=\"1709\"\u003eSTM (Stepping Motor)\u003c\/strong\u003e: silenzioso e preciso, perfetto anche per registrazioni video\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1774\" data-end=\"1844\"\u003e\n\u003cp data-start=\"1776\" data-end=\"1844\"\u003eVelocità e precisione migliorate rispetto alle versioni precedenti\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"1846\" data-end=\"1890\"\u003eMacro e distanza minima di messa a fuoco\u003c\/h3\u003e\n\u003cul data-start=\"1891\" data-end=\"2050\"\u003e\n \t\u003cli data-start=\"1891\" data-end=\"1939\"\u003e\n\u003cp data-start=\"1893\" data-end=\"1939\"\u003eDistanza minima di messa a fuoco: \u003cstrong data-start=\"1927\" data-end=\"1937\"\u003e0,35 m\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"1940\" data-end=\"2050\"\u003e\n\u003cp data-start=\"1942\" data-end=\"2050\"\u003eIngrandimento massimo: \u003cstrong data-start=\"1965\" data-end=\"1973\"\u003e0,5x\u003c\/strong\u003e, ideale per dettagli ravvicinati su fiori, prodotti e ritratti ravvicinati\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"2052\" data-end=\"2076\"\u003eCostruzione e design\u003c\/h3\u003e\n\u003cul data-start=\"2077\" data-end=\"2215\"\u003e\n \t\u003cli data-start=\"2077\" data-end=\"2121\"\u003e\n\u003cp data-start=\"2079\" data-end=\"2121\"\u003eCompatto e leggero, solo \u003cstrong data-start=\"2104\" data-end=\"2119\"\u003e500 g circa\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2122\" data-end=\"2171\"\u003e\n\u003cp data-start=\"2124\" data-end=\"2171\"\u003eDesign resistente agli spruzzi e alla polvere\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"2172\" data-end=\"2215\"\u003e\n\u003cp data-start=\"2174\" data-end=\"2215\"\u003eAnello di messa a fuoco manuale preciso\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"2217\" data-end=\"2220\"\u003e\n\n\u003ch2 data-start=\"2222\" data-end=\"2250\"\u003ePrestazioni in fotografia\u003c\/h2\u003e\n\u003ch3 data-start=\"2252\" data-end=\"2264\"\u003eRitratti\u003c\/h3\u003e\n\u003cp data-start=\"2265\" data-end=\"2429\"\u003eL’\u003cstrong data-start=\"2267\" data-end=\"2279\"\u003e85mm f\/2\u003c\/strong\u003e è perfetto per isolare il soggetto dal fondo, creando un bokeh morbido e naturale. Ideale per ritratti professionali, matrimoni e fotografia di moda.\u003c\/p\u003e\n\n\u003ch3 data-start=\"2431\" data-end=\"2440\"\u003eMacro\u003c\/h3\u003e\n\u003cp data-start=\"2441\" data-end=\"2619\"\u003eLa distanza minima di messa a fuoco combinata con lo stabilizzatore integrato consente di ottenere dettagli nitidissimi senza treppiede, anche in condizioni di luce non ottimali.\u003c\/p\u003e\n\n\u003ch3 data-start=\"2621\" data-end=\"2630\"\u003eVideo\u003c\/h3\u003e\n\u003cp data-start=\"2631\" data-end=\"2777\"\u003eGrazie al motore STM silenzioso, l’obiettivo è ottimo per vlogging e riprese a mano libera, evitando rumori indesiderati durante la registrazione.\u003c\/p\u003e\n\n\n\u003chr data-start=\"2779\" data-end=\"2782\"\u003e\n\n\u003ch2 data-start=\"2784\" data-end=\"2822\"\u003eConfronto con altri obiettivi Canon\u003c\/h2\u003e\n\u003cdiv class=\"TyagGW_tableContainer\"\u003e\n\u003cdiv class=\"group TyagGW_tableWrapper flex flex-col-reverse w-fit\" tabindex=\"-1\"\u003e\n\u003ctable class=\"w-fit min-w-(--thread-content-width)\" data-start=\"2824\" data-end=\"3116\"\u003e\n\u003cthead data-start=\"2824\" data-end=\"2881\"\u003e\n\u003ctr data-start=\"2824\" data-end=\"2881\"\u003e\n\u003cth class=\"\" data-start=\"2824\" data-end=\"2836\" data-col-size=\"sm\"\u003eObiettivo\u003c\/th\u003e\n\u003cth class=\"\" data-start=\"2836\" data-end=\"2847\" data-col-size=\"sm\"\u003eApertura\u003c\/th\u003e\n\u003cth class=\"\" data-start=\"2847\" data-end=\"2855\" data-col-size=\"sm\"\u003eMacro\u003c\/th\u003e\n\u003cth class=\"\" data-start=\"2855\" data-end=\"2873\" data-col-size=\"sm\"\u003eStabilizzazione\u003c\/th\u003e\n\u003cth class=\"\" data-start=\"2873\" data-end=\"2881\" data-col-size=\"sm\"\u003ePeso\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"2939\" data-end=\"3116\"\u003e\n\u003ctr data-start=\"2939\" data-end=\"3002\"\u003e\n\u003ctd data-start=\"2939\" data-end=\"2971\" data-col-size=\"sm\"\u003eCanon RF 85mm F2 Macro IS STM\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"2971\" data-end=\"2977\"\u003ef\/2\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"2977\" data-end=\"2984\"\u003e0,5x\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"2984\" data-end=\"2993\"\u003e5 stop\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"2993\" data-end=\"3002\"\u003e500 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3003\" data-end=\"3061\"\u003e\n\u003ctd data-start=\"3003\" data-end=\"3030\" data-col-size=\"sm\"\u003eCanon RF 85mm f\/1.2L USM\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3030\" data-end=\"3038\"\u003ef\/1.2\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3038\" data-end=\"3046\"\u003e0,12x\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3046\" data-end=\"3051\"\u003eNo\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3051\" data-end=\"3061\"\u003e1195 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3062\" data-end=\"3116\"\u003e\n\u003ctd data-start=\"3062\" data-end=\"3089\" data-col-size=\"sm\"\u003eCanon RF 90mm F2.8 Macro\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3089\" data-end=\"3097\"\u003ef\/2.8\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3097\" data-end=\"3102\"\u003e1x\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3102\" data-end=\"3107\"\u003eNo\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3107\" data-end=\"3116\"\u003e630 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-start=\"3118\" data-end=\"3240\"\u003e✅ \u003cstrong data-start=\"3120\" data-end=\"3162\"\u003eVantaggio del RF 85mm F2 Macro IS STM:\u003c\/strong\u003e leggero, versatile, ottimo per macro e ritratti, stabilizzazione integrata.\u003c\/p\u003e\n\n\n\u003chr data-start=\"3242\" data-end=\"3245\"\u003e\n\n\u003ch2 data-start=\"3247\" data-end=\"3262\"\u003ePro e Contro\u003c\/h2\u003e\n\u003cp data-start=\"3264\" data-end=\"3274\"\u003e\u003cstrong data-start=\"3264\" data-end=\"3272\"\u003ePro:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul data-start=\"3275\" data-end=\"3422\"\u003e\n \t\u003cli data-start=\"3275\" data-end=\"3308\"\u003e\n\u003cp data-start=\"3277\" data-end=\"3308\"\u003eAutofocus veloce e silenzioso\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3309\" data-end=\"3346\"\u003e\n\u003cp data-start=\"3311\" data-end=\"3346\"\u003eOttima qualità ottica e nitidezza\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3347\" data-end=\"3376\"\u003e\n\u003cp data-start=\"3349\" data-end=\"3376\"\u003eStabilizzazione integrata\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3377\" data-end=\"3422\"\u003e\n\u003cp data-start=\"3379\" data-end=\"3422\"\u003eCompatto e leggero, facile da trasportare\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"3424\" data-end=\"3437\"\u003e\u003cstrong data-start=\"3424\" data-end=\"3435\"\u003eContro:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul data-start=\"3438\" data-end=\"3558\"\u003e\n \t\u003cli data-start=\"3438\" data-end=\"3502\"\u003e\n\u003cp data-start=\"3440\" data-end=\"3502\"\u003eNon raggiunge l’ingrandimento 1:1 come alcuni macro dedicati\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3503\" data-end=\"3558\"\u003e\n\u003cp data-start=\"3505\" data-end=\"3558\"\u003eApertura massima f\/2 meno luminosa rispetto a f\/1.2\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"3560\" data-end=\"3563\"\u003e\n\n\u003ch2 data-start=\"3565\" data-end=\"3591\"\u003eConsigli per l’acquisto\u003c\/h2\u003e\n\u003cul data-start=\"3593\" data-end=\"3847\"\u003e\n \t\u003cli data-start=\"3593\" data-end=\"3671\"\u003e\n\u003cp data-start=\"3595\" data-end=\"3671\"\u003ePerfetto per chi cerca un obiettivo \u003cstrong data-start=\"3631\" data-end=\"3644\"\u003etuttofare\u003c\/strong\u003e: ritratti, macro e video\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3672\" data-end=\"3731\"\u003e\n\u003cp data-start=\"3674\" data-end=\"3731\"\u003eIdeale per fotografi in viaggio grazie alla compattezza\u003c\/p\u003e\n\u003c\/li\u003e\n \t\u003cli data-start=\"3732\" data-end=\"3847\"\u003e\n\u003cp data-start=\"3734\" data-end=\"3847\"\u003eCompatibile con tutti i corpi Canon RF, ma consigliato su \u003cstrong data-start=\"3792\" data-end=\"3808\"\u003eCanon EOS R6\u003c\/strong\u003e o \u003cstrong data-start=\"3811\" data-end=\"3821\"\u003eEOS R5\u003c\/strong\u003e per massime prestazioni\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr data-start=\"3849\" data-end=\"3852\"\u003e\n\n\u003ch2 data-start=\"3854\" data-end=\"3868\"\u003eConclusioni\u003c\/h2\u003e\n\u003cp data-start=\"3870\" data-end=\"4198\"\u003eIl \u003cstrong data-start=\"3873\" data-end=\"3906\"\u003eCanon RF 85mm F2 Macro IS STM\u003c\/strong\u003e è un obiettivo versatile e performante, capace di soddisfare sia i fotografi professionisti che gli appassionati di macro e ritratti. La combinazione di qualità ottica, stabilizzazione e autofocus silenzioso lo rende una scelta eccellente per chi desidera un obiettivo leggero ma completo.\u003c\/p\u003e\n\u003cp data-start=\"4200\" data-end=\"4314\"\u003eSe vuoi un obiettivo Canon che sia \u003cstrong data-start=\"4235\" data-end=\"4268\"\u003eritratto, macro e video-ready\u003c\/strong\u003e, questo modello è sicuramente da considerare.\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":59739807711566,"sku":"138607","price":520.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/7681\/8510\/files\/DSC_2618.jpg?v=1779704804"}],"url":"https:\/\/b6muaw-1h.myshopify.com\/collections\/canon-obiettivi-usato.oembed","provider":"Il mio negozio","version":"1.0","type":"link"}